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Which clippings match 'Rule-based Work' keyword pg.1 of 2
03 JULY 2015

SuperCollider: real-time audio synthesis and algorithmic composition

"The language interpreter runs in a cross platform IDE (OS X/Linux/Windows) and communicates via Open Sound Control with one or more synthesis servers. The SuperCollider synthesis server runs in a separate process or even on a separate machine so it is ideal for realtime networked music.

SuperCollider was developed by James McCartney and originally released in 1996. He released it under the terms of the GNU General Public License in 2002 when he joined the Apple Core Audio team. It is now maintained and developed by an active and enthusiastic community. It is used by musicians, scientists, and artists working with sound."

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1996 • acoustic research • algorithmic composition • algorithmic music • Apple Core Audio • authoring environmentcomputational designdevelopment environment • Devi Skanadze • electronic musicexperimental music • generative audio • generative musicGNU General Public LicenseIDE • interactive programming • James McCartney • language interpreter • LinuxOpen Sound ControlOSXprogramming environmentprogramming language • real-time audio synthesis • real-time generative music • real-time interaction • realtime networked music • rule-based worksonic arts • SuperCollider • synthesis server • Windows OS

CONTRIBUTOR

Simon Perkins
31 OCTOBER 2014

Bartholomäus Traubeck: A record player that plays slices of wood

"A tree's year rings are analysed for their strength, thickness and rate of growth. This data serves as basis for a generative process that outputs piano music. It is mapped to a scale which is again defined by the overall appearance of the wood (ranging from dark to light and from strong texture to light texture). The foundation for the music is certainly found in the defined ruleset of programming and hardware setup, but the data acquired from every tree interprets this ruleset very differently."

(Bartholomäus Traubeck)

A record player that plays slices of wood. Year ring data is translated into music, 2011. Modified turntable, computer, vvvv, camera, acrylic glass, veneer, approx. 90x50x50 cm. Thanks to Land Salzburg, Schmiede, Pro–ject Audio, Rohol Furniere, Karla Spiluttini, Ivo Francx, Christoph Freidhöfer, vvvv.

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2011analogue correspondence • Bartholomaus Traubeck • Christoph Freidhofer • computational designconcentric circles • design interactions • experimental musicgenerative music • Ivo Francx • Karla Spiluttini • Land Salzburg • modified hardware • patternpiano music • Pro-ject Audio • record player • ring data • Rohol Furniere • rule-based work • ruleset • Schmiede • Schmiede Hallein • sliced • slices of wood • sonic artssound correspondencesound experiments • speculative interactions • speculative music • tree ringsturntablevvvvwood • Years (2011)

CONTRIBUTOR

Anna Troisi
12 SEPTEMBER 2014

Automatic Art: human and machine processes that make art

Exhibition: 3 July–10 September 2014, GV Art gallery, London, 49 Chiltern Street, Marylebone, London W1U 6LY.

"This exhibition presents 50 years of British art that is generated from strict procedures. The artists make their work by following rules or by writing computer programs. They range from system–based paintings and drawings to evolving computer generated images."

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2014algorithmic art • Anthony Hill • Automatic Art (exhibition) • boredomresearch • British artchance artcomputer artcomputer art practicecomputer generated artcomputerised artdesign formalismdigital art exhibitiondigital artworkdigital materialism • Dominic Boreham • Ernest Edmonds • exhibitiongenerative artgenerative designgouache • GV Art Gallery • Harold Cohen • Jeffrey Steele • John Carter • Julie Freeman • Kenneth Martin • latticemachine-made • Malcolm Hughes • Michael Kidner • Nathan Cohen • orderly patternsorganisational processPaul Brown • Paul Smith (boredomresearch) • Peter Lowe • procedural artprocess artrule-based work • Sean Clark • simple rulesStephen BellStephen Scrivener • Steve Sproates • Susan Tebby • system-based drawing • system-based painting • systems art • Terry Pope • Trevor Clarke • Vicky Isley (boredomresearch) • visual abstractionvisual art • William Latham

CONTRIBUTOR

Simon Perkins
08 AUGUST 2014

Colour in Context: Revisiting Albers, with Anoka Faruqee

"At the Yale Presidential Inauguration Symposia on October 12th 2013, Anoka Faruqee, Associate Professor of Painting/Printmaking at Yale University, presented a lecture entitled, "Color in Context: Revisiting Albers".

In 1963, Josef Albers published his masterwork, Interaction of Color via Yale University Press, as a limited silkscreen edition. Fifty years later, the original volume and its various descendants continue to enlighten and delight art students, instructors, designers, and artists. This seminar will consider the publication's pragmatic and philosophical relevance to our present moment.

(Published on 29 Oct 2013)

Josef Albers (2006). "Interaction of Color", Yale University Press.

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1963afterimage • Anoka Faruqee • artistBauhaus School • Black Mountain College • colour • colour chart • colour in context • colour spacecolour studiescolour theory • colour wheel • cut paper • cut-outdesign formalismgeometric abstraction • Interaction of Color (1963) • iPad AppJosef Albersmodernist aesthetics • pigment mixing • RGBrule-based workvisual abstractionYale University • Yale University Press

CONTRIBUTOR

Simon Perkins
09 DECEMBER 2013

Goldsmiths Department of Art MA: Computational Aesthetics

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2013algorithmic architecturecomputational aestheticscomputational arts • computational character • computational ordering • computational structures • computational systemscomputer artconceptual artcritical discoursedatabase as cultural formdigital aestheticsdigital artfine artGoldsmiths College (University of London)information systems • logico-mathematical means • Maria Beatrice Fazi • mathematicsmathesis • Matt Fuller • mediality • medium specificitymodern artmodes of existenceorder of thingsordering • present art • programmatic declaration • rule-based worksoftware studiessupermarketssystematisationtheory of substantial formsvideo lecturevisual art

CONTRIBUTOR

Simon Perkins
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