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Which clippings match 'Continuity Editing' keyword pg.1 of 1
28 JANUARY 2014

Montage theory: the Battleship Potemkin Odessa Steps scene

"Montage––juxtaposing images by editing––is unique to film (and now video). During the 1920s, the pioneering Russian film directors and theorists Sergei Eisenstein and Dziga Vertov demonstrated the technical, aesthetic, and ideological potentials of montage. The 'new media' theorist Lev Manovich has pointed out how much these experiments of the 1920s underlie the aesthetics of contemporary video.

Eisenstein believed that film montage could create ideas or have an impact beyond the individual images. Two or more images edited together create a 'tertium quid' (third thing) that makes the whole greater than the sum of its individual parts.

Eisenstein's greatest demonstration of the power of montage comes in the 'Odessa Steps' sequence of his 1925 film Battleship Potemkin. On the simplest level, montage allows Eisenstein to manipulate the audience's perception of time by stretching out the crowd's flight down the steps for seven minutes, several times longer than it would take in real time"

(Glen Johnson)

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TAGS

1920s1925 • audience perception • Battleship Potemkin (1925)cinematic visual languagecontinuity editing • cross cutting • crowdDziga Vertovediting technique • film aesthetics • film montage • film sequence • ideological potential • juxtapositionLev Manovichmontagemontage theory • narrative design • Odessa Steps • parallel action • parallel cut • parallel editing • parallel textsequence designSergei Eisensteinshot reverse shotstaircasestairwaysteps • tertium quid • third thing • whole is greater than the sum of the parts

CONTRIBUTOR

Simon Perkins
06 MARCH 2012

CINEMA ESSAY: SHALLOW FOCUS, DEEP FOCUS, TRACKING SHOT, ESTABLISHING SHOT

Majestic Micro Movies: Lloyd Fonvielle, James Lester, Kendra Elliot, Joe Griffin and Jae Song.

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a girl and a gunAndre Bazin • big depth of field • black and whitecameracinemacinematic conventionscinematic languagecinematic visual languagecinematographyclapperboardcoherent spacecompositioncontinuity editingdeep focusdepth of fielddepth of the screen spacedesign formalismDOF • establishing shot • figures in spacefilmfilm language • film take • film technique • filmlook • filmmaking • focus of attention • Manny Farber • master shot • medium is the messagemise-en-scenenarrative scenesproductionscenescreen spaceselective focusshallow depth of fieldshallow focus • shot countershot • shot reverse shottracking cameratracking shot • two shot • video essayvisual depictionvisual languagevisual literacyvisual style • wide lens

CONTRIBUTOR

Simon Perkins
04 APRIL 2005

Learning Objects for Design (Formalism)

"'Learning Objects in Design: Written Refocalization' is a learning object for design education. A learning object for design (LOD) is comprised of the modules: concept; interpretation (examples that are interpretations of the concept(s)); design task; proto design; critique guide; resources. When delivered as a web site, as opposed to through a learning delivery system, the LOD also includes an index page. The learning object provides a design problem that embodies one or more design concepts. The student takes a partially completed design and completes it. Further, the student critiques the designs of other students according to an included critique guide. 'Learning Objects in Design: Refocalization' uses the design concepts: focus and refocalization. Its design task requires students to rewrite a story around a secondary character."

(Robert Woodbury, Steven Forth, Cheryl Qian, David Botta, Ben Lin)

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alternation • approximate symmetry • architectural design language • asymmetry • audio refocalization • balance • Ben Lin • British Columbia • Charles Jencks • Cheryl Qian • continuity editing • David Botta • design formalismdesign language • design learning resource • dominanceform and functionfunctional formgestalt principles • gradation • Henry Jenkins • hierarchy scale • knowledge repositorylearning objects • learning objects for design • learning resource • linear rhythm • LOD • narrative sequencing • pattern-making • precision snap • purposeful imbalance • refocalization • repetitionrepetition and change • Robert Woodbury • spatial perspective • spatial rhythm • spatial scale • spatial symmetry • Steven Forth • subordination • symmetrical balance • Technical University of British Columbia (TechBC) • vertical balance • visual balance • visual continuity • visual contrastvisual hierarchyvisual perspective • visual scale • written refocalization
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