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Which clippings match 'Sex' keyword pg.1 of 4
20 MARCH 2014

Sergey Merkurov: Soviet Erotic Alphabet (1931)

Reproduced here are a bunch of scans from a fascinating erotic alphabet book printed in the Soviet Union circa 1931, made to combat adult illiteracy. By the sculptor and future People's Artist of the USSR Sergei Merkurov, no less.

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1931alphabet book • alphabet picture book • artist book • artists books • cyrillic alphabet • cyrillic script • erotic alphabet • erotic art • erotic drawings • erotic sceneseroticismexplicit sexual imagerygenitalsgraphic designillustrated picture bookintimate sexualitylovemakingnaked figuresNSFWpenis • phallic art • physical lovepicture book • Russian alphabet • Sergei Merkurov • sex • sex positions • sexuality • Soviet Academy of Arts • Soviet Russia • soviet sex • Soviet Unionvagina • watercolor on paper

CONTRIBUTOR

Simon Perkins
07 MARCH 2014

Artist's spoof Ladybird book provokes wrath of Penguin

"An artist and comedian [Miriam Elia] has been told by the publisher Penguin that her new satirical art book breaches its copyright, and if she continues to sell copies it could use the courts to seize the books and have them pulped. ...

Elia's version sees them visiting an exhibition at a modern art gallery and grappling with existential questions about the nature of Tracey Emin–style conceptualist work, much of it peppered with distinctly adult imagery."

(Gareth Rubin, 2 March 2014, The Guardian)

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1950s2014adult imageryart and designart galleryart gallery experienceartistartworkballoonballoon dog • Balloon Dog (Orange) • book illustrationBritish artcanvaschildrens bookchildrens book illustrationconceptual artcontemporary artcontemporary art exhibitionscopyright • crucifix • empty room • feminist parodygod • God is dead • guiltinflatable • Jane • Jeff Koons • Ladybird Book • minimalist art • Miriam Elia • modern artmother • Mummy • Nietzsche • nihilism • parodyPenguin Random Housepenis • personal sacrifice • Peter • prettyreductionism • sacrifice • satiresexTate ModernThe GuardianTracey EminUKvagina • We Go To The Gallery (book)

CONTRIBUTOR

Simon Perkins
06 NOVEMBER 2013

The x:talk project: a sex worker-led knowledge sharing co-operative

"In early 2006 several activists based in London who are involved in sex worker rights activism, organising within the International Union of Sex Workers in particular, began to conceptualise and organise around the x:talk project–one that would seek to explore and expand the ideas and confidence we have developed in criticising the mainstream human trafficking discourse, drawing on insights we have gained from sex workers', migrant and feminist struggles.

The racist and anti–feminist trafficking rhetoric of 'protection', mainstream anti–trafficking campaigns that reduce women to only passive victims, under the control of organised crime or of cruel men produces and justifies deportation of migrant sex workers and increases the criminalisation and exploitation of workers in the sex industry. It creates divisions between migrants' and sex workers' forms of organisation and resistance.

We found language and communication to be crucial elements to directly challenge and change conditions of work and life, and to come to together and to organise. Communication is in our view central to change. Language is a basic individual and collective power that improves both possibilities to work and possibilities of resistance.

Central to our vision stands the autonomy of all people moving across borders and the dignity of every gender employing their resources in the sex industry. Central to our understanding of gender and social relations is an understanding of sex work as labour. People who sell sex are involved in a labour process in many respects similar to other paid personal services exchanged on market. At the same time we recognise that the ways in which sex work has existed are also deeply interrelated to the ways in which 'female' services, such as caring, domestic, sexual and reproductive activities are supposed to be provided. It is important to consider that the demand for money for sex in a transparent and potentially contractual way is often a break and significant shift in the way women are expected to give these services for no remuneration.

We consider that a feminist analysis and practice is crucial to changing the sex industry. Women represent the majority of workers in the industry and gendered sexualised and reproductive labour have historically constituted a central part in the structures that subordinate and oppress women. The people that have taken the main initiative of this organisation and project are women. Starting from the ground up, in a grass roots way we nevertheless aim to work with the whole industry. Due to the demographics of the workforce in the sex industry, women play a central role in the organisation and are expected to make up a majority of participants in the classes. We/they represent the majority and we/they enjoy the strongest voice at the moment. However issues of gender and transgender difference–at their intersections with racial and sexual issues are taken into account in the development of activities in order to include people from across the industry and from diverse backgrounds.

In contrast to the current mainstream anti–trafficking policies and discourses we work towards the improvement of working conditions in the sex industry; for rights and recognition of workers; the right to change work and not to be forced to stay with the same employer and the right to stay and not to be deported. Our organisation is based on a practice of sex workers self organisation and our projects are primarily built on an activity of networking with those that have already organised similar projects according to these principles."

