Not Signed-In
Which clippings match 'Piet Mondrian' keyword pg.1 of 1
30 JANUARY 2014

Lecture by curator, theorist and art critic Nicolas Bourriaud

Symposium: Other Perspectives. Hafnarhus, weekend 13 – 14 August 2011.



2011 • art and philosophy • contemporary artcritical position • cultural sphere • desensitisation • DJ • first modern age • identityideology • instrument realisation • Jacques LacanlocalLouis AlthusserMarcel Duchampmaterial processesmaterialismmaterialitymodernism • new maternity • Nicolas BourriaudPaolo Pasolinipersonal identityphilosophyPiet Mondrianpost-productionpostmodernism • providential man • psychoanalysis • rearticulation • reificationrelational aestheticsReykjavik • Reykjavik Art Museum • sexual fear • social needs • social unconscious • structuralismsymposiumvisual arts


Simon Perkins
14 MARCH 2013

Lou Loeber: childrens picture book illustrations

"Prentenboek met 18 platen met geometrische gevormde figuren van een van de 'constructivistisch gerichte experimentele schilders' met plaatjes die gemaakt lijken 'met behulp van de tangramdoos' (S. de Bodt. Prentenboeken). Bevat onder andere gedichten en prenten over een vlinder, kippen, spreeuwen, een geitenbok, speelgoed, een varken, de sproeiwagen, een watermannetje, de vuilnisman, lammetjes, spelen met een tol, een interieur met zonnestraal, een kwikstaart, koe en schaap in de wei, een lezend meisje, regen, sneeuwpret en Sinterklaas."

(The Memory of the Netherlands)

Simon Franke (1927). "Gouden Vlinders" picture book illustrated Lou Loeber.




















1927abstract artbook illustrationbutterfly • Charles-Edouard Jeanneret • chickenchildrens bookchildrens book illustrationcityscapeConstructivist-inspiredcowDe Stijldesign formalismdrawingetchingeveryday life • experimental painter • farm • farmyard • gedichtenbundels • geometric figures • glass painting • goat • Gouden Vlinders • human figure • illustration • kunstenaarsboeken • lamb • landscapeLe Corbusierlinocut • Lou Loeber • meadow • modernist aestheticspicture bookPiet Mondrianpigplants • prentenboeken • rain • rubbish collector • Santa Claus • Saskia de Bodt • sheep • Simon Franke • simplified forms • simplified representations • snow • spinning top • starlingsstill life • storybook • tangram box • The Memory of the Netherlands • tightened forms • visual abstractionvisual artwomen in art and design


Simon Perkins
16 JANUARY 2013

1937 Munich exhibition of Degenerate Art

"00:25:43 Wide view of the new House of German Art, a museum dedicated to Nazi–approved artwork, with long, white columns. 00:26:03 Across the street, INTs of the 1937 exhibition of Entartete Kunst ['Degenerate Art'] on the second floor of the Institute of Archaeology. Room 1 with 'Kruzifixus' [Crucified Christ] sculpture by Ludwig Gies (1921), formerly in Luebeck cathedral. 00:26:66 Room 3 with 'Maedchen mit blauem Haar' [Girl with Blue Hair] by Eugen Hoffmann. Wall text refers to a Kandinsky piece 'Zweierlei Rot' (1928) purchased for the National Gallery in Berlin for 2,000 marks as 'paid by taxes from the working German people.' 00:26:39 Wide view of the crowds in Room 3, including the mocking inscription by Georg Grosz, 'Nehmen Sie Dada ernst! Es lohnt sich.' [Take Dada seriously! It's worth it.] Male docent showing visitors Room 3 with 'Springendes Pferd' [Jumping Horse] by expressionist Heinrich Campendonk from the National Gallery and the small painting 'Um den Fisch' [Around the Fish] by Paul Klee. 00:27:13 Visitors moving through Room 3, looking at sculptures beneath an inscription in wavy lines, 'We act as if we were painters, poets, or whatever, but we...are just putting one giant swindle over on the world....' 00:27:24 Exhibit lobby with large head sculpture 'Der neue Mensch' [The New Man] by Otto Freundlich (1912), which was used for the cover of the exhibition guide. 00:27:37 EXTs, people coming out of the building, car and bicycle pass by on the street. Large sign over exhibition entrance: 'Ausstellung 'Entartete Kunst' Eintritt frei.' [Exhibition 'Degenerate Art' Free entrance.] INT, Room 4 with 'Der Strand' [The Beach] by Max Beckmann. 00:28:00 Profile view of two women looking at paintings by Ernst Kirchner and Oskar Kokoschka in Room 4 with 'Sitzender Mann' [Sitting Man] by Erich Heckel of the artists' group 'Die Bruecke' [The Bridge] and 'Die Mulattin' [The Mulatto Woman] by Emil Nolde behind them. Men view works in Room 4 and move through exhibit. 00:28:33 Room 5 with 'Bahnhof in Koenigstein' [Koenigstein station] by Ernst Kirchner, 'Blumen und Tieren' [Flowers and Animals] by Heinrich Campendonk (1926), 'Handstand' by Willi Baumeister, 'Im Kanu' [In the Canoe] by Jean Metzinger, 'Komposition' [Composition] by Piet Mondrian (1929), 'Stilleben' [Still Life] by Karl Schmitt–Rottluff (1932). 00:29:07 The inscription over the doorway from Room 6 to Room 7, 'Sie hatten vier Jahre Zeit.' [They had four years' time.] In Room 1, 'Christus und die Suenderin' [Christ and the Sinner] by Emil Nolde (1929). Visitors before the Dada wall in Room 3, pan to right."



1937 • degenerate art • deviant status • Emil Nolde • Entartete Kunst • Erich Heckel • Ernst Kirchner • Eugen Hoffmann • exhibitionExhibition of Degenerate Art • Georg Grosz • Heinrich Campendonk • House of German Art • Jean Metzinger • Julien Bryan • Karl Schmitt-Rottluff • Kruzifixus • Ludwig Gies • Max Beckmann • modern artMunichmuseumNazi Germany • Nazi-approved artwork • Oskar Kokoschka • Otto Freundlich • out-groups • Paul Klee • Piet MondrianUnited States Holocaust Memorial Museum • Wassily Kandinsky • white columns • Willi Baumeister


Simon Perkins

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