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Which clippings match 'Cultural Icon' keyword pg.1 of 1
05 AUGUST 2012

Paolo Gioli's cinematic tone poem to Marilyn Monroe

"Italian film maker Paolo Gioli creates a haunting short movie by animating photographs taken by Bert Stern of Marilyn Monroe shortly before she died at the age of 36, fifty years ago today.

Filmarilyn is both beautiful and foreboding. As the film's jazzy rhythms start to disintegrate and the images slow to a crawl, 'X' marks on the contact sheets appear like magical curses and a fresh scar on Marilyn's flesh transforms into a stigmata while her face, half–hidden by shrouds of white, eyes closed, turns impossibly pale and lifeless. In the final moments, close–ups of her hands in death–like repose seem almost saintly and as the film's last frames unspool we are left with the sense of having seen an apparition, a ghost... a soul X–rayed.

It's amazing how much power and sadness Gioli creates from so few elements – a testimony to his artistry, Marilyn's radiance and Stern's skill in capturing it."

(Marc Campbell, 05 August 2012, Dangerous Minds)

Fig.1 Paolo Gioli (1992) "Filmarilyn", uploaded to Vimeo by Volodymyr Bilyk.

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TAGS

1992 • actress • animated sequenceanimated video • animating photographs • apparitionavant-garde cinema • Bert Stern • blondecelluloid • contact sheet • cultural icondeath • death-like repose • depth of focus • disintegrate • experimental film • eyes closed • Filmarilyn • Filmmarilyn • final moments • forebodingfound imagesframe by frameghost • haunting • HollywoodHollywood starletjazz rhythm • lifeless • manipulated images • Marilyn Monroe • modulated object framing • motion designnon-narrative • Paolo Gioli • photographic blow-upspop iconre-purposerhythmic motionrisque • scar • scavengedsequence design • sex symbol • short film • short movie • shrouds of white • simulate dimensionality • slow to a crawl • soul • stigmata • still images • still photographs • stop-frame animation • superstar • tantalizing • tone poem • unspool • visual recessions • X marks • x-ray

CONTRIBUTOR

Simon Perkins
08 JANUARY 2004

Shane: Mythological Community (American) Archetype

The film Shane presents an archetypal view of the development of American society. Through its depiction of the struggles of a capitalist agenda: the sod–busters struggling to make a living tending the land; to the Riker family representing corporate enterprise.

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TAGS

alone in the wildernessarchetypecommunitycowboycultural icondramafilmfilm genrefrontiergenre • George Stevens • ruggedsettlement • Shane • societyterritoryThe Westwestern film genrewilderness
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