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Which clippings match 'Regime' keyword pg.1 of 1
03 OCTOBER 2011

Rodchenko's revolution: a socialist with true vision

"Painter, photographer, filmmaker, set designer, teacher, metalworker, [Alexander Rodchenko] revelled in the new freedoms thrown up by the Russian Revolution and was fiercely committed to liberating art for the masses.

Whether it was his blueprint for the ideal working man's club showcased at the Paris Exhibition of 1925, his illustrated covers for engineering manuals or his pioneering film poster for Sergei Eisenstein's classic Battleship Potemkin, Rodchenko's experimentation embodied the spirit of the early Soviet era.

But just as he thrived in the intellectual ferment of the Lenin years, like so many other artists–cum–revolutionaries of the period he was to fall foul of Stalin's increasingly paranoid and brutal regime.

Today his influence lives on, not only inspiring modern–day photographers like Martin Parr, but his designs are perhaps best known for the art school chic they afford to the covers of records by the Scottish indie band Franz Ferdinand."

(Arifa Akbar and Jonathan Brown, 2 January 2008, The Independent)

Alexander Rodchenko (1925). "Lengiz books on all subjects!"

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TAGS

19252004Alexander Rodchenkoanimationart school • artist-cum-revolutionary • bandBattleship Potemkin (1925)design formalism • engineering manuals • figures in spacefilm posterfilmmakerFranz Ferdinandhomageidealism • illustrated covers • indie band • Joseph Stalin • liberating art for the masses • Martin Parr • metalworker • modernist aestheticsmotion graphicsmusic videopainter • Paris Exhibition • photographerphotomontagepioneeringposter design • record cover • regimerevisionRussian artistRussian constructivismRussian design • Russian Revolution • Scottishsequence designSergei Eisenstein • set designer • Soviet era • Take Me Out • typographyvisual communicationvisual designvisual literacyVladimir Lenin

CONTRIBUTOR

Simon Perkins
03 JANUARY 2004

Utopian Society: Order

"Plato's formulation of the ideal social and political organization is his understanding that the polis, a city–state, should be governed by philosopher–kings, should function under the domination of an order imposed by reason. Like the orderly body, the city–state functions most ably under the rule of reason, the regime of wisdom, for the well–ordered polzs, like the well–ordered body, operates most harmoniously only in accordance with the dictates of pure reason and the contemplation of the eternal."

(Elizabeth Grosz, p.132. Architecture From The Outside)

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