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Which clippings match 'Multimodality' keyword pg.1 of 1
04 JUNE 2013

The Lansdown Centre for Electronic Arts

"The Lansdown Centre for Electronic Arts, founded on groundbreaking computer animation in 1985, focuses on the creative and critical use of media technologies, leading developments in which media are interactive, ubiquitous, pervasive, physical and multimodal."

Fig.1 Julie Freeman

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TAGS

1985 • ADRI • applied research • Art and Design Research Institute • blue sky • collaborative projects • computer animationcreative uses of new technologycritical perspective • critical use of technology • David Heinemann • digital technologies • Guy Sherwin • Helen Bendon • interactive mediainterdisciplinary investigation • John Dack • Lansdown Centre for Electronic Arts • Magnus Moar • media technologies • Middlesex University • moving imagemultimodal scholarshipmultimodal user interfacesmultimodality • Nic Sandiland • personal artistic research • pervasive mediaphysical computingplayful work • Ralf Nuhn • researchresearch centre • rethinking knowledge • Sharon Lin Tay • Simone Gristwood • sonic arts • Suzanne Buchan • Tansy Spinks • theory and practiceubiquitous technologiesUK • Virginia Crisp

CONTRIBUTOR

Simon Perkins
06 AUGUST 2012

International Conference on the Image: Thread to the Unknown

Third International Conference on the Image, Higher School of Humanities and Journalism, Poznań, Poland, 14–16 September 2012

"Welcome to the Third International Conference on the Image. The conference will be held at the Higher School of Humanities and Journalism, Poznań, Poland from 14–16 September 2012 and is organized in partnership with the Polish Mediations Biennale 3, The Unknown–Nieznane. The conference encompasses participation in Biennale Special Events including a Biennale Day on September 15 featuring curators Tomasz Wendland, Fumio Nanjo, Denise Carvalho, and Friedhelm Mennekes, as well as the opportunity to submit artistic work for consideration in a Special Exhibition at the Polish Mediations Biennale.

In conversation with the MEDIATIONS BIENNALE theme, 'The Unknown–Nieznane', The Image Conference will address the 2012 special conference theme–The Thread to the Unknown: Is the Unknown a construct? Can we hold the pretense that human hands and minds organize the realm of the Unknown? Are our constructions replicas of known things that hide the unknown from us?

The conference aims to shed light on the boundaries of language, culture, scientific research, artistic production, and visual communication in relation to the Unknown–Are there structural limits in science and human society that necessarily hide what is unknown from us? Or is the Unknown the complex and enormous form of existence that includes our knowledge and consciousness as one very small element?"

(Third International Conference on the Image)

TAGS

2012 • amateur imaging • art and design conferenceart and visual culture • artistic production • artsboundaries • commercial imaging • Common Ground (publishing) • culture boundaries • Denise Carvalho • Dragan Zivadinov • form of existence • Friedhelm Mennekes • Fumio Nanjo • Higher School of Humanities and Journalism • image archiving • image discovery • image libraries • interdisciplinary thinkinginternational conference • International Conference on the Image • International Journal of the Image • Jasia Reichardt • knowledge and consciousness • knowledge community • language boundaries • Mediations Biennale • Miha Tursic • multi-modalmultimodalitymuseum • Nieznane • perceptionPoland • Polish Mediations Biennale • Poznan • professional imaging • propaganda • research conference • science and human society • scientific researchsurveillancetelevision • the image • The Image Conference • The Unknown • Tomasz Wendland • unknownvisual communicationvisualisation

CONTRIBUTOR

Simon Perkins
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