"What you are about to see is a mix of unrelated YouTube videos/clips edited together to create ThruYou. In other words – what you see is what you hear. Check out the credits for each video – you might find yourself.."
(Ophir Kutiel, http://www.kutiman.com/)
1). Ophir Kutiel (Kutiman), ThruYOU Project, "Kutiman–Thru–you – 01 – Mother of All Funk Chords", uploaded on 7 Mar 2009.
2). Ophir Kutiel (Kutiman), ThruYOU Project, "Kutiman–Thru–you – 08 – About ", uploaded by kutiman on 7 Mar 2009.
3). website design by Baconoppenheim [http://www.bnop.co/projects/thru–you/], 2009.
"Like the walkman and the mp3 player, the laptop raises a set of questions regarding the folding of spatialities as they intertwine with new cultural practices. For instance, consideration of the interface between space and the everyday routines of laptop users raises a number of issues about the personal uses of mobile devices. On the one hand, ... the laptop is insinuated into the mobile individualisation of technologically–rendered space. It becomes a 'bubble' organised around a privatised desire for withdrawal – a kind of utopic hike into introspective technoculture. Here, the laptop becomes a dwelling, shelter or boundary. It separates the inside from the outside and functions as a nest through which creative output is hatched and nurtured, transposing the personal and affective relationship musicians have with music into an inner technological space rendered by Graphic User Interfaces, projects and folders. In many ways, this echoes the way the traditional recording studio seals itself from the outside world, both acoustically and creatively. As the French sociologist, Antoine Hennion argues, removed from the real world by sound proofing, the studio becomes an 'idealized microcosm of creation' (1989: 408) in which trial and error testing and sonic experimentation takes place".
Hennion, A. (1989) "An Intermediary Between Production and Consumption: The Producer of Popular Music", Science, Technology and Human Values, 14, 4: 400–424.
'OK Computer: Mobility, Software and the Laptop Musician', Information, Communication and Society, 11:7, October 2008: 912–932.
Fig.1 'Clint (KA7OEI) and Randy (KG7GI) on the edge of a 1200 foot cliff overlooking much of Canyonlands National Park, using their laptop computers on the CanyonLan'