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Which clippings match 'Visual Spectacular' keyword pg.1 of 1
25 APRIL 2015

Supersymmetry: a immersive aesthetic experience by Ryoji Ikeda

"Supersymmetry attempts to transform the complexity of quantum information theory into an immersive aesthetic experience, meshing sound, visual data and high-speed light displays. The show pairs two inter-related installations. As you step into the cavernous, pitch-black space at the top of Brewer Street Car Park in Soho, you're confronted by [experiment]. Three 1m x 1m light boxes, glowing white, skitter and whoosh with tiny ball bearings, forming unique and unpredictable patterns. It's a disorientating experience, leaving you feeling adrift in such a frenetic space, with red lasers constantly scanning the surface movements.

As you step through the curtain into the next space, [experience], you're plunged into the middle of two 20m-long screens, blinking with forty monitors, all displaying how the previous room's data has been analysed and translated. The synchronized monitors pulse with high-speed analyses and typed text, while the electronic soundscape -- a symphony of bleeps, buzzes and droning hums -- adds to the charged atmosphere. The overall effect, as you glance at the mutating text and the rapid-fire bombardment of data, is both hypnotic and hallucinatory, and yet there's also something strangely oppressive about being caught in this endless loop of sound and information."

(Daniel Culpan, 23 April 2015, Wired)

"Supersymmetry" by Ryoji Ikeda, 2015. The exhibition runs at The Vinyl Factory Space at Brewer Street Car Park, London, W1F 0LA, until 31 May 2015.

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2015aesthetic experienceart and scienceart exhibitionartist in residence • artistic response • austere ambienceball bearings • beeps • bleeps • buzzes • CERN • charged atmosphere • complexity • dark space • disorientating experience • droning • electronic soundscape • emotionally empty art • endless loop • hallucinatory • Higgs boson • humming • hyper-sensory experience • hypnoticimmersive aesthetic experience • Japanese artist • Japanese visual artist • Large Hadron Collider • light installationlight pulseslightboxmodernist aesthetics • multistorey building • particle accelerator • particle research • physics • quantum information theory • Ryoji Ikeda • sound and imagestrobing • Supersymmetry (2015) • symmetry • The Vinyl Factory • unique patterns • unpredictable patterns • visual artistvisual representations of scientific conceptsvisual spectacular • whooshes • Wired (magazine)

CONTRIBUTOR

Simon Perkins
22 FEBRUARY 2015

Eye Appeal: Spectacle on Stage and in Life

"From ancient times to the present 'spectacle' (the visual aspects of human performance–architecture, scenery, costumes, makeup, lighting, special effects, and staging) has been used to expressively embody and evoke meaning in rituals, ceremonies, and artistic performances. This course [Eye Appeal: Spectacle on Stage and in Life at The University of North Carolina at Greensboro] will examine the use of spectacle as an expressive mode of communication in human performance from antiquity to the present."

(Bob Hansen, 2004)

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2004 • aesthetician • antiquityart historyartifice • artistic performances • Ben Jonson • Bryan Holmes • ceremony • Cinquecento • circus • commanding form • costume design • court spectacles • creation of spectacle • dramatic literature • entertainment spectacle • expressive mode of communication • eyecatching • George Kernodle • high renaissance • human performance • Inigo Jones • Jean-Baptiste Poquelin • John Lahr • Jonathan Price • lecture programmeLeonardo da Vincilightingmake-upMichelangelo • Moliere • parade • Phyllis Hartnoll • physiological reactions • psychological reactions • public showsRaphael • religious rites • renaissanceritualscene designsceneryscenographysetting • Shakespeare • show (spectacle)special effectsspectacle • spectacles • spetakel • stage magic • stagecraft • staging • Susanne Langer • Sybil Rosenfeld • technical theatre • theatre architecture • Thomas Heck • TitianTiziano • Tiziano Vecelli • Tiziano Vecellio • University of North Carolina • University of North Carolina at Greensboro • visual and performance elements • visual spectaclevisual spectacular • visually striking

CONTRIBUTOR

Simon Perkins
15 AUGUST 2013

Busby Berkeley: choreographing the epic visual spectacle

"Berkeley's choreography is important less for its movement of the dancers than for its movement of the camera. To overcome the limitations of sound stages, he ripped out walls and drilled through ceilings and dug trenches for his film crews. When a desired effect could not be accomplished with traditional film equipment, he had his budget expanded to include costs for developing custom rigs. His innovations explored ideas that the stationary camera could not. He wanted to take the audience through waterfalls and windows. He wanted lines of dancers to fall away to reveal scenery that in turn would fall away to expose an even larger setting. His dreams were big, but his determination to see them actualized was even bigger.

Even his worst attempts resulted in eminently watchable movies of exhilarating movement, but his best efforts produced startling effects that bordered on surrealistic dream states. In the quintessential Berkeley films Footlight Parade (1933) and 42nd Street (1933), cameras mounted on tracks are sent soaring past a multitude of dancing legs, flailing arms and orchestra instruments. In all, he directed more than twenty musicals, including an underwater sequence with aquatic star Esther Williams."

(Scott Smith, 6 February 2013, Keyframe)

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42nd Street (1933) • aesthetic spectacleBusby Berkeleycamera angle • camera movement • camera rig • choreographic imaginationchoreographies for camerachoreographydance • dance productions • dancers • dancing legs • design formalismentertainment spectacle • Esther Williams • figures in space • flailing arms • Footlight Parade (1933) • geometryglamourgroupingkaleidoscopelegs • Lloyd Bacon • mirrored effectmovementmusical (genre)perspective viewscenerysound stage • stationary camera • surrealist stylesymmetry • underwater sequence • visual designvisual effectsvisual spectaclevisual spectacular • waterfa

CONTRIBUTOR

Simon Perkins
03 NOVEMBER 2012

Immortals: visual effects spectacular epic

Immortals is a "2011 3D action–adventure fantasy film directed by Tarsem Singh and starring Henry Cavill, Freida Pinto, and Mickey Rourke. The film was previously named Dawn of War and War of the Gods before being officially named Immortals and is loosely based on the Greek myth of Theseus and the Minotaur and the Titanomachy."

(movieclipsTRAILERS, 17 August 2011, YouTube)

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2011action-adventure • Ares • Athenacostume designCrete • Daniel Sharman • Dawn of War • Demeter • digital 3D • Eiko Ishioka • epic spectacular • Epirus Bow • fantasticfantasy filmfictional worldfilm • Freida Pinto • gods • Greek myth • green screen • Henry Cavill • Heracles • Hyperion • Immortals • Immortals (film) • Isabel Lucas • John Hurt • legendary weapon • Mickey Rourke • Minotaur • mythmythologicalmythological being • Olympians • oracle • Phaedra • Poseidon • RealD 3D • Relativity Media • revengeSFXspecial effectsspectacular • Stephen Dorff • Tarsem Singh • Tartarus • Theseus • Titan Hyperion • Titanomachy • Titans • Universal Pictures • VFXvisual effectsvisual spectaclevisual spectacularvisual spectacular epic • War of the Gods • world of the storyZeus

CONTRIBUTOR

Simon Perkins
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