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Which clippings match 'Cinema Of The Street' keyword pg.1 of 1
24 NOVEMBER 2013

Thelonious Monk: Straight, No Chaser (1988)

"Expanding on footage of Monk's 1967 tour shot by Christian Blackwood, Charlotte Zwering (Gimme Shelter) has created the definitive filmic portrait of the master bop pianist–composer. This captivating DVD digs deeper into the life of the famously eccentric pianist–composer ...

Straight, No Chaser fleshes out Monk's character considerably – from his harmonic theories to his use of quarter – tones (produced by hitting two adjacent piano keys simultaneously and occasionally even striking the boards with his entire forearm or his foot) to his mysterious relationship with his patron, baroness Nica de Koenigswarter."

(Vlatko, TopDocumentaryFilms.com)

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TAGS

16mm19671988archive footageavailable light • Barry Harris • bebop • Ben Riley • black and white • Bob Jones • Bruce Ricker • Charlie Rouse • Charlotte Zwerin • Charlotte Zwering • Christian Blackwood • cinema of the streetClint Eastwood • Dick Hyman • direct cinemadissonancedocumentarydocumentary filmeccentricfilm lighting • filmic portrait • Frank Paccione • harmonic • Harry Colomby • improvised methodinfluential creators • jazz great • jazz masterjazz performancejazz pianist • Jimmy Cleveland • John Coltrane • Johnny Griffin • Juilliard School • Larry Gales • live performancelow light • Malpaso Productions • music documentary • music tour • musical genius • Nellie Monk • Nica De Koenigswarter • offbeat • Phil Woods • pianist-composer • pianoportrait • posthumous interview • Ray Copeland • recording sessionrecording studiorehearsal • Samuel Wright • sixties coolsocial realism • Straight No Chaser (1988) • Teo Macero • Thelonious Monk • Tommy Flanagan • Warner Bros

CONTRIBUTOR

Simon Perkins
12 AUGUST 2012

Rob Nilsson: indie filmmaker and small format video feature pioneer

"Rob Nilsson pioneered small analog and digital formats and created a low–budget cinematic style called direct action. He established the Tenderloin Action Group (now called the Tenderloin yGroup) in 1990, a drama workshop for homeless people, inner–city San Francisco residents and professional actors. He was the first video maker to blow up small–format video to 35 mm film for international theatrical distribution. His work has screened at festivals in the United States and abroad, including Mill Valley, Toronto, Santa Barbara, San Francisco and Locarno. Nilsson's work has been honored with numerous awards, including the Camera d'Or at Cannes and the Grand Jury Prize at the Sundance Film Festival (he was the first American Director to win both)."

(Media Arts Fellow)

Fig.1 scene from Rob Nilsson (1987). "Heat and Sunlight", Betacam SP to 35mm film transfer.

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TAGS

198535mmAmerican directoranalogueanalogue and digital formatsavailable lightBetacam SPblack and white • blow up small-format video • Chikara Motomura • cinema of the street • cinematic style • citizen cinema (ethos) • convergence • direct action (ethos) • Dogme 95film actingfilmmakerfly-on-the-wallindependent cinemaindependent filmindie cinemainfluential directorlow budgetlow lightlow-budgetlow-budget film • Media Arts Fellow • Michael Edo Keane • new technical possibilitiesrealism • Rob Nilsson • San Francisco • Signal 7 (film) • small format video feature • tape to film transfer • Tenderloin Action Group • Tenderloin yGroup • underground cinema • video to film transfer • videomaker

CONTRIBUTOR

Simon Perkins
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