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Which clippings match 'Roland Barthes' keyword pg.1 of 2
08 OCTOBER 2017

Understanding through Pictures versus an Understanding about Pictures

"When developing qualitative methods for the interpretation of pictures, it seems to be important not to explain pictures by texts, but to differentiate them from texts. Nevertheless, it seems equally important to develop common standards or methodological devices which are relevant for the interpretation of texts, as well as for the interpretation of pictures. Examples of common standards are: to treat the text as well as the picture as a self-referential system, to differentiate between explicit and implicit (atheoretical) knowledge, to change the analytic stance from the question What to the question How, to reconstruct the formal structures of texts as well as pictures in order to integrate single elements into the over-all context, and—last but not least—to use comparative analysis. The application or realization of these common standards and methodological devices in the field of the interpretation of pictures, however, has to be quite different from that of the interpretation of texts, if we intend to advance to iconicity as a self-contained domain, to its inherent laws and to its autonomy independent from texts."

(Ralf Bohnsack, 2008)

Volume 9, No. 3, Art. 26 – September 2008, Forum Qualitative Sozialforschung / Forum: Qualitative Social Research.


Alfred Schutz • analytic mentality • atheoretical knowledge • Bildlichkeit • Charles Goodwin • communicative knowledge • comparative analysis • conjunctive knowledge • conversational analysis • cultural phenomena • documentary meaning • Documentary Method of Interpretation • empirical social sciences • Erving Goffman • Erwin Panofsky • ethnomethodology • formal compositional structure • Forum Qualitative Social Research • Forum Qualitative Sozialforschung • FQS • Gottfried Boehm • Hans Belting • Harold GarfinkelHarvey Sacks • hyper-ritualization • iconic meaning • iconicityiconography • iconology • image-based understanding • immanent meaning • interpretative methods • Karl MannheimKarl Popper • linguistic turn • literal meaning • Martin Heidegger • Max Imdahl • meaning image-based depictions • Niklas Luhmann • Peter BergerPierre Bourdieuplanimetric composition • Praxeological Sociology of Knowledge • qualitative methodsqualitative research • Ralf Bohnsack • research practiceRoland Barthes • self-referential systems • semantic structure • semiotics • sequence analysis • simultaneitysocial phenomenasocial realitysociologysociology of knowledgetacit knowledge • text interpretation • theory of action • Thomas Luckmann • transcontrariness • typification • Umberto Ecovideo analysis • visible phenomena


Simon Perkins
07 OCTOBER 2013

Bingo, Barbie and Barthes: 50 Years of Cultural Studies

"Fifty years after Richard Hoggart established Cultural Studies with the founding of the Centre for Contemporary Cultural Studies in Birmingham, Laurie Taylor takes a personal look at what this new discipline has given us –– taking cultural studies out of the academy to ask: has it really narrowed the separation between high and low culture, or just been an excuse for soap fans to write dissertations on Coronation Street?"

(BBC Radio 4)

First broadcast: Monday 07 October 2013



201450th anniversary • academic discipline • Angela McRobbieBarbie dollBBC Radio 4 • bingo • Birmingham • Caspar Melville • Centre for Contemporary Cultural StudiesChristopher Fraylingcontemporary culture • Coronation Street • critical language • critical tools • cultural studies • cultural thinking • democratised culturehigh culture • Lady Chatterleys Lover • Laurie Taylor • leisure activitylived experiencelow culture • Lynsey Hanley • mass mediamassification • Matthew Hilton • Owen JonesPaul Gilroy • Paul Willis • popular arts • popular culturepopular musicpost-warRaymond WilliamsRichard HoggartRoland Barthessoap operasocial change • street culture • Stuart Hall • tabloid • the academyTV


Simon Perkins
25 APRIL 2013

Contemporary kinetic typography relies on historical developments

"This is a lecture given to MA students at the University of Hertfordshire. It explores how contemporary kinetic typography relies on historical developments such as 3D woodblock print, Romain du Roi, and Modernist modular lettering. Students are encouraged to let their design work respond to historical research. This does not mean creating something that looks old or retro, rather creating something innovative and new by re–imagining historical ideas in light of new technologies and contexts."

