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Which clippings match 'Vorticism' keyword pg.1 of 1
02 MARCH 2013

The Vorticists: a short-lived 20th century avant garde art movement

"The vorticists did not have many members; nor did the movement last long, because of unfortunate timing - it formed in 1914 as Europe hurtled towards war. By 1918 there was not much appetite for dogmatic groups such as theirs.

Nevertheless, the group holds an important place in 20th-century British art history.

'They were the first abstract modernist group in Britain,' said Stephens. 'It inevitably comes out of the revolution of cubism, but then, so does everything in the 20th century.'

They were part of a maelstrom of new, aggressive art 'ism' movements, not least the one practised by the Italian futurists, who were, in Lewis's eyes, the bad guys.

Stephens said: 'Unlike the futurists, who celebrate the energy of the machine and actual war as a purging force, the vorticists were engaged in more universal ideas of identity, time and movement in a philosophical sense.'"

(Mark Brown, 13 June 2011, The Guardian)

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TAGS

1914 • 20th century • abstract modernist group • aggressive art • Alvin Langdon Coburn • angular shapesart exhibitionart movementavant-garde • Blast (journal) • British art • cubism • cubist and abstract art • David Bomberg • Dore Gallery • Dorothy Shakespear • Edward Wadsworth • Ezra Pound • Futurism (art movement)Hayward Gallery • Helen Saunders • ism • jazz rhythm • Lawrence Atkinson • maelstrom • Manifesto for a Modern World • movementpaintingpattern • Penguin Club • purging force • short-lived • Tate Britainthe energy of the machine • universal ideas • universal modernity • vanished works • visual abstractionVorticism • Vorticists • William Robertswomen artistswomen in art and designWorld War I • Wyndham Lewis

CONTRIBUTOR

Simon Perkins
02 MARCH 2013

WW1 Razzle Dazzle ship camouflage

"Most camouflage is based on the idea of concealment and blending in with its surroundings. However another school of thought has argued for making the item in question appear to be a mashup of unrelated components. Naval camoufleurs found this theory particularly appealing. Blending didn’t work because ships operated in two different and constantly changing color environments - sea and sky. Any camo that concealed in one environment was usually spectacularly conspicuous in others.

Norman Wilkinson, a British naval officer and painter, suggested a scheme that came to be known as Dazzle or Razzle Dazzle painting. Wilkinson believed that breaking up a ship’s silhouette with brightly contrasting geometric designs would make it harder for U-boat captains to determine the ship’s course."

(FoundNYC Inc, 4 April 2009)

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TAGS

1917angular shapesappearanceapplication of design • battleship • blend in • blending • blending in • blocks of colourbreaking up • bulk • camo • camouflage • colourcolour scheme • concealment • conspicuous • constantly changing • dazzle • dazzle painting • dazzle ship painting • disruption pattern • disruptive colouration • distortiongeometric designsinterruptioninvisibilitymilitary • naval camouflage • naval camoufleurs • navy • Norman Wilkinson • optical illusionoutlinepaintingpattern • Razzle Dazzle • sea • seascape • shapes • shipsilhouette • sky • spatial ordersurroundingssymmetry • U-boat • unrelated components • vessel • visual abstractionVorticismWorld War IWW1

CONTRIBUTOR

Simon Perkins
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