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11 MARCH 2019

The Wellcome Collection's Interactive Digital Stories

"Digital Stories was developed by Wellcome Collection in 2014 to make the outputs of our ambitious digitisation programme both accessible and meaningful to an audience beyond academic researchers. Each story is arranged in six chapters, following a narrative arc or thematic thread: each chapter takes the form of a long scrolling page containing frames of text, interactives, graphics, and video. Image Galleries and further interactives are accessed by hotspots on the pages. Each image is accompanied by a link to the original source and an option to download."

(Danny Birchall, Anna Faherty, 2016, MW2016: Museums and the Web 2016)

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TAGS

2014 • Air Loom • all-controlling Air Loom • Anna Faherty • antisemitic stereotype • Anton Mesmer • Ark of curiosities • back and forth in time • cabinet of curiosities • causes of death • chapter metaphor • classificationcollection • Danny Birchall • design for the screen • Digital Stories (2014) • digital story • digital storytellingdigitisation programme • fan mail • fantasy • hypnotism • i-Doc • infinite canvas • interactive digital mediainteractive digital narratives • interactive infographic • interactive information graphicsinteractive information visualisationinteractive multimediainteractive narrativeinteractive storyinteractives • James Tilly Matthews • John Tradescant • Lambeth • Mike Jay • mind control • Mindcraft (digital story) • multimedia interactive • Museums and the Web (conference) • MW2016 • obituary data • online multimediarepositoryscrolling experience • seventeenth century • Sigmund Freud • Sir Henry Wellcome • six individuals • Svengali • The Collectors (digital story) • thematic thread • thirst for knowledge • UKvertical scroll • Wellcome Collection

CONTRIBUTOR

Simon Perkins
16 JULY 2012

Archives New Zealand, Te Rua Mahara o te Kāwanatanga

"Archives New Zealand, Te Rua Mahara o te Kāwanatanga is the official guardian of New Zealand's public archives. We gather, store and protect an extremely wide range of material. Our holdings include the originals of the Treaty of Waitangi, government documents, maps, paintings, photographs and film."

(The Aotearoa New Zealand Department of Internal Affairs Te Tari Taiwhenua)

Fig.1 "Toehold on a Harbour (1966)", Colour, 10 minutes, 35mm, 972 ft., DV file of Beta SP of telecini of 35mm film. W3606/c/25.
Fig.2 "Introducing New Zealand (1955)", W3471/kk/619 DV file of Beta SP telecini of 35mm film.
Fig.3 "Four Cities (1951) (AAPG W3471/3398)", Silent colour travelogue film around the major cities of New Zealand, Auckland, Wellington, Christchurch and Dunedin. The major sites and scenes of the cities are shown. 2K scan of 16mm reversal print.

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TAGS

2005Aotearoa New Zealandarchival materialarchive • Archives New Zealand • AucklandAustralasiaChristchurchconservation • contemporary recordkeeping • cultural artefactscultural collecting organisationscultural heritageDepartment of Internal AffairsDunedinfilmgovernment agencies • government documents • guardian • historical collectionhistorical significanceholdings • kept permanently • long-term value • mapsnational archivenational cultural heritage onlinenational heritagenewsreelpaintingsphotographs • Pictorial Parade • preservation • public archives • Public Records Act 2005 • records • repositorysocial history • Te Rua Mahara o te Kawanatanga • travelogueTreaty of Waitangitrolleybus • Weekly Review • Wellington

CONTRIBUTOR

Simon Perkins
15 JULY 2012

New Zealand National Library and the Alexander Turnbull Library

"We're in Beta, and we're excited to share this new National Library website with you. Why are we so excited? For the first time you can search right across our collections in one place. It's easier to get what you're after and easier to use it."

(The Aotearoa New Zealand Department of Internal Affairs Te Tari Taiwhenua)

Fig.1 Ref: 1/2–220232–F, Portrait of girl with fan, 1968, photographed by K E Niven & Co of Wellington.

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CONTRIBUTOR

Simon Perkins
21 MAY 2012

Udacity: open courseware for software engineering

"We believe university–level education can be both high quality and low cost. Using the economics of the Internet, we've connected some of the greatest teachers to hundreds of thousands of students in almost every country on Earth. Udacity was founded by three roboticists who believed much of the educational value of their university classes could be offered online for very low cost. A few weeks later, over 160,000 students in more than 190 countries enrolled in our first class, 'Introduction to Artificial Intelligence.' The class was twice profiled by the New York Times and also by other news media. Now we're a growing team of educators and engineers, on a mission to change the future of education."

(Udacity, Inc., 2012)

Fig.1 "CS253: Web Application Engineering. Learn about engineering web applications with Steve Huffman! By the end of the class, you will have built your own blog to share with the world."

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TAGS

2012artificial intelligence • Charles River Ventures • computer science • course content • course-delivery modelcoursewarecrowdlearning • economics of the Internet • educationeducation technologyeducational media • educational value • elearning • free classes • free courses online • high quality at low cost • how to • Know Labs • learnlearninglearning resourceMassive Open Online CoursesMOOCsonline classesonline lecturesopenopen coursewareOpen Educational Resources (OER) • opencourseware • repositoryresourceroboticistsoftware engineeringStanford University • Steve Huffman • supplemental learningteaching materialstechnology educationUdacity • university classes • web-based publication

CONTRIBUTOR

Simon Perkins
12 APRIL 2012

BFI National Archive: Inview online

"Welcome to BFI InView. Here you will find over 2,000 non–fiction film and television titles from the 20th century to the early 21st. InView is easily searchable, comprehensively catalogued and clearly organised under six main Themes, each with an introductory essay by an academic historian."

(British Film Institute, 2009)

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CONTRIBUTOR

Simon Perkins
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