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Which clippings match 'Living Photo' keyword pg.1 of 1
23 JANUARY 2013

Citizen Kane: famous film transition from a photograph to real life

"Another transition takes us to the same three men, this time reflected in the window of the Chronicle, Kane's major rival (Circulation 495,000). 'I know you're tired, Gentlemen... Kane begins, suggesting the men have come straight from the offices of the Inquirer after spending all night getting the paper out. The scene not only illustrates Kane's tireless ambition, but provides a seamless transition from the humble beginnings of the Inquirer to the day, six years later, when Kane has managed to poach the entire reporting staff captured in a photograph prominently positioned in the window of the Chronicle on that first night. The camera slowly dollies in on the reporters as Bernstein tells Kane it took the Chronicle twenty years to gather such a highly respected staff. 'Twenty years?' says Kane, 'Wells' – and suddenly, as the sentence Kane speaks spans six years, the reporters are no longer still images in a photograph but moving, breathing people – 'six years ago I looked at a picture of the world's greatest newspapermen. I felt like a kid in front of a candy store.' Kane himself then enters from the left, looking prosperous and confident..."

(Movie Movie)

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TAGS

1941 • captured in a photograph • Charles Foster Kane • Citizen Kanecoming to life • Everett Sloane • film transition • group photograph • humble beginnings • Joseph Cotten • living photonewspaper • newspaper circulation • newspaper tycoon • newspapermen • Orson Wellesphotograph • poach • reflected in the window • reporters • reporting staff • respected staff • scene transition • screen-mediated virtual space • seamless transition • sequence transitionshop windowtableau • The Chronicle • The Inquirer • transition

CONTRIBUTOR

Simon Perkins
25 DECEMBER 2012

Flixel: an interactive animated GIF app for iPhone

"Flixel was created as a result of seeing the incredible work of Kevin Burg & Jamie Beck (via their cinemagraphs.com site). After seeing this mesmerizing new artform, we set out to create a tool and a platform to bring it to a wider audience – the 'Polaroid' of cinemagraphs, if you will.

We owe Flixel's existence to the pioneering efforts of Kevin Burg & Jamie Beck, but we've also found a lot of other professional–level cinemagraph artists out there."

(Flixel Photos Inc., 2012)

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CONTRIBUTOR

Simon Perkins
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