"Sita Sings the Blues in an animated movie created by Nina Paley. Using 4 different animation styles, Paley weaves together the breakup of her marriage, the singing of Annette Hanshaw and the epic story of Ramayana."
(Ray, 2009–05–15, Four In The Morning)
Fig.1 Nina Paley (2009). "Sita Sings the Blues"
"I hereby give Sita Sings the Blues to you. Like all culture, it belongs to you already, but I am making it explicit with a Creative Commons Attribution–Share Alike License. Please distribute, copy, share, archive, and show Sita Sings the Blues. From the shared culture it came, and back into the shared culture it goes.
You don't need my permission to copy, share, publish, archive, show, sell, broadcast, or remix Sita Sings the Blues. Conventional wisdom urges me to demand payment for every use of the film, but then how would people without money get to see it? How widely would the film be disseminated if it were limited by permission and fees? Control offers a false sense of security. The only real security I have is trusting you, trusting culture, and trusting freedom.
That said, my colleagues and I will enforce the Share Alike License. You are not free to copy–restrict ('copyright') or attach Digital Restrictions Management (DRM) to Sita Sings the Blues or its derivative works.
Some of the songs in Sita Sings the Blues are not free, and may never be; copyright law requires you to obey their respective licenses. This is not by my choice; please see our restrictions page for more.
There is the question of how I'll get money from all this. My personal experience confirms audiences are generous and want to support artists. Surely there's a way for this to happen without centrally controlling every transaction. The old business model of coercion and extortion is failing. New models are emerging, and I'm happy to be part of that. But we're still making this up as we go along. You are free to make money with the free content of Sita Sings the Blues, and you are free to share money with me. People have been making money in Free Software for years; it's time for Free Culture to follow. I look forward to your innovations."
"I envisioned This Land Is Mine as the last scene of my potential–possible–maybe– feature film, Seder–Masochism, but it's the first (and so far only) scene I've animated. As the Bible says, 'So the last will be first, and the first will be last.'"
Fig.1 Nina Paley (2012) "This Land Is Mine".