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Which clippings match 'Research Artefacts' keyword pg.1 of 1
24 MARCH 2013

Interaction design research artefacts intended to produce knowledge

"We differentiate research artifacts from design practice artifacts in two important ways. First, the intent going into the research is to produce knowledge for the research and practice communities, not to make a commercially viable product. To this end, we expect research projects that take this research through design approach will ignore or deemphasize perspectives in framing the problem, such as the detailed economics associated with manufacturability and distribution, the integration of the product into a product line, the effect of the product on a company's identity, etc. In this way design researchers focus on making the right things, while design practitioners focus on making commercially successful things.

Second, research contributions should be artifacts that demonstrate significant invention. The contributions should be novel integrations of theory, technology, user need, and context; not just refinements of products that already exist in the research literature or commercial markets. The contribution must demonstrate a significant advance through the integration. This aspect of a design research contribution makes particular sense in the interaction design space of HCI. Meteoric technological advances in hardware and software drive an aggressive invention of novel products in HCI and interaction design domains that are not as aggressively experienced by other design domains. While product designers might find themselves redesigning office furniture to meet the changing needs of work, interaction designers more often find themselves tasked with inventing whole new product categories.

Our model of design research allows interaction design researchers to do what designers do best: to study the world and then to make things intended to affect change. Our model provides a new channel for the power of design thinking, desired by many disciplines, to be unleashed as in a research context. Design researchers can contribute from a position of strength, instead of aping the methods of other disciplines as a means of justifying their research contribution."

(John Zimmerman, Jodi Forlizzi, Shelley Evenson, p.500, 2007)

John Zimmerman, Jodi Forlizzi, and Shelley Evenson (2007). "Research through design as a method for interaction design research in HCI". In Proceedings of the SIGCHI conference on Human factors in computing systems (CHI '07). ACM, New York, NY, USA, 493–502. DOI=10.1145/1240624.1240704 http://doi.acm.org/10.1145/1240624.1240704

CONTRIBUTOR

Simon Perkins
20 FEBRUARY 2013

What is Practitioner Based Enquiry?

"In practical terms PRE is a process in which teachers, tutors, lecturers and other education professionals systematically enquire into their own institutional practices in order to produce assessable reports and artefacts which are submitted for academic credits leading to the awarding of degrees, certificates and diplomas of universities, colleges and professional associations."

(Louis Murray and Brenda Lawrence, 2000, p.10)

Murray, L., & Lawrence, B. (2000). Practitioner–based enquiry: Principles for postgraduate research. London: Falmer Press.

TAGS

2000 • an examination of the artefact • Brenda Lawrence • constructionist epistemology • creative activitycreative practice as researchcreative practitioner • enquiring into ones own practice • insiders perspective • intellectual autonomy • keeping field notes • knowledge on creativity • Louis Murray • making the objects • methodological approach • ones own creative practice • PBE • pedagogy research • Practitioner Based Enquiry • reflective journalreflective practiceresearch artefactsresearch in art and designresearch methodresearch reports • self-reflective • self-reflective approach • self-reflective examination • systematic approach • systematically enquire

CONTRIBUTOR

Simon Perkins
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