Not Signed-In
Which clippings match 'South Africa' keyword pg.1 of 2
24 DECEMBER 2014

CNN Ecosphere Project: engagement through real-time visualisations

"In November 2011, the UN invited representatives from 194 states to discuss climate change at the COP17 Conference (17th Conference of Parties) in Durban, South Africa. CNN launched the ECOSPHERE Project and brought the world to the COP17 Climate Change Conference – with a hashtag.

The CNN ECOSPHERE is a digital ecosystem growing from thousands of tweets about climate change. A real–time visualisation of the global discussion on the internet.

Every #COP17 tweet stimulated growth in one of the numerous plants representing topics like Sustainability or Carbon. The size, colour and growth rate of these plants gave users a fascinating view of how the international conversation was evolving.

CNN invited people to plant a thought with hashtag #COP17 and brought the project to the COP17 Conference. Here a live digital installation connected delegates with contributions from all over the world–getting more people involved in a climate change conference than ever before."

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TAGS

2011audience engagementaudience responsecarbon emissionsclimate change • climate change discussion • CNN • CNN Ecosphere Project • cone tree • conference delegates • COP17 Conference • Durban • dynamic digital installationengaging and empowering our audiencefeedback loop • global climate change • global conversation • global issueshashtag • Heimat Berlin • holographic image • infographicinformation visualisationmicrosite • Minivegas • real-time visualisationshared contextsocial mediaSouth Africa • Stinkdigital • sustainabilitytree visualisationtrend analysistweetsvisual representation graphicallyWebGL

CONTRIBUTOR

Simon Perkins
23 NOVEMBER 2014

Protofarm 2050: guide to free farming (urban agricultural speculation)

"Design Indaba invited five designers to look beyond the possibilities and predictions currently in the public domain. Futurefarmers, 5.5 designers, Dunne&Raby, Revital Cohen and Frank Tjepkema each created a unique vision of the year 2050 with increased urbanisation and population, limited natural resources, climate challenges and digital–biological integration. Defining farming as the sustainable cultivation of a renewable resource, Design Indaba presented Protofarm 2050 at the ICSID World Design Congress in Singapore from 23 to 25 November [2009]."

(Design Indaba)

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TAGS

20092050 • 5.5 designers • agricultural futures • agricultureAnthony Dunne • Anthony Lebosse • bookletcamouflage • Cape Town Design Festival • Claire Renard • climate challenges • climate change • dandelion • dark humour • Design Indaba • designers • digital-biological integration • Dunne and Raby • edible fauna • edible flora • ethical consumptionfarmingFiona Rabyfishingflora and faunafood • food design • food gathering activitiesfood security • food system • Frank Tjepkema • fruit • Futurefarmers (artist collective) • gleaning • hunting and gathering tactics • ICSID World Design Congress • Jean-Sebastien Blanc • leftovers • limited natural resources • meat consumption • Paris • pate • pigeon • poodlepopulation growth • Protofarm 2050 • prototype tools • rat • renewable resource • Revital Cohen • Seine • Singaporesite-specific interventionsSouth Africa • speculative approaches • speculative designspeculative proposals • speculative scenarios • speculative urbanism • starlingssustainabilitysustainable consumption • sustainable cultivation • tactical behaviourtactics • urban food • urbanisation • Vincent Baranger

CONTRIBUTOR

Simon Perkins
28 APRIL 2013

Eurocentrism permeates our common cartographic representations

"on most maps, Europe and North America are situated on top–allowing us to believe that these countries are really 'on top of the world'. Africa, Australia and South America are always situated at the bottom. Why never the other way around? Cartographers make assumptions about the world (North is assumed to be at the top) and these assumptions have become normalised and are viewed as 'common sense'.

But these politically embedded assumptions help to structure how we see the world and our place in it. Few of us ever stop to think about the politics of cartography and what it says about Western cultural and economic imperialism and domination. Few ever think how these unexamined assumptions structure the way we see ourselves, to what extent and on what basis we rate our own worth (or supposed, entirely imagined, lack thereof) or how it restricts our imagination and limits the ways in which we think it is possible to excel and thrive in this world."

(Pierre De Vos, 23 April 2013)

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Africa • apolitical • assumptionsAustraliaBritish Librarycartographic metaphorcartographic representationscartographychartcultural artefactcultural hegemonycultural imperialism • economic imperialism • economic significance • Eurocentric legacy • Eurocentrism • Europegeopolitical mapgraphic representationhistorical maphistorical narrativeshow we see the worldinformation visualisationinterpretationmapsmetaphors of reality • neo-European • neutralnormalisation process • normalised • North America • Northern hemisphere • objective perspective • our place in the world • physical geography • political assumptions • politics of cartographypost-colonialismpostcolonial • postcoloniality • reterritorialisationSouth AfricaSouth America • Southern hemisphere • standardised classification • The Lie of the Land (exhibition) • the worldthe world around us • top • understanding of the worldunexamined assumptions • visual critique • visual representationworld mapsworld politicsworld view

CONTRIBUTOR

Simon Perkins
03 FEBRUARY 2012

Die Antwoord: a provocative celebration of otherness

"If Die Antwoord are a joke, they're a painfully acute one. This over–the–top South African rap–rave trio, comprising rappers Ninja and Yolandi Visser and a hulking DJ called Hi–Tek, purport to represent 'zef', a strain of working–class/underclass Boer' culture that perhaps most closely equates to our own pejorative term 'chav'.

The band's co–founder and frontman, Watkin Tudor Jones, aka Ninja, has previously appeared in a host of similar conceptual art–rap projects and situationist pranks."

(Ian Gittins, 16 November 2010)

Fig.1 Die Antwoord "Zef Side"

Fig.2 Die Antwoord "I Fink U Freeky", Directed by Roger Ballen & NINJA, Director of Photography Melle Van Essen, Edited by Jannie Hondekom @ Left, Post Production by Blade.

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Afrikaner • art projectbandBoer • Boer culture • chav • counterculture • Die Antwoord • dirtyDJ • DJ Hi-Tek (Marius Bosch) • grungy • lowbrow • lower socioeconomic status • mulletmusic video • Ninja (Watkin Tudor Jones) • othernessover-the-top • pejorative • poor white people • prankprovocativerap • rap-rave • raveshocksituationist • slur • social classSouth Africa • South African • subculturetrio • underclass • Watkin Tudor Jones • white trash • working class • Yolandi Visser • zef

CONTRIBUTOR

Simon Perkins
03 SEPTEMBER 2011

Eläimet kylässä (animals in the village), Helsinki festival 2011

"Karhut, sudet, hirvet ja pöllöt kyläilevät ihmisten kaupungissa. Eteläafrikkalainen kuvataiteilija Roger Titley sekä israelilainen Airan Berg herättävät henkiin suomalaisen metsän eläimiä ja kutsuvat sinut mukaan. Avoimia, ilmaisia työpajoja järjestetään eri puolilla kaupunkia: toreilla, aukioilla ja puistoissa. Osallistua voi kuka vain. Mukana tunnelmaa kohottamassa on myös oma orkesteri. Eläimet kylässä –tapahtuma huipentuu musiikin tahdittamaan kulkueeseen Taiteiden yönä."

(Helsingin juhlaviikot, 2011)

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TAGS

2011 • Airan Berg • animal • animals in the village • bearcivic engagementcollective creativitycraft • Elaimet kylassa • elk • Finland • Finnish forest animals • Helsingin juhlaviikot • Helsinki • Helsinki festival • Israel • Juhlaviikot • owl • participationplay • Roger Titley • South Africa • street parade • wolves • workshop

CONTRIBUTOR

Simon Perkins
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