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Which clippings match 'Film Pioneer' keyword pg.1 of 1
07 MARCH 2015

Albert Maysles: 26 November 1926 - 5 March 2015

"It is with great sadness that we announce the passing of our founder, legendary filmmaker Albert Maysles. Albert was a loving husband, father, brother and friend to many. For more than five decades, Albert created groundbreaking films, inspired filmmakers and touched all those with his humanity, presence and his belief in the power of love. He was also a teacher, mentor and a source of inspiration for countless filmmakers, artists and everyday people."

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CONTRIBUTOR

Simon Perkins
08 APRIL 2013

Les Blank and his Documentary Films

"One of the great living documentary makers of the modern day, Les Blank joins BYOD. After fifty years making incredible docs that showcase the human spirit through art, struggle and humor, Les Blank has a wealth of knowledge to share with Ondi and Vlad.

Mr. Blank takes us through his early days and his decision to pick up the camera, his jump to film making and dealing with subjects on the outside of society, to dealing with artists to find the human spirit. He spares few details along the way and let's us in on his life–threatening filming Herzog, from the jungle of South America on 'Burden of Dreams,' to filming the director famously eating his own shoe. Mr. Blank is still a brilliant artist and illuminating guide through the history of doc making."

(TheLip.tv)

"An American Treasure and Living Legend Les Blank and his Documentary Films", Episode 14 : BYOD: Bring Your Own Doc, Hosted By Ondi Timoner and Vladimir Radovanov for TheLip.tv.

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CONTRIBUTOR

Simon Perkins
28 DECEMBER 2012

Influential American experimental cinema: Meshes of the Afternoon

"Meshes of the Afternoon is one of the most influential works in American experimental cinema. A non–narrative work, it has been identified as a key example of the 'trance film,' in which a protagonist appears in a dreamlike state, and where the camera conveys his or her subjective focus. The central figure in Meshes of the Afternoon, played by Deren, is attuned to her unconscious mind and caught in a web of dream events that spill over into reality. Symbolic objects, such as a key and a knife, recur throughout the film; events are open–ended and interrupted. Deren explained that she wanted 'to put on film the feeling which a human being experiences about an incident, rather than to record the incident accurately.'

Made by Deren with her husband, cinematographer Alexander Hammid, Meshes of the Afternoon established the independent avant–garde movement in film in the United States, which is known as the New American Cinema. It directly inspired early works by Kenneth Anger, Stan Brakhage, and other major experimental filmmakers. Beautifully shot by Hammid, a leading documentary filmmaker and cameraman in Europe (where he used the surname Hackenschmied) before he moved to New York, the film makes new and startling use of such standard cinematic devices as montage editing and matte shots. Through her extensive writings, lectures, and films, Deren became the preeminent voice of avant–garde cinema in the 1940s and the early 1950s."

(MoMA, 2004)

The Museum of Modern Art, MoMA Highlights, New York: The Museum of Modern Art, revised 2004, originally published 1999.

Maya Deren (1943). "Meshes of the Afternoon", 16mm film, black and white, silent, 14 min. Acquired from the Artist.

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TAGS

16mm1943 • Alexander Hackenschmied • Alexander Hammid • American cinemaavant-garde cinemablack and whiteBolexcinemacinematic devicescloakdeathdream • dream world • dreamlike qualityeditingexperimental cinemaexperimental film • experimental filmmaker • filmfilm pioneerfilmmakerflowerFreudianindependent cinemainfluential directorinfluential worksKenneth Angerkeyknife • matte • Maya Deren • Meshes of the Afternoon • mirrorMoMA • New American Cinema • non-narrativeopen-endedpersonal filmrecurring ideasrepetitionrhythmscreen-mediated virtual spaceseminalsilent filmstaircaseStan Brakhagesurrealist cinemasymbolic meaningsymbolism • Teiji Ito • tranceunconscious desires • unconscious meaning • women in filmwomen in historywordless

CONTRIBUTOR

Simon Perkins
25 SEPTEMBER 2012

Presentation about Ray Harryhausen at UK Canterbury Anifest 2012

"Ray Harryhausen is known as the godfather of stop motion animation, having worked on classic films such as Jason and the Argonauts, Clash of the Titans and Sinbad. Ray Harryhausen stands as a beacon to today's fantasy filmmakers as the creator who inspired directors such as George Lucas, Peter Jackson and Steven Spielberg.

As Ray can no longer attend events, this talk will be given by Tony Dalton, curator of the Ray Harryhausen collection and co–author of Ray's books about his film work. Tony Dalton will be bringing a selection of Ray's models to the talk."

(The Marlowe Theatre, UK)

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TAGS

2012Anifest Competitionanimationanimation festivalCanterbury Anifestcinema historycinema pioneer • Clash of the Titans • classic films • fantasy filmmakers • festivalfilm festivalfilm pioneerfilmmakerGeorge Lucas • Jason and the Argonauts • Ray Harryhausen • science fiction • Sinbad • special effectsSteven Spielbergstop motionstop motion animationthe magic of animation • The Marlowe Theatre • Tony Dalton • UK

CONTRIBUTOR

Simon Perkins
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