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Which clippings match 'Public Spaces' keyword pg.1 of 1
23 JANUARY 2014

The emergence of living newspapers in the early twentieth century

"The roots of the 'living newspaper' in Europe can be traced to Italian futurism in the early decades of the twentieth century. It was in the young Soviet Union (and principally the Moscow Institute of Journalism), however, that it was developed into a recognisable form of agitprop theatre. Performed by small bands of propagandists, the scripts for zhivaya gazeta were often pasted together from materials found in newspapers–though a high degree of improvisation was also encouraged–and were designed to provide illiterate audiences (such as workers or Red Army recruits) with details of campaigns, battles or other newsworthy events (Casson, 2000). Plays were performed on street corners or in other public spaces, with the aid of a handful of props and simple yet highly symbolic costumes [2].

By the late 1920s, however, zhivaya gazeta were already being seen as passé by many dramatists in the Soviet Union, with all forms of 'revolutionary agitational art' becoming 'increasingly unwelcome', and official attention turning towards the development of more sophisticated forms of theatre in the lead up to the adoption of socialist realism as official state doctrine in 1932 (Frolova‐Walker, 2006: 185). Indeed, Stalin disbanded the Blue Blouse Group, the main exponent of zhivaya gazeta, in 1928 (Casson, 2000:109)."

(Jeremy Taylor. p.29)

[2] Top hats, for instance, were used with much frequency to mark out a particular character as being bourgeois (Tolstoy, 1998: 24).

Jeremy E.Taylor (2013). The Sinification of Soviet Agitational Theatre: 'Living Newspapers' in Mao's China, Journal of the British Association for Chinese Studies, Vol. 2 July 2013.


agitational art • agitprop theatre • Blue Blouse Group • dramaturgyearly twentieth centuryFuturism (art movement) • huobaoju • illiterate audiences • improvisationinterventionist art • Jeremy Taylor • John Casson • Journal of the British Association for Chinese Studies • Leo Tolstoy • living newspaper • Marina Frolova-Walker • Moscow Institute of Journalism • newspapers • newsworthy events • pasted together • propaganda • propagandist • public spacesRed Army • revolutionary acts • revolutionary agitational art • socialist realismSoviet Union • state doctrine • street theatre • symbolic costumes • theatre form • theatre history • transformational narrative • yangbanxi • zhivaya gazeta


Simon Perkins
21 DECEMBER 2013

Danah Boyd: The Future of Privacy in Social Media

"Today's youth are sharing a tremendous amount of information through social media. They share to connect, but in connecting, they leave large traces of their interactions for unexpected audiences to view. Those who care about privacy are scratching their heads, trying to make sense of why youth share and what it means for the future of privacy. danah will discuss how youth understand privacy in a networked world. She will describe youths' attitudes, practices, and strategies before discussing the implications for companies and the government."

(Danah Boyd, Microsoft Corporation, recorded 6 March 2012, duration 00:30:41.



2012 • being connected • cheating privacy • controlDanah Boyd • data persistence • ethnographic researcheveryday cultureFacebookfriendship networks • future of privacy • hanging outidentity constructionidentity performanceMicrosoft CorporationMySpace • network privacy • network public environment • networked publicsnetworked world • networked youth • online context • online interactionsparticipationpowerpower and agencyprivacy • privacy settings • private by default • private spacepublic by default private through effortpublic spacessearchabilitysharingsocial agencysocial groomingsocial identitysocial mediasocial networking sitessocial practicestechnology affordancestraces • understanding privacy • unexpected audiences • unstructured setting • video lecture • why youth share • young people


Simon Perkins
11 OCTOBER 2012

We Are Primary: an artist-led social and cultural resource

"Primary is an artist–led space that exists to support creative research and to develop new ways of engaging with audiences. Offering dedicated artist studios alongside flexible spaces, both within and outside the building, where artists from around the world can meet and work in the heart of Nottingham. Primary is a place where artists and the public can share, experiment and learn about contemporary visual art through an ambitious programme of events and activities. ...

In November 2011, the building opened its doors to the first resident artists: Nadim Chaudry, Simon Raven, Yelena Popova, Rebecca Beinart, Matt Hawthorn, Andy Lock, Simon Withers, Mik Godley, Tether, Frank Abbott, Craig Fisher and Debra Swann. Further recruitment of resident artists has continued in 2012 with an associate artist programme launching later in the year. ...

[Note that] we are not currently open to the public except for special events. However if you would like to visit, please get in touch: 33 Seely Road, Nottingham, NG7 1NU, +44(0)115 924 4493"

(Nottingham Studios Ltd., UK)



2011 • alternative spaces • Andy Lock • artist studios • artist talks • artist-led initiatives • artist-led space • artistic practiceartists • arts infrastructure • associate artist programme • associate artists • audiences • canteen • charitycontemporary visual art • Craig Fisher • creative research • cultural resource • Debra Swann • Douglas Primary School • exhibitionsFrank Abbott • Matt Hawthorn • Mik Godley • Nadim Chaudry • new ways of engagingNottinghamNottingham city • Nottingham Studios Ltd • physical resource • playgroundPrimary (artist-led space) • programme of events • public programme • public spaces • Rebecca Beinart • residency space • Simon Raven • Simon Withers • social and cultural resource • social resource • studio provision • studio space • Tether (pseudonym) • UKYelena Popova


Simon Perkins
25 DECEMBER 2007

One Of The Most Individualist Cultures Has Been Preoccupied By Community

"It seems ironic that one of the most individualist industries (internet development) in the most individualist cultures (e.g. US, UK) has spent so much time discussing community. As Meg Pickard points out, this perhaps reflects an anxiety with our own social fragmentation and alienation, a search for meaning, or possibly a yearning for a sense of community that has been lost with the decline of the "third place" ? public spaces where people would normally meet and interact physically."
(Lee Bryant)



alienationbelonging • Bryant • individual • individualist • Pickard • public spacepublic spacessocial fragmentationsocial softwarethird place

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