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Which clippings match 'Antiquity' keyword pg.1 of 1
22 FEBRUARY 2015

Eye Appeal: Spectacle on Stage and in Life

"From ancient times to the present 'spectacle' (the visual aspects of human performance–architecture, scenery, costumes, makeup, lighting, special effects, and staging) has been used to expressively embody and evoke meaning in rituals, ceremonies, and artistic performances. This course [Eye Appeal: Spectacle on Stage and in Life at The University of North Carolina at Greensboro] will examine the use of spectacle as an expressive mode of communication in human performance from antiquity to the present."

(Bob Hansen, 2004)

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TAGS

2004 • aesthetician • antiquityart historyartifice • artistic performances • Ben Jonson • Bryan Holmes • ceremony • Cinquecento • circus • commanding form • costume design • court spectacles • creation of spectacle • dramatic literature • entertainment spectacle • expressive mode of communication • eyecatching • George Kernodle • high renaissance • human performance • Inigo Jones • Jean-Baptiste Poquelin • John Lahr • Jonathan Price • lecture programmeLeonardo da Vincilightingmake-upMichelangelo • Moliere • parade • Phyllis Hartnoll • physiological reactions • psychological reactions • public showsRaphael • religious rites • renaissanceritualscene designsceneryscenographysetting • Shakespeare • show (spectacle)special effectsspectacle • spectacles • spetakel • stage magic • stagecraft • staging • Susanne Langer • Sybil Rosenfeld • technical theatre • theatre architecture • Thomas Heck • TitianTiziano • Tiziano Vecelli • Tiziano Vecellio • University of North Carolina • University of North Carolina at Greensboro • visual and performance elements • visual spectaclevisual spectacular • visually striking

CONTRIBUTOR

Simon Perkins
16 JANUARY 2013

Call to Order: the pretentious sterility of culture

"In a masterstroke of design, the curator of Chaos and Classicism, Kenneth Silver, chose a work of art to illustrate the Nazi annexation of neoclassicism that at first glance is anything but threatening. The Four Elements by Adolf Ziegler decorated the walls of Hitler's Munich apartment. A member of the Nazi Party, Ziegler was charged by Hitler in 1937 to stage–manage the purge of modern art in the notorious Exhibition of Degenerate Art. Ziegler's depiction of four nude women who symbolize fire, earth, air and water, the four elements of nature recognized in antiquity, personifies little but the pretentious sterility of culture under the Third Reich. Yet, it is the perfect embodiment of the banality of evil."

(Ed Voves, 4 October 2010)

Fig.1 Adolf Ziegler, The Four Elements: Fire, Water and Earth, Air, (Die vier Elemente. Feuer, Wasser und Erde, Luft), before 1937, Oil on canvas, three panels, left to right: 170.3 x 85.2 cm, 171 x 190.8 cm, and 161.3 x 76.7 cm, Bayerische Staatsgemäldesammlungen, Sammlung Moderner Kunst in der Pinakothek der Moderne, Munich.

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TAGS

1937Adolf Hitler • Adolf Ziegler • air • antiquitybanalitycall to orderchaos and classicismclassical beautyclassical formcorrectioncultural productionEarth • elements • emasculation • essential elements of artessentialismExhibition of Degenerate Artfascismfire • Kenneth Silver • masterstroke of design • modern artmodernismMunichnatureNazi • Nazi Party • neoclassical revivalneoclassicismnude women • pretentious sterility of culture • purificationpurity • racial purity • return to ordersterility • The Four Elements • Third Reichwaterwork of art

CONTRIBUTOR

Simon Perkins
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