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Which clippings match 'Tangible Visualisation' keyword pg.1 of 1
19 JANUARY 2014

inFORM: prototype for a Dynamic Shape Display

"inFORM is a Dynamic Shape Display that can render 3D content physically, so users can interact with digital information in a tangible way. inFORM can also interact with the physical world around it, for example moving objects on the table's surface. Remote participants in a video conference can be displayed physically, allowing for a strong sense of presence and the ability to interact physically at a distance."

(Daniel Leithinger, Sean Follmer, Alex Olwal, Akimitsu Hogge, Hiroshi Ishii, 2013)

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2013 • Akimitsu Hogge • Alex Olwal • applied research • computationally reconfigurable • computationally transformable • computer-mediated interaction • Daniel Leithinger • digital states • direct interactiondisplay device • dynamic shape display • form and appearancefuture interaction concepts • future materials • Hiroshi Ishii • human-material interaction • inFORM (prototype) • interact with digital information • interactive surfaceinteractive table • Material User Interface (MUI) • materialitiesMIT Media Lab • MIT Media Lab Tangible Media Group • physical and digital interaction • physical form • physical manifestation • radical atoms • reconfigurable material • remote communicationremote partner • Sean Follmer • sense of presence • shapes and formsshapeshiftingshaping our relationship to the material worldtabletoptactile communication • tangible bits • tangible computingtangible interfacestangible visualisationtechnology affordances • transformable material • world around us

CONTRIBUTOR

Alex Sisan
24 MARCH 2013

How much of a language is silent? What does it look like when you take the silence out? Can we use code as a tool to answer these questions?

"silenc is a tangible visualization of an interpretation of silent letters within Danish, English and French.

One of the hardest parts about language learning is pronunciation; the less phonetic the alphabet, the harder it is to correctly say the words. A common peculiarity amongst many Western languages is the silent letter. A silent letter is a letter that appears in a particular word, but does not correspond to any sound in the word's pronunciation.

A selection of works by Hans Christian Andersen is used as a common denominator for these 'translations'. All silent letters are set in red text. When viewed with a red light filter, these letters disappear, leaving only the pronounced text.

silenc is based on the concept of the find–and–replace command. This function is applied to a body of text using a database of rules. The silenc database is constructed from hundreds of rules and exceptions composed from known guidelines for 'un'pronunciation. Processing code marks up the silent letters and GREP commands format the text.

silenc is visualized in different ways. In one form of a book, silent letters are marked up in red yet remain in their original position. In another iteration, silent letters are separated from the pronounced text and exhibited on their own pages in the back of the book, the prevalence of silent letters is clearly evident."

(Momo Miyazaki, Manas Karambelkar and Kenneth Aleksander Robertsen)

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2012alphabetbookCIIDCopenhagen Institute of Interaction Designcorrelative analogueDanishEnglish • exceptions • find-and-replace • FrenchGREP • GREP command • Hans Christian Andersen • Kenneth Aleksander Robertsen • language • learning language • legibility • Manas Karambelkar • Momo Miyazaki • phonetics • Processing (software)pronunciationredrules • Silenc (project) • silence • silent letter • sound correspondencetangible visualisationtexttranslation • visualisation interpretation

CONTRIBUTOR

Simon Perkins
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