Not Signed-In
Which clippings match 'Karlheinz Stockhausen' keyword pg.1 of 1
07 DECEMBER 2013

Silver Apples: Early Electronica

"Having languished in obscurity for many years, '60s US duo Silver Apples are now being widely recognised as pioneers of electronica, thanks to their ground–breaking work in melding psychedelic rock with primitive oscillators. At the time, certain switched–on tastemakers such as John Lennon and sometime collaborator Jimi Hendrix sang their praises, but it's been in latter years, with the likes of Beck, the Beastie Boys, Stereolab and Portishead's Geoff Barrow all acknowledging their influence, that the band's renown has grown. Despite having released only two albums during their first flush of creativity, it seems that Silver Apples' electronically enhanced, wigged–out pop has cast a long shadow. 'It's extremely rewarding as an artist that the documents of activity that I did all those years ago are being thought of as references by other musicians,' says the band's singer/electronicist Simeon today. 'It just astonishes me that it's taken on this kind of importance.'"

(Tom Doyle)

1

TAGS

1960s1968Beastie Boys • Beck • cast a long shadow • Danny Taylor • discordant • discordant modality • DJDJ mixesdriving beatdrum kitearly electronicaecho unit • electrical junk • electronic musicelectronicaexperimental electronic music • Geoff Barrow • ground-breaking workindie rockinfluential creators • jack field • Jimi HendrixJohn LennonKarlheinz StockhausenKrautrockminimalist electronicaminimalistic stylemusicNew York • obscurity • original music • oscillator • Overland Stage Electric Band • pioneers of electronica • plywood • Portishead • primitive oscillators • primitive synthesizer • psychedelic music • psychedelic rock • pulsing • rhythm oscillator • rock idiom • Silver Apples • Simeon Coxe • Stereolab • underground dance music • wigged-out pop

CONTRIBUTOR

Simon Perkins
28 SEPTEMBER 2012

Tuning In: A Film About Karlheinz Stockhausen

"Karlheinz Stockhausen (August 22, 1928 – December 5, 2007) was a German composer, widely acknowledged by critics as one of the most important but also controversial composers of the 20th and early 21st centuries. He is known for his ground–breaking work in electronic music, aleatory (controlled chance) in serial composition, and musical spatialization. ... Similar Artists: Iannis Xenakis, John Cage, Luciano Berio, Luigi Nono, Morton Feldman, Olivier Messiaen, Arnold Schönberg"

(last.fm)

Fig.1 Omnibus (1981). "Tuning In: A Film About Karlheinz Stockhausen", television documentary, BBC1 [published on 13 May 2012 by Thiago Carvalho Fernandes, YouTube].

1

TAGS

1981abstractionacoustic • acoustic abstraction • aleatory • Arnold Schonberg • auditory abstraction • authorshipavant-gardeBBCchance artcomposercomputational aesthetics • controlled chance • creative practicedesign formalismdigital mediadigital pioneerselectronic musicexperimental musicexperimentationGermangroundbreakingIannis XenakisJohn CageKarlheinz Stockhausen • Luciano Berio • Luigi Nono • Morton Feldman • multimediamusicmusic composer • musical spatialisation • Olivier Messiaen • Omnibus (television) • operapatch panelpatternpioneer • serial composition • spatial media • Stockhausen • television documentaryvoices

CONTRIBUTOR

Simon Perkins
08 OCTOBER 2003

Eco: The Open Work

"[Umberto] Eco, quoting Henri Pousseur, defines the 'open' work as one that 'produces in the interpreter acts of conscious freedom, putting him at the centre of a net of inexhaustible relations among which he inserts his own form' (4). Eco's study, which examines Joyce, Alexander Calder, Karlheinz Stockhausen, Pousseur, and other contemporary and near–contemporary artists, opposes this concept to the traditional closed work, which allows the reader or viewer far less choice in interpretation. The categories are ideal––no work can be completely open or closed––but they function well in making distinctions between different kinds of art. What is more important, adopting the proper attitude toward an open work has political and social ramifications: the open work denies conventional views of the world, replacing them with a sense of its discontinuity, disorder, and dissonance. Eco considers the alienation attendant on this realisation as beneficial, since from this feeling of crisis, one may derive a new way of seeing, feeling, and understanding a social order in which traditional relationships have been shattered."
(Deborah Parker)

TAGS

Alexander Calder • conscious freedom • James JoyceKarlheinz Stockhausenopenopen work • Parker • Pousseur • Umberto Eco
Sign-In

Sign-In to Folksonomy

Can't access your account?

New to Folksonomy?

Sign-Up or learn more.