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30 MAY 2013

When Is Now? The Historical Present in Creative Practice

Thursday 27th June 2013, 10:00am – 4:30pm, Waterside 2, The Watershed, Bristol, UK.

"This one–day symposium explores the historical present in creative practice. In a cultural climate that valorizes the 'now' what does it mean to occupy the present moment? Our aim is to examine the present tense of creative practice as itself historical as opposed to understanding it as the end point of a linear chronological line. The symposium is motivated by a desire to pay attention to the atmospheric 'thickness' of the present tense in art, media and design practices and to imagine what kinds of experience can be articulated when what Lauren Berlant calls the 'ongoingness' of life is slowed down and brought into visibility. The symposium includes papers on the historical present in relation to painting, sound, photography, film, digital media and video."

TAGS

2013 • Betty Nigianni • Caroline Molley • chronological line • chronological sequencecontemporary presentcreative practice • Deborah Withers • design practicedigital media • Dot Rowe • film • Frank Bowling • historical present • historical understanding • inventing history • Jerry Walton • Katie Davies • Lauren Berlantlinear • linear timeline • media practicemomentmoments • moving sound • now • ongoingnesspainting • Peter Wright • photography • present moment • present tense • repetition • Rose Butler • School of Arts (UWE) • simultaneitysnapshotsoundstill imagesymposium • thickness • Tony Oursler • UKUniversity of the West of England • UWE • videovisual culture • Visual Culture Research Group (UWE)

CONTRIBUTOR

Simon Perkins
18 JANUARY 2013

Rose Goldsen Archive of New Media Art

"Named after the pioneering critic of the commercialization of mass media, the late Professor Rose Goldsen of Cornell University, the Archive was founded in 2002 by Timothy Murray to house international art work produced on CD–Rom, DVD–Rom, video, digital interfaces, and the internet. Its collection of supporting materials includes unpublished manuscripts and designs, catalogues, monographs, and resource guides to new media art.

Emphasizing multimedia artworks that reflect digital extensions of twentieth–century developments in cinema, video, installation, photography, and sound, holdings include extensive special collections in American and Chinese new media arts, significant online and offline holdings in internet art, and the majority of works in the international exhibition, Contact Zones: The Art of CD–Rom. A novel research archive of international significance, the collection complements the holdings in the Division of Rare and Manuscript Collections of illuminated manuscripts and the early modern printed book, and adds to the breadth of its important collections in human sexuality, Asian Studies, and Media, Film, and Music."

(Cornell University Library)

TAGS

2002American • American new media arts • archiveart • catalogues • CD-ROMChinese • Chinese new media arts • cinemacollection • commercialisation of mass media • Contact Zones • Cornell UniversityCornell University Library • designs • digital interfaces • DVD-ROMfilmholdingsinstallation • international art • InternetInternet artmass mediamediamonographs • multimedia artworks • musicnet artnew media artnew media artsonline and offlinephotography • Professor Rose Goldsen • research archive • resource guides • soundspecial collections • Timothy Murray • twentieth-century developments • unpublished manuscripts • video

CONTRIBUTOR

Simon Perkins
20 MAY 2012

Open Space: non-profit artist-run centre in Victoria, British Columbia

"Founded in September 1972, Open Space is non–profit artist–run centre located in Victoria, British Columbia. For over thirty years, Open Space has supported professional artists who utilize hybrid and experimental approaches to media, art, music, and performance. As an exhibition and performance centre, Open Space reflects the wide diversity of contemporary art practices in Victoria, across Canada, and beyond. Our commitment to contemporary artists is an inclusive situation, embracing work by artists of different disciplines, media, generations, cultures, and communities.

Open Space supports experimental artistic practices in all contemporary arts disciplines, acting as a laboratory for engaging art, artists, and audiences."

(Open Space Arts Society Vision Statement, 2010)

Fig.1 "Video as a Cultural Metaphor" Artist: Chris Creighton–Kelly, Date: March 9 and 10, 1979.

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TAGS

19721979art • artist-run • artists • artists of different disciplines • British ColumbiaCanada • Chris Creighton-Kelly • communitiescontemporary art practicescontemporary artists • contemporary arts disciplines • cultural metaphorculturesdiversity • engaging art • engaging artistsengaging audiencesexhibition centre • experimental approaches • experimental artistic practices • generations • hybrid formsinclusiveinstallation artmediamusicnon-profitopen space • Open Space Arts Society • performance • performance centre • professional artistsvideovideo art • video as a cultural metaphor • visual arts organisations

CONTRIBUTOR

Simon Perkins
04 FEBRUARY 2012

Star Wars Uncut: crowdsourcing Star Wars 15 seconds at a time

"Star Wars Uncut is the brainchild of Casey Pugh, a developer dedicated to creating new and fun experiences on the web.

In 2009, Casey became interested in using the internet as a tool for crowdsourcing user content.

Star Wars was a natural choice to explore the dynamics of community creation on the web – the response from fans has been overwhelming worldwide and the resulting movie is incredibly fun to watch."

(Casey Pugh)

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TAGS

15 seconds • 2009amateuramateur cultural productionamateur videoanimationauthorship • Casey Pugh • collaborationcollage • community creation • copycrowdsourcingfandomfans • geeky • homagehome movieLEGOlo-fimimicrymovienetwork societyparticipationplayfulproduce a segmentremix culturesharingsocial mediaStar Wars • star wars geek • Star Wars Uncut • sweding • upload your footageuser-generated contentvideovideo collageVimeovirtual collaborationworldwide communityYouTube

CONTRIBUTOR

Simon Perkins
11 MAY 2011

Sadie Benning's Fisher Price PXL-2000 confessions

"Eighteen–year–old Sadie Benning recorded thoughts and images, from 1989–92, of her nascent lesbianism with the help of a Fisher Price Pixelvision camera. Portrays the space of Sadie's bedroom, scrawled notes, and defiant expressions which mark her confessional, in–your–face style."

(Duke University Libraries)

Sadie Benning (1990). 'If Every Girl Had a Diary', video (black and white, sound), 8 min. Purchase. © 2011 Sadie Benning. Courtesy Video Data Bank

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TAGS

1990adolescent sexuality • audio cassette • authorship • B&W • black and whitecamerachronicle • coming out • confession • despair • diarydocumentary filmfeelingsfemale sexuality • Fischer-Price PXL-2000 camera • Fisher Price • gay and lesbian • gender • gender issues • girlidentity • If Every Girl Had a Diary • innocenceintimate livesisolationlesbian • lesbian identity • nascent sexuality • outpouringsoutsiderpersonal • pixelvision camera • queerqueer cinema • queer experience • queerness • revelatory • rough quality • Sadie Benning • self-shotssexual orientation • social prejudice • tapeteen • teenage • teenage diary • videoVideo Data Bank

CONTRIBUTOR

Simon Perkins
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