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Which clippings match 'Switzerland' keyword pg.1 of 3
19 FEBRUARY 2017

Jean-Luc Godard's first film: Une Femme Coquette (1955)

"The film, based on a Guy De Maupassant short story, was Godard's first shot at a narrative. It's often listed as lost by biographers, and the find is tremendously significant for French New Wave enthusiasts. There are also several easter eggs in the work for Godard fans: the director cameos two minutes in, the story is later re-adapted in Godard's 1966 film 'Masculin Féminin,' and the work itself is credited to his film-critic pseudonym, Hans Lucas.

Just five years after shooting 'Une Femme Coquette,' Godard would release his early masterpiece, 'Breathless.' There is so much of the energy of that latter work in this earlier vision, shot on a borrowed 16mm camera."

(William Earl, 18 February 2017, Indiewire)

TAGS

1955 • A Flirtatious Woman (1955) • based on novel • black and white • Carmen Mirando • coquette • early work • flirtatious • French filmmaker • French New Wave • French-Swiss film director • Genevagesture • Guy de Maupassant • Hans Lucas • Ile Rousseau • imitation of an actioninfluential filmmakerJean-Luc Godard • Le Signe (Guy de Maupassant) • Maria Lysandre • non-sync sound • prostitute • Roland Tolmatchoff • short fiction film • short film • Swiss filmmaker • Switzerland • The Signal (Guy de Maupassant) • Une Femme Coquette (1955) • voice-over commentarywoman

CONTRIBUTOR

Simon Perkins
24 JANUARY 2014

Brandmarks with elegance by Helvetic Brands

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TAGS

brand • brandmark • brandmark designclean design • David Pache • design agencydesign consultancydesign formalismdesign simplicityelegant designformalist design aesthetics • Helvetic Brands • independent design consultancy • International StyleLausannelogo designlogo designers • minimal design • minimalistic stylesimple design • strip away • stripped back • stripped back aestheticsSwiss StyleSwitzerlandtrademarkvisual simplicity • white space

CONTRIBUTOR

Simon Perkins
03 JUNE 2013

Les Automates Jaquet-Droz

"Réalisé principalement par Pierre Jaquet–Droz, l'Ecrivain est le plus compliqué des trois mécanismes. Assis devant un pupitre, l'automate tient une plume d'oie qu'il trempe dans l'encrier, puis il la secoue légèrement avant de commencer de dessiner les lettres sur le papier. Grâce à un mécanisme annexe, ses yeux suivent son travail. L'Ecrivain est capable de tracer un texte de 40 signes au maximum, répartis sur quatre lignes. La principale invention de son mécanisme est le système de programmation par disque, qui lui permet d'écrire des textes suivis sans intervention extérieure. Il est également possible de lui faire écrire n'importe quelle phrase, lettre par lettre."

(Musée d'art et d'histoire de Neuchâtel)

[A robotic draftsman which is able to write through following a programmable sequence of letters.]

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TAGS

1774 • 18th centuryandroidanimated modelsautomataautomation • clockwork • computer historydevicefuturistic machines • Henri-Louis Jaquet-Droz • human-likehumanoid automatonindustrial heritageinteractive toy • Jean-Frederic Leschot • kinetic automaton • Les automates • mechanical beingmechanical engineering • Pierre Jaquet-Droz • programmable device • quill pen • robotsimulacrasimulationspeculative designSwitzerlandsynthesis machineswriterwriting machine

CONTRIBUTOR

Simon Perkins
19 MARCH 2013

Swiss Universities of Design and Art

"Since its foundation in 2003, the Swiss Design Network has been active in the field of design research by networking researchers from the Swiss Universities of Design and Art, by organising internationally renowned symposiums and by publishing their proceedings, by offering direct support to research projects and by participating in the research debate on national and international level. ...

it is also clear that research is a paradoxical activity that needs to be free and framed at the same time. Designerly ways of knowing rely on rigour and creativity and most of the debates about social relevance, scientific or cultural value carried by design research are rooted into this paradox. To some extent, this is true of every research activity – and this is the very reason why a focused discussion of design projects and methods is always precious; because digging into the details of different thought processes is what will ultimately allow fresh visions of design goals and strengths.

The Swiss Design Network is therefore a platform to challenge ideas and share intellectual friendship."

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TAGS

2003 • competence network • Conference of Swiss Schools of Art and Design • CTI • cultural valuedesign discoursedesign educationdesign fielddesign methodsdesign projectsdesign researchdesignerly waysdesignerly ways of knowing • epistemological questions • intellectual friendship • KHKD • methodological questions • networking researchers • practicing theoryresearch activity • research debate • research projects • SAEN • SARN • scientific value • SDN • social relevanceSwiss Design Network • Swiss research network • Swiss Universities of Design and Art • Switzerlandvisual rhetoric

CONTRIBUTOR

Simon Perkins
09 MAY 2012

Welcome to the Era of Design

"All businesses, no matter what they make or sell, should recognize the power and financial value of good design.

Obviously, there are many different types of design: graphic, brand, packaging, product, process, interior, interaction/user experience, Web and service design, to name but a few. ...

You see, expecting great design is no longer the preserve of a picky design–obsessed urban elite – that aesthetically sensitive clique who'd never dare leave the house without their Philippe Starck eyewear and turtleneck sweaters and buy only the right kind of Scandinavian furniture. Instead, there's a new, mass expectation of good design: that products and services will be better thought through, simplified, made more intuitive, elegant and more enjoyable to use.

Design has finally become democratized, and we marketers find ourselves with new standards to meet in this new 'era of design.' To illustrate, Apple, the epitome of a design–led organization, now has a market capitalization of $570 billion, larger than the GDP of Switzerland. Its revenue is double Microsoft's, a similar type of technology organization but one not truly led by design (just compare Microsoft Windows with Apple's Lion operating system)."

(Adam Swann, 5/03/2012, Forbes)

Fig.1 "Mille Miglia" bicycle by VIVA [http://www.vivabikes.com/].

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TAGS

advertisingaestheticsAmazon.comApple • Apple Care • applied discipline • B2Bbrandbrandingbrandsbusiness • business to business • CMO Network • competitive advantagecreativity • customer recommendation • customer satisfaction • customer-centric • customersdesign • design-led organisation • elegant design • employee satisfaction • enjoyable to use • era of design • experience design • feel good • financial value • First Direct • Forbesgood designgraphic designhyperconnectedIKEAinnovative designinteraction designinterior designintuitive designleadership • led by design • marketer • marketingmeaningful experiences • Michael Eisner • MicrosoftMicrosoft Windows • new era • new standardsoperating systempackagingPhilippe StarckPinterest • process design • product design • rewarding experiences • service design • service touchpoints • social media • social-media-fueled society • Switzerland • urban elite • user experience designweb design

CONTRIBUTOR

Simon Perkins
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