(Barbara Brownie)



3D typography • Academie des Sciences • architectural formsart and design • Barbara Brownie • Bauhaus School • borrowing from the past • Channel 4Channel 4 identchannel identDe Stijl • design nostalgia • grid systemhistorical developmentsJosef Alberskinetic typographyKyle Cooper • learning from history • lecturemachine aesthetic • malleable typography • modular typography • modularity in designmorphingparodypostmodern pasticheprimitive shapesprimitivesrecontextualisation • reinvention • remediation • retrievalism • retroRoland Barthes • Romain du Roi • School of Creative Arts • Stencil (typeface) • TV identtypographic animationtypographyunified wholeUniversity of Hertfordshirevisual abstractionwoodblock printing


Mary-joy Ashley
08 OCTOBER 2012

LUDOLOGY MEETS NARRATOLOGY: Similitude and differences between (video)games and narrative

"Literary theory and narratology have been helpful to understand cybertexts and videogames. Aristotelian Poetics [Laurel, 1993], Russian formalism [Porush and Hivner, ?], and poststructuralism [Landow, 1992] are some of the different perspectives that have been used to study the subject.

Some authors see cybertexts and videogames as a new form of or as an expansion of traditional narrative or drama. The fact is that these computer programs share many elements with stories: characters, chained actions, endings, settings.

However, there is another dimension that has been usually almost ignored when studying this kind of computer software: to analyze them as games.

The problems of using a 'game' perspective are many. Basically, traditional games have always had less academic status than other objects, like narrative. And because of this, game formalist studies are fragmented through different disciplines, and not very well developed.

In this paper we will propose to explore videogames and cybertexts as games. Our intention is not to replace the narratologic approach, but to complement it. We want to better understand what is the relationship with narrative and videogames; their similarities and differences."

(Gonzalo Frasca, 1999)

Frasca, Gonzalo (1999) 'Ludology Meets Narratology. Similitude and Differences between (Video)games and Narrative'. Originally published in Finnish in Parnasso 1999: 3, 365–71.


1999 • Albert Sidney Hornby • Andre Lalande • Aristotelian Poetics • Aristotles Poetics • Brenda Laurelcausalitycausally relatedcausally related narrative events • chained actions • character • Claude Bremond • computer programme • computer software • cybertext • cybertexts • Daniel Vidart • David Porush • ending • Espen AarsethFILE (festival) • game formalist studies • game perspective • game studiesgame theorygames • George Landow • Gerald Prince • Gonzalo Frasca • Jean Piagetliterary theory • ludology • narrative and videogames • narratologic approach • narratologynew form • Oswald Ducrot • post-structuralism • Roger Caillois • Roland Barthes • Russian formalism • Schaeffer Jean-Marie • setting • similarities and differences • stories • studying games • Todd Hivnor • traditional drama • traditional narrative • Umberto Ecovideo gamevideogames


Simon Perkins
21 JULY 2012

Roland Barthes: Readerly and Writerly Texts

"The writerly text is a perpetual present, upon which no consequent language (which would inevitably make it past) can be superimposed; the writerly text is ourselves writing, before the infinite play of the world (the world as function) is traversed, intersected, stopped, plasticized by some singular system (Ideology, Genus, Criticism) which reduces the plurality of entrances, the opening of networks, the infinity of languages."

(Roland Barthes, p.5)

1). Roland Barthes (1970). "S/Z" translated by Richard Miller, Blackwell Publishing.
2). A British one penny coin from 1903, which has been defaced by Suffragettes. Crown copyright.



1970 • codes of meaning • Comedie Humaine • criticismdifferancegenusHonore de Balzacideology • infinity of languages • languagelisable • lisible • literary criticismnarratology • opening of networks • ourselves writing • plasticised • plural • plurality • plurality of entrances • polysemouspolysemypost-structuralismreaderly textsRoland Barthes • S/Z • Sarrasine • scriptiblestructuralism • structuralist analysis • text • text of the story • the pastwriterly texts


Simon Perkins

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