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Which clippings match 'Sydney' keyword pg.1 of 3
22 JUNE 2013

The NFSA Life In Australia Series

Fig.1 James Jeffrey (1966). "Life In Australia: Adelaide": 20.25 Minutes. Made by The Commonwealth Film Unit / Department of Immigration 1966. Directed by James Jeffrey. A picture of life in the South Australian capital of Adelaide in the mid 1960s, social, commercial and recreational.
Fig.2 "Life In Australia: Brisbane", Fig.3 "Guide To Canberra", Fig.4 "Darwin – Doorway To Australia", Fig.5 "Life In Australia: Hobart", Fig.6 "Life In Australia: Melbourne", Fig.7 "Life In Australia: Perth", Fig.8 "Life In Australia: Sydney".

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TAGS

1960s1966Adelaideadvertising imagesaudio and visual heritageaudiovisual archiveAustralia • Australian capital cities • Australian culture • Australian Department of Immigration • Australian ScreenBrisbaneCanberracommercial sector • Commonwealth Film Unit • cultural life • Darwin • Eric Thompson • European Australianseveryday cultureGreat Britain • Hobart • idylidyllic imageimmigrantimmigration • James Jeffrey • life in Australia • Life in Australia Series • lifestyleMelbourneNational Archives of AustraliaNational Film and Sound ArchivenewsreelNFSAPerthportrait of everyday liferecreational activitiessocial sectorSouth AustraliaSydney • ten pound pom • ten pound tourist • UK • welcoming immigrants • white Australia policy

CONTRIBUTOR

Simon Perkins
29 OCTOBER 2012

Virtual Warrane: An Aboriginal contribution to the vision

"Aboriginal multimedia expert Brett Leavy is exhibiting realistic simulations of Sydney Cove and Circular Quay before the arrival of colonial settlers in the late 18th century.

Using Unity (beta) game engine software, he and a team of modellers, photographers and sound artists have set up at Sydney's colonial-era Customs House a wall of media screens and a video gaming room to educate visitors about the early vegetation, wildlife, fishing and culture of the original residents of what is now the Sydney business district. (Ghostly wireframes of some of the current CBD towers, and the Sydney Opera House, can be navigated as an overlay to the underlying environmental simulation.)"

(Davina Jackson, 8 August 2012, Virtual ANZ)

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CONTRIBUTOR

Simon Perkins
04 APRIL 2012

Marshall McLuhan debates his ideas on Australian TV in 1977

"In June 1977 Marshall McLuhan visited Australia and was a guest on Monday Conference, a popular live ABC television show hosted by Robert Moore. McLuhan debated his ideas with Moore and took questions from a feisty studio audience made up of members of the media and advertising industry, including TV boss Bruce Gyngell (see Part One at 14 mins), and young, funky Derryn Hinch (see Part Two from 3 mins).

McLuhan had been brought to Australia to address a broadcasting conference organised by Sydney radio station 2SM, and the Monday Conference was broadcast from the ballroom of the Sydney Hilton Hotel.

Many in the audience clearly admired McLuhan who has well into his prime and at ease with the live television situation. The discussion covered an eclectic range of topics, from television, privacy and Richard Nixon to holograms, transcendental meditation, Jane Austen, Euclidean geometry, denim jeans and nude streaking.

Towards the end of the program the always unpredictable McLuhan can be heard just off–mic, saying to Moore, 'I'm terribly sorry, but I'm going to have to sneak off and have a pee!'."

(ABC Radio National, Australia)

Fig.1,2&3 Marshall Mcluhan, lecture recorded by ABC Radio National Network on 27 June 1977 in Australia.

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TAGS

1977 • 2SM • ABC Radio National (Australia) • ABC Radio National Network • advertising industry • age of anxiety • age of electronic media • anxietyAustraliaAustralian Broadcasting CorporationBionic Woman • broadcasting conference • Bruce Gyngell • Canadiancommunicationcool mediumdebate • denim jeans • Derryn Hinchdigital eraelectronic mediaEuclidean geometryfolk artglobal villagehologram • hot medium • information anxietyinformation revolution • interconnectivity • InternetJane Austenlecture • live television • loss of privacy • Marshall McLuhanmass media age • McLuhan Project • media • media industry • media theory • media visionary • mediummedium is the messagemessage • Monday Conference (show) • networked societynostalgic yearning • nude streaking • privacyradio stationRichard Nixon • Robert Moore • studio audienceSydney • Sydney Hilton Hotel • television • The McLuhan Project • thinker • transcendental meditation

CONTRIBUTOR

Simon Perkins
01 AUGUST 2011

Tilt-shift timelapse of a Westpac Rescue Helicopter Service training exercise

"This is a personal project that would not have been possible without the support of the Westpac Rescue Helicopter Service. Thanks to the entire team for their generous access during training exercises and patrols this Summer. Since the Service began in 1973, it has carried out more than 21,000 missions ranging from urgent patient transfers to dangerous search and rescue missions.

This film is 100% 'real', but there are some new techniques for me here, such as using time lapse to create the illusion of forward movement for the helicopter ocean scenes. These flight sequences would not be possible without the skill and patience of Chief Pilot Peter Yates. Thanks also to Trevor Cracknell (for getting wet!) and Family."

(Keith Loutit, 2009)

Fig.1 Keith Loutit (2009). "Bathtub IV" Music: "Clementine" (Megan Washington), Performed by Washington, © 2008 J Albert & Son Pty Limited., used with permission, myspace.com/​meganwashington

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TAGS

2009 • Bare Island • Botany Bay • camera technique • flight sequence • helicopterillusion • Keith Loutit • Kurnel desalination plant • miniatureoceanoffshore drilling rig • patient transfers • Peter Yates • scaleseasearch and rescueSydneySydney Harbourtilt shifttimelapse • training exercise • Trevor Cracknell • visual spectacleWestpacWestpac Bank • Westpac Rescue Helicopter Service

CONTRIBUTOR

Simon Perkins
05 JUNE 2010

Passionless Moments: the banality of everyday life

"Passionless Moments, as its title implies, is concerned less with the gathering up of individual scenes into an overall narrative than with their dispersion. And these are moments without deep emotion, without the passion erotic or otherwise that characterizes the later feature films. Instead, here and in Sweetie, Campion engages in what we might term a surreality of everydayness, in which ordinary, even trivial, incidents from a variety of people's lives receive comic evaluation."

(Dana Polan, 23 October 2006)

[1] Campion, J. and G. Lee (1983). Passionless Moments. Australia.

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TAGS

1983AustraliabanalityemotionlesseverydayJane Campionmultiple momentsnarrativeobservation • Passionless Moments • series of short storiesshort filmsocial realitySydney • trivial • vignettevisual depiction

CONTRIBUTOR

Simon Perkins
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