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25 JULY 2012

Mobile Innovation Network Aotearoa: Call For Papers

"Call For Papers: 2nd International Mobile Creativity and Mobile Innovation Symposium, #MINA2012, Mobile Innovation Network Aotearoa, 23rd –25th November 2012, Massey University, Wellington, NZ ...

MINA [www.mina.pro] is an international network that promotes cultural and research activities to expand the emerging possibilities of mobile media. MINA aims to explore the opportunities for interaction between people, content and the creative industry within the context of Aotearoa/New Zealand and internationally.

The symposium will provide a platform for filmmakers, artists, designers, researchers, 'pro–d–users' and industry professionals to debate the prospect of wireless, mobile and ubiquitous technologies in art and design environments and the creative industries. MINA invites paper proposals relating (but not limited) to; mobile lens media, iPhoneography, mobile video production, mobile–mentaries (mobile documentaries), mobile network and transmedia, mobile communities, mobile media and social change, mobile visual arts, mobile locative media, citizen journalism, mobile visual literacy, mobile media in education and mobile technologies and civic media. ...

Paper proposals should be submitted by the 15th August 2012"

(Mobile Innovation Network Aotearoa)

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TAGS

2012Aotearoa New Zealandcall for paperscitizen journalism • civic media • co-creationco-creator-shipcollaborationcommunication devicecontemporary art practicescontemporary designcontent creationcreative industriescrowdsourcing • cultural research • design industrydesign professionalsdesign researcherfilmmaking • independent creatives • industry professionals • innovative business models • International Mobile Creativity and Mobile Innovation Symposiuminternational networkiPhone cinematographyiPhoneographylocative mediam-learningMassey University • media content • media distributionmediascapeMINAMINA2012mobile apps • mobile communities • mobile documentary • Mobile Innovation Network Aotearoa • mobile lens media • mobile mediamobile media in educationmobile media practicesmobile networkmobile phone • mobile phone users • mobile technologiesmobile video production • mobile visual arts • mobile visual literacy • mobile-mentary • modes of communicationmodes of production • new forms of connectivity • new forms of sociability • new media aesthetics • new media formats • paper proposals • participatory culturepro-d-userspro-sumerprodusersocial changesymposiumtransdisciplinaritytransmediaubiquitous technologiesvisual communication designwireless technologies

CONTRIBUTOR

Lynne Ciochetto
05 JANUARY 2004

Telecommunication: Decentralized International Exchange

Jeffrey Shaw (ZKM 1995)
TelecommunicationBroadcasting and telecommunications are an integral aspect of the new media technologies, and permit media manifestations to address an international and mass audience. While telecommunication methods have till now only tentatively been used by media artists, the Institute for Image Media feels that this is an important area of future development; one that will lead to a decentralized international exchange of cultural action and information.Therefore the Institute for Image Media will focus its activity in this area on the following potentials:

1). two–way interactive transmission of audiovisual data, for instance, via the new ISDN telephone system, 2). an international communications network of persons and institutions involved with media technology issues, 3). the new notions of "telepresence" and "cyberspace" which will enable people to enter a virtual dataspace and meet and communicate with each other there. This evokes the possibility for artists to create immaterial artworks that manifest themselves solely within the international telecommunications waves.
When one considers the visions which accompanied the development of contemporary art over the last 30 years – the kinetic art of the 1950s, the "open artwork" of the 1960s (happenings, environment, performances, land art, etc.), the conceptual and social art forms of the 1970s – one finds that these visions have interesting and astonishing parallels in the technological developments of the 1990's. Interactivity creates a intimate relation between the artwork and the viewer, tele–communications permits extended social interactions, simulation gives direct form to conceptual proposi–tions. It seems to be only a short step from "inter–media art" to "multimedia technology". Of course we cannot predict whether if technology will bring about a fulfillment or finale of these utopian artistic movements. The Institute for Image Media intends to be a place, where artists can think and work in relation to this question.

TAGS

artistaudiovisualbroadcastcommunicateculture • decentralise • exchangehappeningsinformation • inter-media • internationalISDNJeffrey Shawkinetic art • Klotz • land artmediamultimedia • open artwork • social art • telecommunicationtelepresencetransmediaZKM
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