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2006activism • anti-trafficking campaigns • anti-trafficking discourses • anti-trafficking policies • autonomyborders • co-operative • collective power • criminalisation • cruel men • deportation • dignity • domestic services • empowermentexploitation • female services • feminist analysisfeminist perspectivefeminist struggles • forced labour • gender and social relations • gender difference • gendered labour • grass roots • human trafficking • immigrant experience • International Union of Sex Workers • knowledge sharing • labour process • language barrierslanguage learnerslanguage of thingslanguage skillslanguages of legitimationLondon • migrant sex worker • migrant struggles • migrant workers • organised crime • passive victims • personal services • power relationsprostituteprostitutionprotectionracist language • remuneration • reproductive activities • reproductive labour • rights and recognition • safeguarding • safer conditions • sexsex industry • sex work • sex worker • sex worker rights • sex workers • sexual exploitation • sexual issues • sexual slavery • sexualised labour • subordinate womentrafficking • trafficking rhetoric • transgender difference • victimwomenworkforce • working conditions • x:talk project

CONTRIBUTOR

Simon Perkins
16 MARCH 2013

Dorothy Iannone's Innocent and Aware

Dorothy Iannone, "Innocent and Aware", 8 March 2013 – 5 May 2013, Camden Arts Centre in London.

"Iannone's portrayals of male and female sexuality celebrate the joy of her most intimate relationships while subverting traditional gender stereotypes of dominance and control. Through graphic paintings, sculptures and video boxes her works depict partly–clothed and naked figures on bright psychedelic backgrounds of flora, mandalas and biomorphic patterns. Recalling classical Indian erotic art, Egyptian frescoes and Byzantine mosaics, Iannone's intricate work communicates a personal narrative, passionate love affairs and lifetime pursuit of 'ecstatic unity' through transcendence and spirituality."

(Camden Arts Centre, 2013)

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201320th century artartistbiomorphic • biomorphic patterns • ByzantineCamden Arts Centrecontroldominance • Dorothy Iannone • ecstasy • ecstatic unity • erotic artexhibitionexplicit sexual imageryfemale artistfemale sexuality • fresco • gender representationgender stereotypesgenitals • graphic paintings • innocenceintimacyintimate sexuality • love affair • lovemaking • mandala • mosaicnaive stylenaively drawn figuresnaked figuresNorth American artistpenispersonal narrativephysical lovepsychedelicpsychedelic imageryself-taughtsex • sexual liberation • sexual politicssexualityshock artspectacle • spiritual awareness • spiritualitytranscendence • unconditional love • vagina • video box • vulvawomen artistswomen in art and design

CONTRIBUTOR

Simon Perkins
12 JANUARY 2013

The Last Picture Show: ode to a Texan small town

"It's hard to overestimate the influence of Peter Bogdanovich's The Last Picture Show (1971) ... on all those other elegiac movies about lost youth and crumbling dreams in small American towns that followed it in such huge numbers. We know the storylines, which never vary much. Boy meets girl. They fall in love and think their relationship will last forever but war/adulthood/pregnancy intervenes. Old school friends spend a last summer of high jinks together. They vow eternal loyalty to one another but then the autumn rolls in and their lives drag them off in very different directions. The visual clichés are familiar, too: by the final reel, the once teeming street is empty, with wind blowing the dust, or the old café where the friends used to meet is boarded up. ...

When Bogdanovich revisited Thalia with a belated sequel, Texasville, in 1990, the results were mixed at best. What had made the original so distinctive was the youth of the characters played by Shepherd, Bottoms and Bridges – their curiosity, innocence and their sense of yearning. Witnessing their travails in middle age simply didn't have the same impact. The real follow–up to The Last Picture Show wasn't Texasville but the films that were made – and are still being made today – in its mould."

(The Independent, 18 March 2011)

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1971adolescence • American Graffiti (1973) • Archer City • arthouse cinema • Big Wednesday (1978) • black and white • broken dreams • Cloris Leachman • coming of age • crumbling dreams • Cybill Shepherd • Diner (1982) • Easy Rider (1969) • Eileen Brennan • femme fatale • football coach • Hank Williams • high school • illicit relationship • innocenceintrospectionJeff Bridges • juvenile • Korean War • Larry McMurtry • lost youth • nakedPeter Bogdanovich • pool hall • provincial town • rites of passage • roughhouse • Rumble Fish (1983) • Sam Bottoms • self-conscious • sense of yearning • sexsmall townsmall town America • sombre • soulful • Stand By Me (1986) • swimming • teenage temptress • teenagersTexas • Texasville (1990) • Thalia • The Last Picture Show (1971) • The Outsiders (1983) • Timothy Bottoms • would-be rebel • youth

CONTRIBUTOR

Simon Perkins
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