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16 JULY 2009

Thomas Allen: pulp fiction remixes

"[Thomas] Allen's photographs are inspired by his childhood experiences with pop–up books and View–Masters. He begins his process by cutting figures and images out of illustrated pages of old books and vintage fiction novels. Allen then cleverly rearranges and juxtaposes the forms to create three–dimensional scenes. Next, he carefully lights his subjects and photographs the scenes.

When separated from their original stories, the figures take on fresh roles in entirely new situations. Yet they retain their intended purpose of storytelling. Characters and objects originally created as two–dimensional illustrations are raised from their pages and given new life in three–dimensional space. The figures return back to two–dimensional objects, this time in the form of a photograph."
(Joseph Bellows Gallery)






Simon Perkins
12 FEBRUARY 2004

Frozen In The Moment: Into The Void

The short 16mm film; "A Little Death" evolved from an earlier (speculative) project entitled "Into The Void". This project problematised issues of space (zone, boundary, intersection) through their instigation as narrative actors. The project enquired: How do 3D people live up to idealised 2D representations? What happens if an individual who doesn't 'belong' is given the chance to 'fit in' & remains dislocated? As Frank turns to reach out and touch his surrounds he finds them to be flat and lifeless representations – literally a 2D world of backdrops hanging one foot in front of his face – mirrors of his own subjectivity. Will he locate himself within this shifting but lifeless tableau or escape into the void beyond?
(Simon Perkins & Paul Swadel, September 1993)

[The project was conceptualised in part as a play on Edouard Manet's 'Olympia' (and its reframing of Titian's 'The Venus of Urbino'.]




Simon Perkins

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