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Which clippings match 'Truth' keyword pg.3 of 6
04 DECEMBER 2010

Charlie Chaplin: truth and naturalism through improvisation

"While Harold Lloyd played the daredevil, hanging from clocks, and Buster Keaton maneuvered through surreal and complex situations, [Charlie] Chaplin concerned himself with improvisation. For Chaplin, the best way to locate the humor or pathos of a situation was to create an environment and walk around it until something natural happened. The concern of early theater and film was to simply keep the audience's attention through overdramatic acting that exaggerated emotions, but Chaplin saw in film an opportunity to control the environment enough to allow subtlety to come through."

(Public Broadcasting Service, 28th August 2006)

TAGS

actorAmerican MastersaudienceauthorshipBuster KeatonCharlie Chaplincomedycontroldaredevil • exaggerated emotions • filmfilm acting • Harold Lloyd • hidden treasures • humourimprovisationnaturalismpathosPBSperformancephysical comedy • Public Broadcasting Service • realismsilent moviessocial realitysubtletytheatretruth • Unknown Chaplin

CONTRIBUTOR

Simon Perkins
28 NOVEMBER 2010

How to Lie with Design Research

"Dan Saffer, author of "Designing for Interaction", gives a tongue–in–cheek talk about the misleading ways certain design researchers present their findings."

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TAGS

2008authenticitycut and paste • Dan Saffer • designdesign researchfictionhumourinterviewirreverenceobjectivityre-enactmentresearch • researchization • researchizing • scientific researchsteal from anywherethieverytongue-in-cheektruth • URF 08 • User Research Friday
15 JANUARY 2010

Web 2.0 has created a cult of digital narcissism and amateurism?

"Critics such as Andrew Keen argue that Web 2.0 has created a cult of digital narcissism and amateurism, which undermines the notion of expertise by allowing anybody, anywhere to share (and place undue value upon) their own opinions about any subject and post any kind of content regardless of their particular talents, knowledgeability, credentials, biases or possible hidden agendas. He states that the core assumption of Web 2.0, that all opinions and user–generated content are equally valuable and relevant is misguided, and is instead 'creating an endless digital forest of mediocrity: uninformed political commentary, unseemly home videos, embarrassingly amateurish music, unreadable poems, essays and novels,' also stating that Wikipedia is full of 'mistakes, half truths and misunderstandings'."

(http://influxive.com/)

TAGS

2.0 portals • advance web • amateuramateurismbiascommentarycontentcritiquedigital narcissismexpertisemasterymediocritynarcissismopinion • political commentary • relationship management • search engine optimisationSEOsmall businesstruthuser-generateduser-generated contentwebWeb 2.0Web 3.0web developmentWikipedia

CONTRIBUTOR

Simon Perkins
02 DECEMBER 2009

Ceci n'est pas une pipe: undercutting our expectation about representation

"Doesn't a picture that declares, 'This is not a pipe,' undercut our expectation that representation will give us the thing – in this case, the pipe – itself? The difficulty it presents is no accident. Magritte was perhaps unique among the visual artists of this century in the depth of his philosophical lore. Another of his pipe dreams contains a depiction of a pipe on a blackboard under which 'This is not a pipe' is inscribed in a schoolmasterly hand. Floating above the blackboard Magritte depicts a kind of Platonic pipe. By virtue of its disproportionate size and free–floating dislocation, this utopian pipe is made to seem a mirage, while the depiction of a pipe, comfortably ensconced in its frame, enjoys a higher ontological dignity. The superficial contrast between the flat, two–dimensional blackboard pipe and the Platonic or transcendental overpipe is subverted, and it dawns on us that it is the picture of the pipe that we know, not the pipe in itself."

(Flint Schier, 23 January 1983, The New York Times)

Fig.1 La Trahison des images (Ceci n'est pas une pipe), 1929; Fig.2 René Magritte – Die zwei Mysterien, 1966, "Die Pfeife ist keine Pfeife", (Ceci n'est pas une Pipe)

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TAGS

19291983artartistBelgian • ceci nest pas une pipe • idealismmeta-paintingMichel FoucaultmimesispipePlatoRene Magritterepresentationrepresentational strategiessignificationsignifiedsignifier • this is not a pipe • truthvisual arts

CONTRIBUTOR

Simon Perkins
20 NOVEMBER 2009

Plato's Allegory of the Cave

"Behold! human beings living in a underground cave, which has a mouth open towards the light and reaching all along the cave; here they have been from their childhood, and have their legs and necks chained so that they cannot move, and can only see before them, being prevented by the chains from turning round their heads. Above and behind them a fire is blazing at a distance, and between the fire and the prisoners there is a raised way; and you will see, if you look, a low wall built along the way, like the screen which marionette players have in front of them, over which they show the puppets.

And now look again, and see what will naturally follow if the prisoners are released and disabused of their error. At first, when any of them is liberated and compelled suddenly to stand up and turn his neck round and walk and look towards the light, he will suffer sharp pains; the glare will distress him, and he will be unable to see the realities of which in his former state he had seen the shadows; and then conceive some one saying to him, that what he saw before was an illusion, but that now, when he is approaching nearer to being and his eye is turned towards more real existence, he has a clearer vision, –what will be his reply? And you may further imagine that his instructor is pointing to the objects as they pass and requiring him to name them, –will he not be perplexed? Will he not fancy that the shadows which he formerly saw are truer than the objects which are now shown to him?"

(Plato)

Plato's Republic, book vii, 514a–c to 521a–e

[Plato's allegory about consciousness underpins Western philosophy. It also introduces a fundamental concept used by Christian theology to describe spiritual enlightenment.]

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TAGS

allegoryallegory of the caveauthenticitycavechainClassicalcognitive immersionconsciousnesscopy • divine enlightenment • enlightenment • hierarchyimmersionmarionettemetaphysicsmimesisPlatoprisonerpuppetrealismrepresentationshadow • spiritual perception • Theory of Forms • transcendencetruth

CONTRIBUTOR

Simon Perkins
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