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Which clippings match 'Sea' keyword pg.1 of 2
02 MARCH 2013

WW1 Razzle Dazzle ship camouflage

"Most camouflage is based on the idea of concealment and blending in with its surroundings. However another school of thought has argued for making the item in question appear to be a mashup of unrelated components. Naval camoufleurs found this theory particularly appealing. Blending didn’t work because ships operated in two different and constantly changing color environments - sea and sky. Any camo that concealed in one environment was usually spectacularly conspicuous in others.

Norman Wilkinson, a British naval officer and painter, suggested a scheme that came to be known as Dazzle or Razzle Dazzle painting. Wilkinson believed that breaking up a ship’s silhouette with brightly contrasting geometric designs would make it harder for U-boat captains to determine the ship’s course."

(FoundNYC Inc, 4 April 2009)

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TAGS

1917angular shapesappearanceapplication of design • battleship • blend in • blending • blending in • blocks of colourbreaking up • bulk • camo • camouflage • colourcolour scheme • concealment • conspicuous • constantly changing • dazzle • dazzle painting • dazzle ship painting • disruption pattern • disruptive colouration • distortiongeometric designsinterruptioninvisibilitymilitary • naval camouflage • naval camoufleurs • navy • Norman Wilkinson • optical illusionoutlinepaintingpattern • Razzle Dazzle • sea • seascape • shapes • shipsilhouette • sky • spatial ordersurroundingssymmetry • U-boat • unrelated components • vessel • visual abstractionVorticismWorld War IWW1

CONTRIBUTOR

Simon Perkins
10 AUGUST 2012

Never Quiet Never Still: enduring memories of the UK coastline

"my favourite beach - West Whittering in East Sussex England. I wanted to shoot in intimate close up using short depth of field DSLR HD. I live in Nottingham - about as far away from the sea as you can get in the UK .This is a type of beach memory film - for all us city dwellers who need to remember the coast line and nature. A type of antidote to our urban life where we forget about nature. The water is out there and its always moving and we should be in it."

(Jonathan Hamilton, 2012)

Fig.1 "Never Quiet Never Still", uploaded by Jonathan Hamilton.

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TAGS

2012ambience • antidote • beach • beach memory • Canon 5D • close-upcoast • coastline • DSLR • East Sussex • enduring memories • England • intimate close-up • intimate image • Jonathan Hamilton • nature • Never Quiet Never Still • Nottingham • reminiscence • seaseashore • seaside memories • shallow depth of fieldUK • we forget about nature • West Whittering

CONTRIBUTOR

Simon Perkins
12 APRIL 2012

A World Class Wave on Scotland's North Shore

"Mark 'Egor' Harris and Mitch Corbett will travel the length of the country discovering how this iconic surf scene was born, as well as stopping and surfing at significant breaks along the way. On their journey they'll meet key characters from the history of British surfing as well as current crews that epitomise each region's unique surfing culture."

(The Endless Winter, 10 Apr 2012)

Fig.1 Episode 6; A World Class Wave On Scotland's North Shore.

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TAGS

2012 • arctic circle • beach • British surfing • road journeyScotlandsea • significant breaks • sport and recreationsports documentarysurf • surf scene • surf videossurfersurfing • surfing culture • The Endless Winter • wave • wetsuit

CONTRIBUTOR

Simon Perkins
07 APRIL 2012

Surfing Monster Waves off Ireland

"Taken during the huge March 2012 session at Mullaghmore Head, County Sligo this Northcore film sees Gabe Davies, Richie Fitzgerald, Fergal Smith, Tom Lowe, Ollie O'Flaherty, Eric Rebiere, Paul O'Kane, Neil Britton, Tom Butler, Sebastian Steudtner, Andrew Cotton and Al Mennie taking on the heavy late winter swell. Music's from Ben Howard and the song's Depth over Distance."

(Daily Surf Videos)

Fig.1 A Northcore Film (2012). "Fathoms Left To Fall", 5:23

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TAGS

2012ambience • Ben Howard • big wave • Contae Shligigh • County Sligo • epic rides • Ireland • majestic waves • monster waves • Mullaghmore Head • reefseaseashoresport and recreationsports documentarysurfsurf videossurfingwave

CONTRIBUTOR

Simon Perkins
01 AUGUST 2011

Tilt-shift timelapse of a Westpac Rescue Helicopter Service training exercise

"This is a personal project that would not have been possible without the support of the Westpac Rescue Helicopter Service. Thanks to the entire team for their generous access during training exercises and patrols this Summer. Since the Service began in 1973, it has carried out more than 21,000 missions ranging from urgent patient transfers to dangerous search and rescue missions.

This film is 100% 'real', but there are some new techniques for me here, such as using time lapse to create the illusion of forward movement for the helicopter ocean scenes. These flight sequences would not be possible without the skill and patience of Chief Pilot Peter Yates. Thanks also to Trevor Cracknell (for getting wet!) and Family."

(Keith Loutit, 2009)

Fig.1 Keith Loutit (2009). "Bathtub IV" Music: "Clementine" (Megan Washington), Performed by Washington, © 2008 J Albert & Son Pty Limited., used with permission, myspace.com/​meganwashington

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TAGS

2009 • Bare Island • Botany Bay • camera technique • flight sequence • helicopter • illusion • Keith Loutit • Kurnel desalination plant • miniatureoceanoffshore drilling rig • patient transfers • Peter Yates • scaleseasearch and rescueSydney • Sydney Harbor • tilt shifttimelapse • training exercise • Trevor Cracknell • visual spectacle • Westpac Bank • Westpac Rescue Helicopter Service

CONTRIBUTOR

Simon Perkins
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