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Which clippings match 'Andre Breton' keyword pg.1 of 1
22 JULY 2014

The Arcades Project: a world of secret affinities

"the entire Arcades complex (without definitive title, to be sure) remained in the form of several hundred notes and reflections of varying length, which Benjamin revised and grouped in sheafs, or 'convolutes;' according to a host of topics. Additionally, from the late Twenties on, it would appear, citations were incorporated into these materials–passages drawn mainly from an array of nineteenth–century sources, but also from the works of key contemporaries (Marcel Proust, Paul Valery, Louis Aragon, Andre Breton, Georg Sinunel, Ernst Bloch, Siegfried Kracauer, Theodor Adorno). These proliferating individual passages, extracted from their original context like collectibles, were eventually set up to communicate among themselves, often in a rather subterranean manner. The organized masses of historical objects–the particular items of Benjamin's display (drafts and excerpts)–together give rise to 'a world of secret affinities;' and each separate article in the collection, each entry, was to constitute a 'magic encyclopedia' of the epoch from which it derived. An image of that epoch. In the background of this theory of the historical image, constituent of a historical 'mirror world;' stands the idea of the monad–an idea given its most comprehensive formulation in the pages on origin in the prologue to Benjamin's book on German tragic drama, Ursprung des deutschen Trauerspiels (Origin of the German Trauerspiel)–and back of this the doctrine of the reflective medium, in its significance for the object, as expounded in Benjamin's 1919 dissertation, 'Der Begriff der Kunstkritik in der deutschen Romantik' (The Concept of Criticism in German Romanticism). At bottom, a canon of (nonsensuous) similitude rules the conception of the Arcades."

(Howard Eiland and Kevin McLaughlin, p.x)

Benjamin, Walter (2002). "Das Passagen–werk [The Arcades Project]", US: Harvard University Press. 0674008022
Fig.1 Edizioni Brogi (circa 1880). No.4608 "Ottagono della Galleria Vittorio Emanuele", Milano.



193519th century • a world in miniature • a world of secret affinities • affinityAndre Bretonarcadescitationcollectibles • convolutes • department stores • documentary synopsis • encyclopaedia • epoch • Ernst Bloch • expose • Georg Sinunel • historical image • historical objects • Institute of Social Research • Louis Aragon • magic encyclopaedia • Marcel Proustmirror worldmonad • monadology • nostalgic tributenostalgic yearningnotes • original context • Parispassages couvertsPaul Valery • reflections • sheafs • Siegfried Kracauer • similitudeThe Arcades ProjectTheodor Adorno • topics • Walter Benjamin


Simon Perkins
29 MAY 2009

BBC Four Arena 1986 television documentary about Salvador Dali



1986 • Amanda Lear • Andre BretonArena (TV series)BBC Four • blank canvas • donkey • eggfake art • Gala Dali • Hotel Le Meurice • je ne vois pas la femme cachee dans la foret • Jean-Francois Millet • jesuit • Johannes VermeerLouvreLuis BunuelMan RayMarcel DuchampMax Ernst • Paul Eluard • piano • recluse • rhinoceros • Sacre-Coeur • Salvador Dalisurrealist artistssurrealist filmmakertelevision documentary • The Angelus (1859) • The Enigma of William Tell (1933) • The Lacemaker (1670) • Un Chien Andalou (1929)unconscious desiresVladimir Lenin


Simon Perkins

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