"Physicist Jim Al-Khalili travels through Syria, Iran, Tunisia and Spain to tell the story of the great leap in scientific knowledge that took place in the Islamic world between the 8th and 14th centuries. Its legacy is tangible, with terms like algebra, algorithm and alkali all being Arabic in origin and at the very heart of modern science – there would be no modern mathematics or physics without algebra, no computers without algorithms and no chemistry without alkalis.
He discovers how medieval Islamic scholars helped turn the magical and occult practice of alchemy into modern chemistry and argues that these scholars are among the first people to insist that all scientific theories are backed up by careful experimental observation, bringing a rigour to science that didn’t really exist before."
"From ancient times to the present 'spectacle' (the visual aspects of human performance–architecture, scenery, costumes, makeup, lighting, special effects, and staging) has been used to expressively embody and evoke meaning in rituals, ceremonies, and artistic performances. This course [Eye Appeal: Spectacle on Stage and in Life at The University of North Carolina at Greensboro] will examine the use of spectacle as an expressive mode of communication in human performance from antiquity to the present."
(Bob Hansen, 2004)
"This article discusses a particular project that attempted to make art–historical research evocative as well as analytical by employing rich, interactive multi–media. This reliance on evocative material extended techniques practiced by television drama–documentaries and considered their legitimacy and potential within academic art history."
[...what might "evocative research" mean?]
3). Esche–Ramshorn, Christiane and Stanislav Roudavski (2012). "Evocative Research in Art History and Beyond: Imagining Possible Pasts in the Ways to Heaven Project", Digital Creativity, 23, 1, pp. 1–21