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Which clippings match 'Dystopian Future' keyword pg.1 of 2
02 FEBRUARY 2016

After Accelerationism: The Xenofeminist Manifesto

"Xenofeminism is gender-abolitionist...Let a hundred sexes bloom! ...[And, let's] construct a society where traits currently assembled under the rubric of gender, no longer furnish a grid for the asymmetric operation of power… You're not exploited or oppressed because you are a wage labourer or poor; you are a labourer or poor because you are exploited..."

(The Laboria Cuboniks collective, 11 June 2015, &&& Journal)

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2015 • accelerationism • alien future • alienationalternative visions • aporias of difference • artificial wombs • becomingbody politicsbrave new world • class exclusion • counterculturecritical reinterpretationcyberfeminismdehumanisationdystopian futureearly 21st century • emancipatory potential of technology • exclusionfeminism • foundationalism • freedom from • freedom to • futuristic visiongender politics • gender-abolitionist • groundless universalism • human sexual experience • identity politicsImmanuel Kant • Laboria Cuboniks (collective) • liminalitymanifestomathematical abstractionmeaning-contextsmediated representationmutant sciencenetwork society • Nicolas Bourbaki • nodes of collective agreement • objective realityporous boundaries • prometheanism • protean ambition • race exclusion • radical recomposition • rationalityreterritorialisationselfhood • sexes • state of alienation • synthetic hormones • techno-utopiatechnoculture • technological alienation • transect • transfeminist perspective • transfeminist political project • transgender • transits • transmodernity • transtemporal • visions of the future • xenofeminism • xenofeminist • xenofeminist manifesto • XFM

CONTRIBUTOR

Simon Perkins
05 DECEMBER 2015

Life Smartphone: a commentary on smartphone dependence

"Min Alxe, a student at the China Central Academy of Fine Arts, created 'Life Smartphone,' a darkly funny commentary on our culture's smartphone dependence. It shows different characters moving through the world and dying gruesome deaths while not paying attention to what's around them."

(Max Plenke, 08 May 2015)

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20152D animationaddiction • adverse health effects • animated short filmbehavioral addictionblack humour • China Central Academy of Fine Arts • compulsive behaviourcultural commentarydystopian futureengrossing activityepisodic structure • extended phone use • Life Smartphone (2015) • Min Alxe • morbidnasty mishapsour relationship with technologyout of controlparody • poor posture • prolonged phone use • selfiesmartphone dependencespectacular society • text neck • textingtxtingunhealthy behaviourvignette

CONTRIBUTOR

Simon Perkins
15 FEBRUARY 2015

Dystopian sci-fi short film PostHuman (2012)

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2012 • Cole Drumb • Colliculi Productions • dystopian futuredystopian science fiction • Humouring the Fates • Jennifer Wai-Yin Luk • posthuman • PostHuman (2012) • sci-fi short film • technology mediated communication • technology mediated interaction • Tricia Helfer • video screen

CONTRIBUTOR

Simon Perkins
13 OCTOBER 2012

Loom: Blade Runner style 4K short film by Luke Scott

"He is an acclaimed commercial director who has pushed through his work to step out of the shadow of his father, Ridley Scott. And now Luke Scott is transcending boundaries in video technology with a visually–arresting 20–minute short film, Loom. Shot in coordination with RED Camera, the sci–fi short features Giovanni Ribisi and Jellybean Howie, although cinematographer Dariusz Wolski just might be its star.

The film follows Ribisi's character Tommy – a lab tech who genetically modifies meat and begins a dangerous at–home experiment he struggles to perfect. It ends with a monologue taken from the conclusion of Darwin's Origin of Species, leaving many of the story's questions left unanswered. 'There is grandeur in this view of life, with its several powers, having been originally breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved,' says Howie's character.

Visually, Scott – who directs for his father's production company RSA – gives nod to the filmmaker's 1982 classic Blade Runner, shooting the piece in the tone and style of the dystopian thriller. Constructed for 3D, the piece was crafted to test the limits of the colour range and exposure, allowing viewers to see fine details often lost in dark scenes.

RED initially presented Loom at the 2012 National Association of Broadcasters [NAB] Show this past April. The company has since continued to screen the film, and on Wednesday President Jarred Land released it online via REDUSER, with a disclaimer for cinephiles."

(Jennifer Madison, 31 August 2012, Mail Online)

Fig. 1 published on 28 Aug 2012 by ENTV, YouTube

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20124K • 4K 3D • 4K projection • bio-ethicsbiotechnologyBlade Runner (1982)Charles Darwincinematographycolour • colour range • commercials director • cultured meat • Dariusz Wolski • diseasedystopian future • dystopian thriller • Epic RED • film exposure • fine detail • genetic manipulation • genetically modified meat • genetics • Giovanni Ribisi • HDin vitro meat • Jellybean Howie • lab tech • laser projector • loom • Loom (film) • Los Angeles Short Fest • Luke Scott • mutant science • NAB (acronym) • National Association of Broadcasters • Origin of Species • RED Camera • RED ONE • REDUSER • Ridley Scott • RSA (production company) • sci-fisci-fi short filmscience-fiction • shmeat • short filmvideo technologyvisual spectacle

CONTRIBUTOR

Simon Perkins
29 JULY 2012

Fahrenheit 451: passive consumption through audience participation

"When the 'Family' (the television with its 'cousin' announcers and actors) presents an interactive play in which Linda believes she has a role, an actor (Donald Pickering) wearing glasses with thick, black rectangular frames, turns to the camera as it zooms in on him and says, 'What do you think, Linda?'"

(Tom Whalen, Gale Student Resources In Context)

Whalen, Tom. "The Consequences of Passivity: Re–evaluating Truffaut's Fahrenheit 451," in Literature–Film Quarterly, Vol. 35, No. 3, July, 2007, pp. 181(10).

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1966Alphaville • anti-intellectualism • audience participation • banbannedBernard Herrmannbig brotherbook • book burning • book-people • booksburning • Clarisse (character) • comic bookconformityconsolettecontroldisplay walldomestic futuresdystopiadystopian futureFahrenheit 451fire • fire department • firefighter • fireman • Francois Truffaut • Furia • futuristic societyGattacahousewifehumourindividualisminteractive dramainteractive experience • interactive teledrama • interactive television • It Happened Here (film) • Julie ChristieLinda (character)literature • Machiavelli • mahogany veneer • massificationmedia consumerMetropolis (1927)Montag (character)new forms of television • Nicolas Roeg • Nineteen Eighty-Four (1949)Oskar Werner • parlor wall • parlour • participation dramaparticipative media • passive consumer • passive consumptionpicture newspaper • pro-literature underground • Ray Bradburyreadingreality televisionscience fictionself-reflexivity • sensory deprivation • speculative fictionsubversion • telecast • televisiontelevision screenThe Family (television) • The Handmaids Tale • The Martian Chronicles • The Prince (book) • THX 1138 • totalitarianism • TV parlor • TV story • TV wall • video wall • visual joke • wall TV • wall-sized screen • what do you think • written languagewritten word

CONTRIBUTOR

Simon Perkins
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