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Which clippings match 'Hometown' keyword pg.1 of 1
18 SEPTEMBER 2014

To Singapore, with Love: Singaporean political exiles remember

"Some places are better observed from a distance if you want to grasp their inner essence. For this portrait of her hometown, the tropical economic powerhouse of Singapore, Tan Pin Pin decided on a strictly external perspective. She meets with political exiles in London, Thailand, and Malaysia who had to leave the city thirty–five or fifty years ago–and who are to this day not permitted to return unless they die and their relatives bring back their ashes. The protagonists of the film fought for increased democracy and for Singapore to be freed from colonialism. They escaped long prison sentences and judicial capriciousness, but at the price of exile. They have a heightened view of the city today, full of dreams yet also analytical: To Singapore, with Love [星国恋] is a homage to individual fighters whose lives have been shaped by emigration. They tell their stories more as utopians than as victims, opening up amazing perspectives on an ultra–modern city in a democratic coma as well as on life in exile, whose path is never straightforward for those who do not lose sight of their goals, even when far away from home."

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TAGS

2013activist • Asian Cinema Fund • British Colonial Government • Busan International Film Festival • card carrying communist • censorshipcolonialismcommunism • communist party • democratic coma • detention without trial • displaced • documentary film • emigration • English countryside • escape • exile • fled • homagehometown • Internationale Filmfestspiele Berlin • judicial capriciousness • life in exile • lives • Malaysia • not permitted to return • political exile • political exiles • political persuasion • prison sentence • Singapore • Singaporean • student leader • Tan Pin Pin • Thailand • To Singapore with Love (2013) • United Kingdom • utopian

CONTRIBUTOR

Simon Perkins
09 AUGUST 2012

Chris Saunders: One to One Hundred Project

"With this project I intend to concentrate purely on taking close up photographs of faces of people from my hometown of Sheffield. I will photograph 100 people, one person for every year of age, each of whom will be asked to provide the clearest photograph they can find taken when they were younger. This picture, along with the photograph I take, will be placed together to form the final version of each piece showing how the subject's face has changed over the intervening years."

(Chris Saunders)

Fig.1 Chris Saunders (2012) "Danny aged 3 and 54", One to One Hundred Project.

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TAGS

2012change observer • changes over time • Chris Saunders • close up photographs • close-up • Danny Kaye • face • faces • faces of peoplefacial nuancehometown • One to One Hundred Project • photographerphotographic portrait • portrait photographer • portraitureSheffieldsubtletyUK • youth and age

CONTRIBUTOR

Simon Perkins
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