"Spot hecho en stop motion utilizando alimentos. Producción realizada entre Can Can Club y JPZtudio para la feria Tecnópolis, a traves del Instituto de Cine y Artes Audiovisuales (INCAA)."
(Juan Pablo Zaramella, 2010)
"He is an acclaimed commercial director who has pushed through his work to step out of the shadow of his father, Ridley Scott. And now Luke Scott is transcending boundaries in video technology with a visually-arresting 20-minute short film, Loom. Shot in coordination with RED Camera, the sci-fi short features Giovanni Ribisi and Jellybean Howie, although cinematographer Dariusz Wolski just might be its star.
The film follows Ribisi's character Tommy - a lab tech who genetically modifies meat and begins a dangerous at-home experiment he struggles to perfect. It ends with a monologue taken from the conclusion of Darwin's Origin of Species, leaving many of the story's questions left unanswered. 'There is grandeur in this view of life, with its several powers, having been originally breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved,' says Howie's character.
Visually, Scott - who directs for his father's production company RSA - gives nod to the filmmaker's 1982 classic Blade Runner, shooting the piece in the tone and style of the dystopian thriller. Constructed for 3D, the piece was crafted to test the limits of the colour range and exposure, allowing viewers to see fine details often lost in dark scenes.
RED initially presented Loom at the 2012 National Association of Broadcasters [NAB] Show this past April. The company has since continued to screen the film, and on Wednesday President Jarred Land released it online via REDUSER, with a disclaimer for cinephiles."
(Jennifer Madison, 31 August 2012, Mail Online)
Fig. 1 published on 28 Aug 2012 by ENTV, YouTube
"Youngsters Romeo, Ed, and Polly wait in two cars after dark while their parents are inside drinking. It's a situation many Kiwis would recognise: cars in loco parentis outside the bar or rugby club. Soon cross-car rivalry warms to budding friendship. Winning performances, and the tender mix of comedy and romance saw the tale of a Te Kaha pub carpark become an international hit."
(New Zealand on Screen)
Fig.1 writer/director: Taika Waititi (2003). "Two Cars, One Night".
"A young boy grapples with something bigger than he realises: the love within himself brought into focus through his relationship with his dying mother and this love's power of transcendence in times of pain and loss. A multi-award winning film."
(New Zealand Film Commission)
Fig.1 duration: 15 Minutes, ratio: 35mm, B&W, language: Maori Language.
"Sima Urale's debut short film, beautifully realised in black and white, tells the story of a young Samoan boy who is expected to play guardian to his siblings. As his parents struggle in their new country, he is overwhelmed by the responsibility. When faced with his grief, the adults fail to recognise his pain. Poignant attention to details that convey a child's perspective (eg. the movement of a spacies game and shopping trolley are intercut) saw O Tamaiti win awards at film festivals around the globe, including the prestigious Silver Lion at Venice."
(NZ On Screen)
Fig. 1 Dir. Sima Urale, 15mins, NZ, 1996, black & white, 1.1:66