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Which clippings match 'Audiovisual Performance' keyword pg.1 of 1
17 JULY 2015

With Oui: dance performance using live audio and algorithmic flocking

"The narrative of the piece develops around human communication and mutually supportive relationships. A bright object in the middle of the stage acts as source of knowledge and connecting link between the dancers. This object contains inside a motion sensor (a Wiimote controller) and is used in specific moments by the dancers as a performative object to manipulate audio."

"With Oui" – May 2015 | B. Iden Payne Theater, UT Austin – Texas: Choreography: Billie Secular, Ladonna Matchett; Sound: Eli Fieldsteel; Live Visuals: Rodrigo Carvalho; Lighting Designer: Ya-Tai Chung; Dancers: Zach Khoo, Kelsey Oliver, Gianina Casale, Nick Kao, D’Lonte Lawson, and Sam O.

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2015 • artificial life programme • audio reactive • audiovisual dance performance • audiovisual performance • Billie Secular • Boids • code driven visuals • dance performance • DLonte Lawson • Eli Fieldsteel • flocking algorithmflocking behaviour • Gianina Casale • Kelsey Oliver • Ladonna Matchett • live audio input • motion sensor • movement performance • Nick Kao • performative object • Plethora library • Processing (software) • Rodrigo Carvalho • Sam O • Texas • VDMX • Wiimote controller • With Oui (2015) • Ya-Tai Chung • Zach Khoo

CONTRIBUTOR

Simon Perkins
21 MARCH 2015

Loophole Cinema: artist collective exploring film in an expanded form

"1989 -1998 A collective of artists, specialising in large scale installation and performance work, usually of a site specific nature."

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16mm1989artist collectiveaudiovisual performance • Bea Haut • Ben Hayman • bodily intervention • British artistcelluloidexpanded cinemaexperimental artistic practices • exterior skin • film in an expanded form • film projection • Greg Pope • image creation • inter-related moments • interactive shadow engines • interior space • Ivan Pope • Javanese shadow puppets • kinetic machinery • large scale installationlight projection • Loophole Cinema (artist collective) • magic lanternmaterial practicemulti-screen • multi-screen projection • multi-screen projection works • multiscreen projections • non-representationaloptical toy • Paul Rodgers • performance work • pre-cinematic history • projected image • projection works • self and surroundings • shadow photographyshadow playsilent film • site-responsive works • site-specific installation • videorama technologies • visual abstractionvisual pattern

CONTRIBUTOR

Simon Perkins
20 JULY 2014

Choreographed Typography by Hyun Ju Song and Mi Lyoung Bae

"Created by Hyun Ju Song and Mi Lyoung Bae, The Moment is an exploration of language, how the meaning is formed from words. Hyun Ju Song describes a situation when people face an absurd situation in Korea, they say 'It makes no word.' This project is about the absurd moment and creates no word out of words."

(Filip Visnjic, 12/02/2014, CreativeApplications.Net)

Hyun Ju Song and Mi Lyoung Bae (2013). "The Moment", Concept, visual programming & performance by Song, Hyun Ju, Sound programming & performance by Bae, Mi Lyoung. A generative design work where the Latin alphabet is transformed into abstract geometry using 3–screen–projection, Processing and Max/MSP.

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2013 • abstract geometry • alphabet • animated text • audiovisual experienceaudiovisual performanceblack and white • CreativeApplications.Net • disassemblegenerative design • Hyun Ju Song • Korean artist • Latin alphabet • Latin wordlegibilityletterformlive animationlive audiovisual performanceMax/MSPmedia artist • Mi Lyoung Bae • moving typeProcessing (software)projection worksrealtime animationsound design • sound programming • soundscape • The Moment (2013) • typo art projecttypographytypography experimentsvisual interpretation

CONTRIBUTOR

Simon Perkins
19 JULY 2013

Dinca: a space for experimental film, new media art and video art

Fig.1 Directed by: Max Hattler. Sound and music: Eduardo Noya Schreus. Animation: Matt Abbiss, Tony Comley, Valeria Fonseca, Max Hattler, Siobhan Mcelhinney, Luiz Stockler. Special Thanks to Sandra Sykorova.

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CONTRIBUTOR

Simon Perkins
26 MARCH 2013

Resolume: VJ Software for producing realtime generated visuals

"Resolume is created by Edwin de Koning & Bart van der Ploeg together with Tim Walther, Daniel Berio, Joris de Jong, Menno Vink and a few specialized freelancers.

Resolume was born because we wanted to VJ. But we wanted to do it better. Back in 1998 VJ–ing was done with VHS tapes and an mx50 video mixer so it was hard to quickly improvise video to music because tempo could not be adjusted, or even reversed. Effects were limited to what the mx50 had to offer. We thought software would allow us to improvise more and be a better VJ.

We could not find any VJ software that did what we wanted back in 1998 so we started programming our own. We quickly realized our software was much better than our VJ–ing so we work on Resolume full–time since 2002."

(Edwin de Koning and Bart van der Ploeg)

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2002algorithmic artaudiovisual performance • Bart van der Ploeg • computational aestheticscomputer graphics • Daniel Berio • Edwin de Koning • generative designinteractive performanceinteractive visualisation • Joris de Jong • kinetic animationlive animationlive performancelooping • lumotion • Menno Vink • Panasonic WJ-MX50 • Panasonic WJ-MX50 video mixer • projection artreactive graphicsrealtime animationrealtime generated visuals • Resolume (software) • Tim Walther • triggering • video jockey • video mixer • video sampling • visual abstraction • visual performer • visual spectaclevisualsVJ • VJ Loops • VJ software • VJ-ing

CONTRIBUTOR

Simon Perkins
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