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Which clippings match 'Kiwi Short Films' keyword pg.2 of 4
04 AUGUST 2012

La Vie En Rose (kiwi short film)

Fig.1 Anna Reeves (1994), "La Vie En Rose" (short film excerpt) Aotearoa New Zealand, 16mm 7 minutes.

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16mm1994 • Alex Cole-Baker • Anna Reeves • Aotearoa New ZealandAustralasia • catholic priest • cautionary taleidealism • Katie Wolfe • kiwi shortkiwi short filmskiwi shorts • La Vie En Rose (short film) • naivetynz short filmromance • rose (plant) • rose-coloured glasses • rose-tinted glasses • short film • slug • The Coming of Age of The New Zealand Short Film • Timothy Balme • Victoria Kelly

CONTRIBUTOR

Simon Perkins
03 AUGUST 2012

Stroke: an individual struggles against a dehumanised mass

"Christine Jeffs made her directing debut with this lush, high end (35mm film, Dolby sound) short film. Dorothy (Fiona Samuel), a lone swimmer, luxuriates in tranquil bliss at a deserted pool – only to have her solitude rudely interrupted by a squad of swimmers. A wordless, strikingly choreographed conflict ensues as Dorothy attempts to assert herself against the dehumanised aggression of the swimmers. Stroke was invited to international festivals including Cannes and Sundance; and Jeffs went on to direct feature films Rain and Sunshine Cleaning."

(NZ On Screen)

Fig.1 Christine Jeffs (1994), "Stroke" (short film excerpt) Aotearoa New Zealand, 35mm 8 minutes.

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199435mmAotearoa New Zealand • assertiveness • Australasia • choreographed conflict • choreographies for camerachoreographychoreography of conflict • Christine Jeffs • dehumanisation • dehumanised aggression • Fiona Samuel • kiwi shortkiwi short filmskiwi shortsmoving imageNew Zealand on ScreenNZ On Screennz short film • Robin Laing • short filmsportswimmerswimmingThe Coming of Age of The New Zealand Short Film • tranquillity • wordless

CONTRIBUTOR

Simon Perkins
02 AUGUST 2012

The Lounge Bar: cyclic narrative kiwi short film from 1988

"The zenith of Don McGlashan and Harry Sinclair's legendary Front Lawn collaborations, this iconic Kiwi short follows two men and one woman on a rainy night at a deserted bar. Pivoting on amnesia and woven together by music, two timeframes are seamlessly combined and a darkly humorous plot unfolds. The film had a wide international release (Ireland to Norway, Germany to the USA) and was a finalist in the inaugural American Film Festival."

(NZ On Screen)

Fig.1 The Lounge Bar (1988), Don McGlashan, Harry Sinclair, Aotearoa New Zealand, 35mm 12 minutes.

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198835mmamnesiaAotearoa New ZealandAustralasiabar • caustic humour • chance meeting • Chinese puzzle box • cyclic narrativecyclical narrative • Dance to My Ten Guitars • diegetic sounddisturbing taleDon McGlashanFuture Shorts • Grant Campbell • Harry Sinclair • head injury • headgear • John Gilbert • jukeboxkiwi short films • Kiwiana • Leon Narbey • lounge bar • Lucy Sheehan • memory loss • Monty PythonNew Zealand cinemanon-diegetic soundPeter Jackson • pretty spunky • short filmsongThe Coming of Age of The New Zealand Short FilmThe Front Lawn • The Girl from Ipanema • The Lounge Bar • Theres a Man at The Bar Staring into Space • weirdness • Wellington Film Society

CONTRIBUTOR

Simon Perkins
01 AUGUST 2012

Film4 Scene Stealers: Sexy Biscuit

FIlm4 are running a competition whereby users recreate a favourite scene from a Film4–funded movie. I chose to recreate the opening of "Sexy Beast" in low–fi animation.

Fig.1 Francis Glenday "Sexy Biscuit", Country: New Zealand, Submitted: 31/07/2012, Recreating: Jonathan Glazer (2000) "Sexy Beast".

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animationAotearoa New Zealand • best new talent • biscuitfilm competition • Film4 channel • filmmakerfilmmaking • Francis Glenday • gingerbread man • independent filmmaking • Jonathan Glazer • kiwi short filmskiwi shortslow-budget filmlow-fi • micro budget • nz short film • original screenplay • ovenpaying homage • recreate a favourite scene • remake • Sexy Beast • short film • short film making • short film projects • short films • stealing a scene • under the gri

CONTRIBUTOR

Francis Glenday
01 JANUARY 2011

Len Lye: an innovative explorer of cameraless filmmaking

"Cameraless film refers to a method of producing moving image where the artist or filmmaker bypasses the photographic process and directly manipulates film stock (either additively or subtractively) with methods such as drawing, collage and painting. Due to the inherent difficulties of generating handmade images on film, direct animation doesn't lend itself to pictorial illusion or linear narratives. The imagery tends to be atavistic, animistic, frenetic; and due in part to this visual proximity to pure abstraction, the conceptual content of this genre has been largely overlooked. Since they sit so ambivalently between fine art and cinema, both camps have historically positioned these films as being principally concerned with formalism and material experimentation. But revising this apprehension, Zelluloid: Filme Ohne Kamera brings together a selection of films, tracing the ideational threads which significantly inform and influence this manner of filmmaking.

In 1935, Len Lye's film A Colour Box was so different in its use of filmic language that the Brussels Film Festival had to invent a new prize for it to win. As vivid and enchanting today as they were visionary and challenging, Lye's animated shapes dancing to the percussion of popular Cuban and African music were a hit with audiences more accustomed to viewing cinema in its industrial, commercial capacity. The very act of painting abstract imagery on film was a conceptual leap in terms of severing film's indexical relationship with the world and using it to explore an abstract, synaesthetic experience."

(Genevieve Allison, 5 August 2010, EyeContact)

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1935 • A Colour Box • abstraction • Aldo Tambellini • Amy GranatanimationAotearoa New Zealandart • Barbel Neubauer • Belgium • Brussels Film Festival • cameraless film • Cecile Fontaine • cinematic languagecolourcraftcreative practicedesign formalismDieter Rothdirect animationdirect filmdirect manipulationdrawing • Emmanuel Lefrant • experienceexperimental filmfilm making • film stock • filmmakerfine arthandmadeHarry Smith • Hy Hirsh • Ian Helliwell • imageryJennifer ReevesJennifer West • Jose Antonio Sistiaga • kiwi short filmsLen Lye • Luis Recoder • Marcelle Thirache • material experimentationmaterial practicematerialist cinemamethodmoving imageNew Zealand cultureNorman McLarenpaintingpattern • Pierre Rovere • pioneerpure abstraction • Schmelzdahin • scratch filmsequence designStan Brakhagesynaesthesia • Takahiko Iimura • Tony Conradvisual artsvisual culturevisual languagevisual spectacle

CONTRIBUTOR

Simon Perkins
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