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Which clippings match 'Square' keyword pg.1 of 1
13 SEPTEMBER 2014

About Two squares: In 6 constructions: A Suprematist Tale (Suprematicheskii Skaz Pro Dva Kvadrata v Shesti Postroikakh)

"This short book, intended for children of all ages, is perhaps the best–known work of El Lissitzky (1890–1941). Lissitzky was a Russian artist, architect, designer, typographer, and photographer who was active in the avante garde movement that flourished in Soviet Russia and in Germany, until the dominance of Soviet Realism by 1930 put a stop to its revolutionary activity. He directly influenced the typographical and display advertising innovations of the Bauhaus and 'de Stijl'. This book entirely integrates modern typographical effects, as Lissitzky intended, with his illustrations in the Suprematist style.

The original book About Two Squares was printed by letterpress, even the slanted text and illustrations. It was first produced ('constructed') in 1920 at the Soviet art institute UNOVIS in Vitebsk, and around April 1922 printed by Sycthian Press, Berlin, by Haberland Printers, Leipzig, in paperback, with 50 hardbound copies autographed and numbered, as the copyright page states."

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TAGS

1922 • About 2 Squares (El Lissitzky) • allegory • art books • artistartists booksavant-garde artists • avant-garde movement • black square • Bolshevism • childrens bookDe Stijldesign formalismEl LissitzkyFuturismgeometric abstractiongeometric formsgeometric primitivegraphic designgraphic design historyibiblioJew • Lazar Markovich Lissitzky • letterpress printinglithographymanifestomodernist aesthetics • modernist utopian vision • non-objective art • offset litho • offset printingpaperback • periodical design • picture bookprintingprintmaking • propagandist works • red circle • red square • Russian constructivism • Russian nationalism • sans-serif typeface • Soviet propaganda • Soviet Russiasquare • story of revolution • Suprematism • suprematism movement • suprematist aesthetics • typographical effects • typography • UNOVIS (Affirmers of the New Art) • utilitarianvisual abstraction

CONTRIBUTOR

Simon Perkins
06 FEBRUARY 2014

Pierre Hébert: Around Perception (1968)

"Around Perception is a groundbreaking experiment on computer–based animation, consisting of 11 audiovisual events designed to baffle cognition and unrest comfortable notions of reality. Unlike most of his later films, Hébert chose not to collaborate with top–notch experimental musicians and created the soundtrack himself. In this, he followed a method also used by Norman McLaren: to scratch sound directly onto the film itself. The relation between sound and picture, however, is not as symbiotic as in McLaren's Synchromy: although there are organic reactions between the two domains, one is not a direct translation of the other. This, of course, need not be seen as a weakness. Indeed, with its fast–paced changes of color and geometrical patterns, and the employment of Columbia–like richly crafted electronic tones, Around Perception works as a tremendously hallucinatory exercise in trompe l'oeil (and l'oreille) techniques. Or, as stated by Hébert himself at the beginning of the film, an exercise 'for the mind and against the mind'."

(The Sound of Eye)

Fig.1 "Around Perception", Director: Pierre Hébert, Year: 1968, Time: 16 mins, Music: Pierre Hébert.

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CONTRIBUTOR

Simon Perkins
22 MARCH 2005

Flatland: A Romance of Many Dimensions

"Imagine a vast sheet of paper on which straight Lines, Triangles, Squares, Pentagons, Hexagons, and other figures, instead of remaining fixed in their places, move freely about, on or in the surface, but without the power of rising above or sinking below it, very much like shadows – only hard and with luminous edges – and you will then have a pretty correct notion of my country and countrymen. Alas, a few years ago, I should have said 'my universe': but now my mind has been opened to higher views of things..."

(A Square [Edwin A. Abbott])

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