"Produced by Larry Keating for AT&T. 'THE ARTIST AND THE COMPUTER is an excellent introductory informational film that dispels some of the 'mystery' of computer-art technology, as it clarifies the necessary human input of integrity, artistic sensibilities, and aesthetics…. Ms. Schwartz’s voice over narration explains what she hoped to accomplish in the excerpts from a number of her films and gives insight into the artist’s problems and decisions…. I would recommend THE ARTIST AND THE COMPUTER for all grade levels, in classes on filmmaking, art appreciation, and human values.' - John Canemaker, Film News, Animation, Jan.-Feb. 1978. Cine Golden Eagle 1976; New York Film Festival; USIA - Animation and Education 1977; Annual Creative Problem Solving Institute, 1980. Recent screening at the Museum of Modern Art, New York, December 10, 2012."
"This paper considers differing understandings about the role and praxis of practitioner-based research for the arts. Over more than a decade the nexus between theory and practice has been a point of debate within the contemporary arts school both in Australia and overseas. This paper attempts to reveal ways of approaching this issue from within and across the disciplines. Discussions with colleagues from the arts representing fields as diverse as music, visual arts, creative writing, women's studies, dance and theatre studies indicate that the research principles explored, albeit briefly, here have resonance for each of these disciplines. Consequently, in an attempt to be broadly relevant for these diverse fields I have chosen to position the model as practitioner-based. Within this widened context I will be exploring the different ways in which studio-based practitioners and academics conceptualise the processes and characteristics of research in the arts and professional practice. However, as this is still work in progress, my exemplars will largely reflect my own field of the visual arts. Further research will enable this model to expand.
Presented is a way to conceptualise and explain what we do as studio-based researchers in the arts. In so doing I am recognising that contemporary practices in the arts reflect a meridian era of evolution, which requires us to be articulate practitioners. This includes being able to analyse and write about our practice in sophisticated ways. I see practitioner-based research and the resultant exploration of personal praxis as a way to achieve this. What I propose is that as artists we open up a larger domain by recontextualizing and reinterpreting aspects of standard mainstream research processes, looking at the resemblances, the self-resemblances and the differences between traditional and practitioner-based research methods as a logic of necessity."
(Robyn Stewart, 2001)
TEXT Vol Vol 5 No 2 October 2001 [http://www.griffith.edu.au/school/art/text/]
"Scene is dedicated to a critical examination of space and scenic production. The journal provides an opportunity for dynamic debate, reflection and criticism. With a strong interdisciplinary focus, we welcome articles, interviews, visual essays, reports from conferences and festivals. We want to explore new critical frameworks for the scholarship of creating a scene."
Date: 26 Apr 2013, Location/venue: The Old Fire Station, University of Salford, England
The workshop"offers an opportunity for those involved in teaching, or directly managing degree programmes in the Arts, to find out more about the role mobile learning can play in enhancing the student and tutor experience. Through a series of presentations, activities and discussions, led by academics from the Arts discipline area, participants will be introduced to mobile technologies approaches and see discipline-focused exemplars of mobile learning applied in teaching practice."
(Higher Education Academy)
The deadline for submitting artwork is 21 June 2013.
"The multimedia Competition 'Migrants in Europe' aims to give young artists and communicators an opportunity to reflect on the contribution of migrants to the European society today. The Competition should also serve as a first step towards more debate, information and opinion exchange.
The Competition is aimed at students who are over 18 years old and enrolled in art, graphic and communication schools in all EU countries and Croatia. The schools are to present the works in three categories – Poster, Photography and Video. Each school can present one or several works in one or several categories. The works will be judged at the national level and the best works will be forwarded to a European jury that will decide on European winners. A public internet vote will also take place on this website. The authors of the 30 European finalist works will travel to Brussels to attend a prize-giving ceremony with expected participation by Cecilia Malmström, European Commissioner for Home Affairs. The schools whose students win first prizes in the three categories and the first prize in the public vote will receive an award of €10,000 each."