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25 APRIL 2013

Maria, Mirabella: mixed live action and animation feature film

"A combined film about the two sisters, Maria and Mirabella, on their mission to find the Forest Fairy and rescue Quacky the frog, frozen in a block of ice, Skipirich the firefly, who has lost his ability to light up and Omide, the butterfly, who can not actually fly. They travel through the magic forest and after many adventures their rescue mission turns out well."

(Animator.ru)

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19812D animation • Adrian Stefanescu • Alexandrina Halic • animated feature film • anthropomorphic depiction • Boris Kotov • butterfly • Calugareanu Anda • cartoon characterscinematic technique • Cornel Popescu • Dan Ionescu • Eugen Doga • Eugene Agranovici • fireworm • forest • forest fairy • frog • Gilda Manolescu • girls • Grigore Vieru • ice • Ion Popescu-Gopo • larvae • Leonid Serebrennikov • Lev Milchin • live action and animation • magic forest • magical world • Maria • Medeea Marinescu • metamorphosis of animals • Mihai Constantinescu • Mirabella • Paula Radulescu • pupa • Romania • Romanian • Romanian language • Romanian Radio and Television Orchestra • Russian language • sorceress • Valentin Berestov • Viktor Dudko • Vladimir Kutuzov • Vocal Group 5T • woods

CONTRIBUTOR

Valeria Marti
30 OCTOBER 2012

Birth and Death in The Romanian Folk Belief

"Romanian traditions and customs, which accompany the important events of life have been and still are under investigation by researchers in various fields, including folklorists and ethnographers.

The ethnographic research is mostly characterised by concrete information, collected in the studied areas, by a variety of facts, by attempts to describe the accomplishment of each custom and, in some cases by attempts to find out their role and significance in social life. Among these works the first to mention are the volumes published by Simion Florea Marin in Bucuresti in 1892 and dedicated to the three great cycles of customs connected with birth, wedding and death."

(Joanna Kretsu-Kantsyr)

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TAGS

1892 • birth • Bucuresti • customsdeathethnographersethnographic research • folk belief • folklore • folklorists • Romania • Romanian customs • Romanian tradition • Simion Florea Marin • social lifewedding

CONTRIBUTOR

Valeria Marti
08 SEPTEMBER 2012

Muzeul Civilizatiei Populare Traditionale ASTRA (Romania)

"Loc ideal pentru păstrarea spiritului românesc autentic, Muzeul în aer liber din Dumbrava Sibiului este aşezat într-un adevărat paradis, în rezervaţia naturală "Dumbrava Sibiului". Dispunând de un lac şi de peste zece kilometri de alei, muzeul prilejuieşte plimbări de tot felul, de la clasicul mers pe jos, până la un scurt tur cu trăsura, cu sania sau cu barca. ...

Povestea Muzeului ASTRA începe în urmă cu mai bine de un secol, odată cu primele manifestări ale unui vis al românilor din Transilvania de a organiza la Sibiu, sub egida Asociaţiunii pentru Literatura Română şi Cultura Poporului Român, o colecţie etnografică. Aceasta avea rolul de a pune în valoare cele mai reprezentative mărturii despre specificul românesc, despre ceea ce ne diferenţia în comparaţie cu alte popoare, lucruri şi fenomene care puteau explica tuturor cine suntem. „Productele” măiestriei românilor trebuia să reprezinte dovada creativităţii tehnice şi ale hărniciei acestui neam. Prima expoziţie a Muzeului Asociaţiunii, instituţie de la care provine numele ASTRA, a avut loc în 1905."

(Complexul Naţional Muzeal ASTRA)

[This stunning open-air folk museum is located in a nature reserve on the outskirts of Sibiu in România.]

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TAGS

1905 • building • Complexul National Muzeal ASTRA • cultural heritagefolkfolk museumliving history museumliving museummuseummuseum of cultural history • nature reserve • open-air museumoutdoorRomaniasettlement • Sibiu • Transylvania

CONTRIBUTOR

Simon Perkins
24 JUNE 2012

A History of Eastern European Matchbox Design

"Matchbox labels from the former Eastern bloc often display a remarkable degree of sophistication, elegance and artistic quality. They were, at a time, the most convenient,efficient and powerful medium for visual communications. Although they were produced under strict state-controlled production processes; that were aimed at exploiting them as a means of publicizing political initiatives, promoting public health and safety, and selling the communist ideal both at home and abroad, the artists used them as a vehicle to experiment with various imaginative ideas and artistic techniques, achieving truly stunning results."

(Guity Novin - گیتی نوین (ناوران) - ا)

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TAGS

Albania • Alexander Dubcek • artistic techniques • Bulgaria • Central Europe • communism • communist design • communist reformers • communist system • Czechoslovakia • East Germany • Eastern blocEastern EuropeEstonia • GDR • German Democratic Republic • graphic design • graphic design history • Guity Navran • Guity Novin • history • history of graphic design • Hungarian Uprising • Hungary • Imre Nagy • Jane McDevitt • Joseph Stalin • label design • LatviaLithuania • matchbox • matchbox labels • national identity • NATO Alliance • Nikita Khrushchev • Poland • political initiatives • post war era • postwar • powerful medium • Prague Spring • public health • public information • public safety • publicising • RomaniaRussiaSocialist Federal Republic of Yugoslaviasocialist realism • Soviet Union • state-controlled • the communist ideal • USSR • visual communication • Warsaw Pact • Western democracies • Yugoslavia

CONTRIBUTOR

Simon Perkins
09 NOVEMBER 2009

uberVU: monitor the collective consciousness

"uberVU is an easy way to find and follow conversations, even if they take place across multiple sites and services.

The interesting stories you read on the Web don't show you the whole picture. The conversation around them is missing. What people say about those stories is a great part of the picture.

The conversation around those stories takes place across many services. You might upload a video on YouTube that gets embedded in a blog post. That post gets comments and it gets posted on Twitter, where it also gets some replies. The Twitter post gets to FriendFeed where the conversation continues.

All of this is part of a single conversation, but you can't see it because it's trapped inside different services. That's where uberVU comes in."

(uberVU, 2009)

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2009cluster mappingcollective consciousnessconvergencedata miningdigital culture • FriendFeed • innovationmememonitor • noosphere • Romaniasearchsocial identitysurveytechnologyTwitter • uberVU • vox populi • Web 2.0YouTubezeitgeist

CONTRIBUTOR

Simon Perkins
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