Not Signed-In
Which clippings match 'Fiction And Reality' keyword pg.1 of 1
04 SEPTEMBER 2018

Sweden: Truth, Lies and Manipulated Narratives

"Good Sweden vs Bad Sweden. Sweden is usually recognised as being innovative, transparent and progressive, with good healthcare, welfare and gender equality. More recently, however, a growing chorus of Sweden sceptics have emerged. In this report, Gabriel Gatehouse went to find out more about these competing narratives."

Sweden: Truth, Lies and Manipulated Narratives. 2018. BBC Two, BBC Newsnight. 22 August 2018, 22:30, 18 minutes.

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TAGS

BBC Twocontrasting perspectivescultural narrativescultural valuesdiscrepancydrugsdual narrativesEvan Davis • failed multicultural project • fiction and reality • Gabriel Gatehouse • good versus evilgunsimmigration • Jack Garland • liberal utopia • lies • Malmo • manipulated narratives • mirror worldmodel citizennationalism • Newsnight (TV programme) • night and day metaphorother sideparallel narrativesparallel storiesprejudgment • questioning familiar narratives • refugee • Rosengard • secular society • Stuart Denman • Swedentruth

CONTRIBUTOR

Simon Perkins
05 AUGUST 2012

Hannah Starkey: reconstructed scenes from everyday life

"Using actors within carefully considered settings, Hannah Starkey's photographs reconstruct scenes from everyday life with the concentrated stylisation of film. Starkey's images picture women engaged in regular routines such as loitering in the street, sitting in cafes, or passively shopping. Starkey captures these generic 'in between' moments of daily life with a sense of relational detachment. Her still images operate as discomforting 'pauses'; where the banality of existence is freeze–framed in crisis point, creating reflective instances of inner contemplation, isolation, and conflicting emotion.

Through the staging of her scenes, Starkey's images evoke suggestive narratives through their appropriation of cultural templates: issues of class, race, gender, and identity are implied through the physical appearance of her models or places. Adopting the devices of filmography, Starkey's images are intensified with a pervasive voyeuristic intrusion, framing moments of intimacy for unapologetic consumption. Starkey often uses composition to heighten this sense of personal and emotional disconnection, with arrangements of lone figures separated from a group, or segregated with metaphoric physical divides such as tables or mirrors.

Often titling her work as Untitled, followed by a generalised date of creation, her photographs parallel the interconnected vagueness of memory, recalling suggestions of events and emotions without fixed location or context. Her work presents a platform where fiction and reality are blurred, illustrating the gap between personal fragility and social construction, and merging the experiences of strangers with our own."

(Saatchi Gallery)

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TAGS

artificeawkwardnessbanalitycinematic conventionscultural appropriationcultural signals • cultural templates • daily lifedetachmentemotionlesseveryday lifefiction and realityfilm stylisationframed momentsfreeze frame • Hannah Starkey • in-betweenin-between narratives • inner contemplation • intimacyintrospectionisolation • loitering • momentsnarrative photographynarrative scenesobservationpausephotographyplaceness • regular routines • routineSaatchi Galleryscene reconstructionsettingstagingstylisedsuggestive narrativesvignette • voyeuristic intrusion

CONTRIBUTOR

Simon Perkins
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