Not Signed-In
Which clippings match 'Cubism' keyword pg.1 of 1
15 FEBRUARY 2017

Silent-era avant-garde artist-filmmakers disrupting the new realities of mass media (rather than replicating them)

"Around the time Shub started her documentary experiments, 20th century avant-garde artists likewise began using repurposed chunks of mass-produced ephemera. Picasso and Braque threw bits of newspaper into paintings; Max Ernst cut up Victorian illustrations to create proto-surrealist collages; Walter Benjamin, T. S. Eliot, and James Joyce pushed the literary practice of quotation into the realm of pastiche; Marcel Duchamp pioneered sculptural assemblage with his readymades; and photomontage blossomed in the graphic works of John Heartfield, Hannah Höch, and Alexander Rodchenko. These works rearranged reality to suit their artists' purposes but, unlike the compilation films, did not try to hide that manipulation. Whether Cubist, Dada, or Constructivist, these artists chose to disrupt the new realities of mass media rather than replicate them, savoring the illogic of dreamlike disjunctions and precipitating new ways to see all-too-common images."

(Ed Halter, 10 July 2008, Moving Image Source)

TAGS

20th centuryAlexander Rodchenkoavant-garde artistsavant-garde cinemaconstructivistcubismcut-up techniqueDadadisruptiondocumentary experiments • dreamlike disjunctions • Ed Halter • Esther Shub • experimental film • found-footage • Georges Braque • Hannah Hochinfluential artistsJames JoyceJohn Heartfield • literary practice • Marcel Duchampmass media • mass-produced ephemera • Max Ernst • new realities • Pablo Picassopastichephotomontagepioneering filmmaker • proto-surrealist collages • quotationreadymade • repurposed archival material • Russian constructivism • sculptural assemblage • Thomas Stearns Eliot • Victorian illustrations • Walter Benjamin

CONTRIBUTOR

Simon Perkins
02 MARCH 2013

The Vorticists: a short-lived 20th century avant garde art movement

"The vorticists did not have many members; nor did the movement last long, because of unfortunate timing – it formed in 1914 as Europe hurtled towards war. By 1918 there was not much appetite for dogmatic groups such as theirs.

Nevertheless, the group holds an important place in 20th–century British art history.

'They were the first abstract modernist group in Britain,' said Stephens. 'It inevitably comes out of the revolution of cubism, but then, so does everything in the 20th century.'

They were part of a maelstrom of new, aggressive art 'ism' movements, not least the one practised by the Italian futurists, who were, in Lewis's eyes, the bad guys.

Stephens said: 'Unlike the futurists, who celebrate the energy of the machine and actual war as a purging force, the vorticists were engaged in more universal ideas of identity, time and movement in a philosophical sense.'"

(Mark Brown, 13 June 2011, The Guardian)

1
2

3

TAGS

1914 • 20th century • abstract modernist group • aggressive art • Alvin Langdon Coburn • angular shapesart exhibitionart movementavant-garde • Blast (journal) • British art • cometism • cubismcubist and abstract art • David Bomberg • disruptive pattern • Dore Gallery • Dorothy Shakespear • Edward Wadsworth • Ezra Pound • Futurism (art movement)Hayward Gallery • Helen Saunders • ism • jazz rhythm • Lawrence Atkinson • maelstrom • Manifesto for a Modern World • movementpaintingpattern • Penguin Club • purging force • short-lived • Tate Britainthe energy of the machine • universal ideas • universal modernity • vanished works • visual abstractionvorticism • vorticists • William Robertswomen artistswomen in art and designWorld War IWyndham Lewis

CONTRIBUTOR

Simon Perkins
Sign-In

Sign-In to Folksonomy

Can't access your account?

New to Folksonomy?

Sign-Up or learn more.