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Which clippings match 'Sea' keyword pg.1 of 2
19 JANUARY 2016

Love Punks: online game created by Australian Indigenous kids

"The Love Punks online game was created by a gang of 9,10 and 11 year old Love Punks from Roebourne in WA. For the last 8 months the Love Punks have been sweating it out, in 40 degree heat, on computers creating stop motion animations of themselves and friends in photoshop and flash."

(26 April 2012)

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TAGS

2012 • 9-11 year olds • Aboriginal Australian kids • Aboriginal culture • Aboriginal kids • Adobe Flash • bearded dragon • Big hART • Burrup Peninsula • childhood imagination • Chynna Campbell • comic bookcommunity participatory projectcreative participationdesert • designers of the future • disadvantaged communitiesDIY • Duncan Gates • First Nations youthfroggame designgreen screenhomemade gamesimagineeringIndigenous Australiansindigenous community • indigenous games and play • Indigenous people • Indigenous young people • interactive comic • kids • lizard • Lovepunks Game • mining • mud flats • Murujuga • NEOMAD • online game • outdoor game • peacockpersonal empowerment • Pilbara desert • pogona • remote communities • Roebourne • salt flats • Satellite Sisters • sea • social arts • stop motion animationstop-frame animation • Stu Campbell • Telen Rodwell • Trevor Jamieson • video gamevideo games and Indigenous peopleWestern Australia • Woodside (natural gas company) • Yijala Yala Project • young designersyoung peoplezombie

CONTRIBUTOR

Simon Perkins
31 OCTOBER 2013

The Adventures of Portland Bill

"Portland Bill was another wonderful children's adventure very much in the style of Postman Pat, Gran, The Herbs, and The Clangers. It concerned the day to day life of Portland Bill (Head lighthouse man of the Lighthouse Guillemot Rock). He is helped by the other lighthouse men Ross and Cromarty. The nearest village to the lighthouse was on the mainland and it was called McGuillycuddy. Here the boys are able to pick up supplies and interact with a whole load of characters. The adventures were by John Grace and were produced in 1983."

(Iain Ratchford, Little Gems)

Designed by John Grace and Barry Leith; Assistant Animators Humphrey Leadbitter and Heather Boucher; Model Makers Martin Cheek, Gordon Tait and Linda Thodesen; Music by John Grace and Mik Parsons; Editor Robert Dunbar; Assistant Editor Andi Sloss; Production Co–ordinator Barrie Edwards; Stories Adapted for TV by Ian Sachs; Executive Producer Graham Clutterbuch; Filmfair Presentation John Grace / Filmfair MCMLXXXIII.

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1980s1983 • Andi Sloss • Barrie Edwards • Barry Leith • British televisionchildrens televisionclaymation • FilmFair • Gordon Tait • Graham Clutterbuck • Gran (TV series) • Granada Television • Heather Boucher • Humphrey Leadbitter • Ian Sachs • John Grace • lighthouse • Linda Thodesen • Magic Roundabout • maritime • Maritime England • Martin Cheek • Mik Parsons • nautical • plasticine • Portland (Dorset) • Postman Pat (TV series) • Robert Dunbar • sea • shipping forecast • South of Englandstop motion animationstop-frame animation • The Adventures of Portland Bill (TV series) • The Clangers (TV series) • The Herbs (TV series) • theme musictheme tuneUK

CONTRIBUTOR

Simon Perkins
02 MARCH 2013

WW1 Razzle Dazzle ship camouflage

"Most camouflage is based on the idea of concealment and blending in with its surroundings. However another school of thought has argued for making the item in question appear to be a mashup of unrelated components. Naval camoufleurs found this theory particularly appealing. Blending didn't work because ships operated in two different and constantly changing color environments – sea and sky. Any camo that concealed in one environment was usually spectacularly conspicuous in others.

Norman Wilkinson, a British naval officer and painter, suggested a scheme that came to be known as Dazzle or Razzle Dazzle painting. Wilkinson believed that breaking up a ship's silhouette with brightly contrasting geometric designs would make it harder for U–boat captains to determine the ship's course."

(FoundNYC Inc, 4 April 2009)

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1917angular shapesappearanceapplication of design • battleship • blend in • blending • blending in • blocks of colourbreaking up • bulk • camo • camouflage • camouflage pattern • colourcolour schemeconcealment • conspicuous • constantly changing • dazzle • dazzle painting • dazzle ship painting • dead-end technology • disruption pattern • disruptive colouration • disruptive patterndistortiongeometric designsinterruptioninvisibilitymilitary • naval camouflage • naval camoufleurs • navy • Norman Wilkinson • optical illusionoutlinepainting • Razzle Dazzle • sea • seascape • shapesshipsilhouetteskyspatial ordersurroundings • U-boat • unrelated components • vessel • visual abstractionvisual patternvorticismWorld War IWW1zig-zag

CONTRIBUTOR

Simon Perkins
10 AUGUST 2012

Never Quiet Never Still: enduring memories of the UK coastline

"my favourite beach – West Whittering in East Sussex England. I wanted to shoot in intimate close up using short depth of field DSLR HD. I live in Nottingham – about as far away from the sea as you can get in the UK .This is a type of beach memory film – for all us city dwellers who need to remember the coast line and nature. A type of antidote to our urban life where we forget about nature. The water is out there and its always moving and we should be in it."

(Jonathan Hamilton, 2012)

Fig.1 "Never Quiet Never Still", uploaded by Jonathan Hamilton.

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2012ambience • antidote • beach • beach memory • Canon 5Dclose-upcoast • coastline • DSLR • East Sussex • enduring memories • Englandflowersintimate close-upintimate image • Jonathan Hamilton • nature • Never Quiet Never Still • Nottingham • reminiscence • seaseashore • seaside memories • shallow depth of fieldUK • we forget about nature • West Whittering

CONTRIBUTOR

Simon Perkins
12 APRIL 2012

A World Class Wave on Scotland's North Shore

"Mark 'Egor' Harris and Mitch Corbett will travel the length of the country discovering how this iconic surf scene was born, as well as stopping and surfing at significant breaks along the way. On their journey they'll meet key characters from the history of British surfing as well as current crews that epitomise each region's unique surfing culture."

(The Endless Winter, 10 Apr 2012)

Fig.1 Episode 6; A World Class Wave On Scotland's North Shore.

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2012arctic circlebeach • British surfing • road journeyScotlandsea • significant breaks • sport and recreationsports documentarysurf • surf scene • surf videossurfersurfing • surfing culture • The Endless Winter • wave • wetsuit

CONTRIBUTOR

Simon Perkins
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