"Ward's 'What Dreams May Come,' starring Robin Williams was nominated for production design in addition to winning an Academy Award for Best Visual Effects. The film, tells an epic love story of soul mates separated by death. The story would inspire Ward to envision the afterlife as a painted world, incorporating state-of-the-art, adapted, and entirely new visual effects technologies in an original, fully articulated, filmic view of imagined realms that may await us after death."
"When a user passes away, we memorialize their account to protect their privacy. Memorializing an account removes certain sensitive information (e.g., status updates and contact information) and sets privacy so that only confirmed friends can see the profile or locate it in search. The Wall remains so that friends and family can leave posts in remembrance. Memorializing an account also prevents all login access to it."
"Enlarged photographs of seven young girls are propped atop a stack of unlabeled tin biscuit boxes containing scraps of fabric. These boxes are corroded as if marked by time and are infused with symbolic associations—they evoke reliquary boxes, archival containers, and funerary urns. The black-and-white photographs connote another era; out of focus, they constitute a visual analogy to memory, fading over time. Electric lights illuminate the seven faces like devotional candles, underscoring the effect of a memorial, an orchestration of signifiers indicating loss and remembrance. Old photographs, the tension between individuality and sameness, and the implication of vast numbers evoke the tragedy of the Holocaust.
However, the girls pictured are not victims of genocide: the photographs, of anonymous children, were culled from magazines and newspapers. The boxes are not truly old, and the cloth contained in them is generic and has no special origin. Boltanski creates an atmosphere of general, unspecified mourning through means—photographs, relics—traditionally valued for their privileged claim to specificity, uniqueness, and authenticity. A vocabulary of documentary signs is used movingly, but deceptively, for symbolic effect."
(Rebecca Roberts, 2007, p. 86)
Rebecca Roberts (2007). "MOMA, highlights since 1980, 250 works from the Museum of Modern Art, New York".
"A father says goodbye to his young daughter and leaves. As the wide Dutch landscapes live through their seasons so the girl lives through hers. She becomes a young woman, has a family and in time she becomes old, yet within her there is always a deep longing for her father."
(Animation World Network)
Fig.1 & 2 Directed by MichaŽl Dudok De Wit; Produced by Claire Jennings; Willem Thijssen; Written by MichaŽl Dudok De Wit; Music by Normand Roger; Denis L. Chartrand; Release date(s) 2000; Running time 8:30 minutes; Country United Kingdom; Belgium; Netherlands; Language no dialogue.