Media technology convergence: from Desktop to mobile
"When that Apple II came out, it really could do nothing. It could show text and after we waited a bit, we had these things called images. Remember when images were first possible with a computer, those gorgeous, full-color images? And then after a few years, we got CD-quality sound. It was incredible. You could listen to sound on the computer. And then movies, via CD-ROM. It was amazing. Remember that excitement? And then the browser appeared. The browser was great, but the browser was very primitive, very narrow bandwidth. Text first, then images, we waited, CD-quality sound over the Net, then movies over the Internet. Kind of incredible. And then the mobile phone occurred, text, images, audio, video. And now we have iPhone, iPad, Android, with text, video, audio, etc. You see this little pattern here? We're kind of stuck in a loop"
(John Maeda, TEDGlobal 2012)
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Alise PiebalgaSHARE
The Value of Culture: Two Cultures
"Melvyn Bragg considers the 150-year history of the Two Cultures debate. In 1959 the novelist C.P. Snow delivered a lecture in Cambridge suggesting that intellectual life had become divided into two separate cultures: the arts and the humanities. The lecture is still celebrated for the furore it provoked - but Snow was returning to a battleground almost a century old. Melvyn Bragg visits the old Cavendish Laboratory in Cambridge, scene of many of modern science's greatest triumphs, to put the Two Cultures debate in its historical context - and Paul Nurse, President of the Royal Society, reveals the influence the Two Cultures debate had on his development as a scientist."
(Melvyn Bragg, 2013)
"The Value of Culture: Two Cultures", Radio broadcast, Episode 3 of 5, Duration: 42 minutes, First broadcast: Wednesday 02 January 2013, Presenter/Melvyn Bragg, Producer/Thomas Morris for the BBC Radio 4, UK.
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Simon PerkinsSHARE
Neil Young Expands Pono Digital-to-Analogue Music Service
"Beginning next year [2013], Pono will release a line of portable players, a music-download service and digital-to-analog conversion technology intended to present songs as they first sound during studio recording sessions. In his book out this week, Waging Heavy Peace, Young writes that Pono will help unite record companies with cloud storage 'to save the sound of music.' As Flea raves to Rolling Stone, 'It's not like some vague thing that you need dogs' ears to hear. It's a drastic difference.'
Pono's preservation of the fuller, analog sound already has the ear of the Big Three record labels: Warner Music Group, Universal Music Group and Sony Music. WMG - home to artists including Muse, the Black Keys, Common and Jill Scott - has converted its library of 8,000 album titles to high-resolution, 192kHz/24-bit sound. It was a process completed prior to the company's partnership with Young's Pono project last year, said Craig Kallman, chairman and chief executive of Atlantic Records.'"
(Patrick Flanary, 27 September 2012, Rolling Stone)
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Simon PerkinsSHARE
Assembling the SparkFun MegaShield
"The Arduino is a popular, in-expensive, open-source microcontroller board and software development enviroment. Arduino boards come in a variety of styles and are available from numerous suppliers including SparkFun Electronics. One recent version of the Arduino is the ArduinoMega. The 'Mega', just as it's name suggests, is an Arduino, supersized. More digital I/O pins. More PWM outputs. More Analog inputs. and 4 UARTS (hardware serial ports). And, if that wasn't enough, more memory."
(Robert Gallup, atomicsalad)
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Simon PerkinsSHARE
Computer History Museum: Selling the Computer Revolution
"The brochures selected here (just a fraction of the Museum's holdings in this area) show some of the more important technologies, companies, and applications in computing from 1948 to 1988. This covers the period from mechanical and relay-based computers to those based on the microprocessor - a remarkable transition that occurred over only 25 years. We hope you enjoy browsing through these historical documents."
(Computer History Museum)
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Simon PerkinsSHARE
