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Which clippings match 'Books' keyword pg.1 of 4
03 SEPTEMBER 2014

Umberto Eco: The Virtual Imagination

"But many internet programs suggest that a story is enriched by successive contributions. … This has sometimes happened in the past without disturbing authorship. With the Commedia dell'arte, every performance was different. We cannot identify a single work due to a single author. Another example is a jazz jam session. We may believe there is a privileged performance of 'Basin Street Blues' because a recording survives. But there were as many Basin Street Blues as there were performances. ... There are books that we cannot rewrite because their function is to teach us about Necessity, and only if they are respected as they are can they provide us with such wisdom. Their repressive lesson is indispensable to reach a higher state of intellectual and moral freedom."

(Umberto Eco, 7 November 2000)

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2000authorial signatureauthoritative workauthorship • Basin Street Blues • biographybooks • books-to-be-read • booksellersbookstoresCinderella • closed universe • Commedia dellarte • comprehending languagecomputers • copying machine • e-bookelectronic literatureencyclopaediaend of booksend of print • enriched by successive contributions • every performance is different • evolving formfairy talefatefolioFranz Kafkafuture of the book • god passed over • grammatical rulesheroeshypertexthypertext fiction • hypertextual programme • hypertextual structures • Immanuel Kant • infinite possibilities • infinite texts • intellectual freedom • intellectual needs • jazz jam session • Les Miserables • library catalogue • linear narrative • linearityLittle Red Riding Hoodmanuscripts • moral freedom • Napoleon Bonapartenatural language • necessity • new forms of literacy • obsolete form • open work • Penguin edition • photocopierprint on demand • printed books • printed version • privileged performance • publishing houses • publishing modelreaderly textsreading • reading process • revisionscanningselectionshift to digital • single author • specificity of print • systems and text • tailored consumer experience • texts which can be interpreted in infinite ways • theories of interpretation • tragic beauty • tragic literature • Umberto Eco • unlimited texts • utilitarian value • Victor Hugo • War and Peace • Waterloo • William Shakespeare

CONTRIBUTOR

Simon Perkins
15 AUGUST 2013

Print is Flat, Code is Deep: The Importance of Media-Specific Analysis

"Many critics see the electronic age as heralding the end of books. I think this view is mistaken. Books are far too robust, reliable, long–lived, and versatile to be rendered obsolete by digital media. Rather, digital media have given us an opportunity we have not had for the last several hundred years: the chance to see print with new eyes and, with that chance, the possibility of understanding how deeply literary theory and criticism have been imbued with assumptions specific to print. As we continue to work toward critical practices and theories appropriate for electronic literature, we may come to renewed appreciation for the specificity of print. In the tangled web of medial ecology, change anywhere in the system stimulates change everywhere in the system. Books are not going the way of the dinosaur but the way of the human, changing as we change, mutating and evolving in ways that will continue, as a book lover said long ago, to teach and delight."

(Katherine Hayles, 2004)

Katherine Hayles (2004). "Print is Flat, Code is Deep: The Importance of Media–Specific Analysis" Poetics Today, Volume 25, Number 1, Spring 2004, pp. 67–90.

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TAGS

2004analogue and digital • analogue resemblance • bookscodecritical enquirycritical practices • cyborg reading practices • digital coding • digital media • distributed cognitive environments • electronic age • electronic hypertext • electronic literature • embodied entities • emergent property • end of booksend of printevolving form • instantiation • interpretation of signsKatherine Haylesliterary criticismliterary theorymaterialitymedia ecologiesmedia specificity • media-specific analysis • medial ecology • medium specificitymutabilitynatural languageobsolete medium • physical characteristics • physical specificity • recombination • renewed appreciation • signification • signifying strategies • somnolence • spaces to navigate • specificity of printtextstransformable • versatile medium • women in cultural theory

CONTRIBUTOR

Simon Perkins
22 JULY 2013

The Fantastic Flying Books of Mr. Morris Lessmore

"Inspired in equal measures, by Hurricane Katrina, Buster Keaton, The Wizard of Oz, and a love for books, 'Morris Lessmore' is a story of people who devote their lives to books and books who return the favor. The Fantastic Flying Books of Mr. Morris Lessmore is a poignant, humorous allegory about the curative powers of story. Using a variety of techniques (miniatures, computer animation, 2D animation), award–winning author/illustrator William Joyce and Co–director Brandon Oldenburg present a hybrid style of animation that harkens back to silent films and M–G–M Technicolor musicals. 'Morris Lessmore' is old–fashioned and cutting edge at the same time."

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2011animated short film • blown away • books • Brandon Oldenburg • Buster Keatoncomputer animationcontemplating mortality • cyclone • flip bookflip effectflying • hurricane • Hurricane Katrina • hybrid process • hybrid style • life and death • love of books • MGM • Moonbot Studios • Morris Lessmore • mortality • new beginnings • nostalgic yearningpianoromanticismTechnicolor • The Fantastic Flying Books of Mr Morris Lessmore • The Wizard of Oz • tornado • typhoon • William Joyce • windstorm

CONTRIBUTOR

Simon Perkins
16 NOVEMBER 2012

Su Blackwell: paper craft dioramas of childhood wonder and anxiety

"I often work within the realm of fairy–tales and folk–lore. I began making a series of book–sculpture, cutting–out images from old books to create three–dimensional diorama's, and displaying them inside wooden boxes. ...

For the cut–out illustrations, I tend to lean towards young–girl characters, placing them in haunting, fragile settings, expressing the vulnerability of childhood, while also conveying a sense of childhood anxiety and wonder. There is a quiet melancholy in the work, depicted in the material used, and choice of subtle colour."

(Su Blackwell)

Fig.1 Su Blackwell (2008). "The Girl in the Wood" [http://www.sublackwell.co.uk/portfolio–book–cut–sculpture/]

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2011book sculpturebookschildhood • childhood anxiety • childhood wonder • cut-outcut-out illustrationdesign craftdioramafairy talesfolklorefragilityhaunting imagesillustrated bookpaper dioramapapercraft • quiet melancholy • Su Blackwell • subtle colour • vulnerabilityvulnerability of childhood • wooden box • young girl

CONTRIBUTOR

Simon Perkins
01 OCTOBER 2012

Legal issues: intellectual property rights for the design industry

"Intellectual property law is made up of many elements of legal protection and a business might be concerned with any number of them. In some cases, IP ownership and its associated protection is inherent in the creation of the work and does not necessarily require further registration. Copyright is one example, which typically applies to 'artistic' works, such as books, music, software code and graphics. In other types, such as patents, registration is required. The tricky aspect is that any given design may qualify for one or more of the different intellectual property rights. Graphic design for a book, for example, would qualify for copyright, whilst the graphic elements of product packaging–such as the colours, lines or contours – might qualify for a 'registered design right', which is a different thing. The main types of intellectual property rights are: patents, copyright, unregistered design right, registered design right, trademarks."

(Design Council, UK)

TAGS

Anti Copying in Design • artistic works • book designbooksbusinesscopyright • creation of the work • Design Council (UK)graphic design • graphic elements • graphicsguide • guides for designers • intellectual propertyintellectual property lawintellectual property rights • IP ownership • lawlegallegal issues • legal protection • musicownershippackaging designpatent registrationpatentsprotection • registered design right • software codetrademarktrademarksUK • unregistered design right

CONTRIBUTOR

Simon Perkins
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