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29 JANUARY 2017

Jonathan McIntosh: Building a Critical Culture with Remix Video

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TAGS

2008appropriationArs Electronica Festival • blip.tv • critical culture • critical perspectivescut-up techniquecut-up videosDIY media • identity correction ad • Jonathan McIntosh • political prankster • political remix videorecontextualising found objectsremix videosocial critiquesocial norms • subversive remix video • transformative video remixtransformative worksvideo remixYouTube video

CONTRIBUTOR

Simon Perkins
17 APRIL 2015

Tactical Media Files: a living archive of social-political action

"Tactical Media emerged when the modest goals of media artists and media activists were transformed into a movement that challenged everyone to produce their own media in support of their own political struggles. This "new media" activism was based on the insight that the long-held distinction between the 'street' (reality) and the 'media' (representation) could no longer be upheld. On the contrary, the media had come to infuse all of society.

To challenge dominant (strategic) structures in society, it was necessary develop new (tactical) means of producing and distributing media. Not a specialised task separate from the social movements, but a key activity around which social movements could coalesce. And of equal importance, the media environment characterised by a broadcast logic of geography was being supplemented with an environment characterised by a many-to-many logic of access.

Though much has changed these insights remain as valid today as they did in the early 1990s."

(Eric Kluitenberg and David Garcia)

Fig.1 Image from: Critical Art Ensemble, Digital Resistance: Explorations in Tactical Media, 2001. http://critical-art.net/books/digital

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TAGS

1990sagency of access and engagementamateur cultural productionAmsterdamartist collectivebig media • broadcast logic • broadcast mediacollective actioncritical artcritical engagementcritical perspectivescritical practices • David Garcia • digital resistance • Eric Kluitenberg • hegemonic discourse • International Institute for Social History in Amsterdam • living archive • living practice • many-to-many • media activism • media archive • media environment • media representation • multimedia organisation • new media activism • new tactical means • participative mediapolitical action • political struggles • politics of resistance • power and agency • producing and distributing media • renewal and re-invention • social historysocial movementstactical engagementtactical media • Tactical Media Files • television programming

CONTRIBUTOR

Simon Perkins
07 JANUARY 2015

The importance of critical perspectives for maintaining liberal society

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TAGS

anti-authoritarian • anti-institutional critique • anti-religious critique • Bernard Verlhac • blasphemy • Cabu (pseudonym) • cartooncartoonists • Charb (pseudonym) • Charlie Hebdo • comic strip • contempt • controversial contentcritical commentarycritical perspectivescritique of powerdeliberately offensive • distaste • free expressionfree speechfreedom of expression • freedom of the press • French cartoonistinfamousinfamy • insulting likeness • inviolable • Jean Cabut • lampooning • left-wing ideals • left-wing pluralism • liberal attitude • liberal democracies • liberal societymade to offendmagazine • magazine cover • mockingMohammad caricaturesmonotheismMuhammad cartoonsoffenceoffensive behaviour • Philippe Honore • pluralistic society • politically conscious • Pope • press freedom • provocative cartoons • provocative picturesreligious fundamentalism • reverence • sacredsatiresatirical illustration • satirical newspaper • secular society • sextremism • social critique • Stephane Charbonnier • Tignous (pseudonym) • vulgarity • weekly newspaper

CONTRIBUTOR

Simon Perkins
18 JANUARY 2013

empyre: critical perspectives on contemporary cross-disciplinary issues, practices and events in networked media

"–empyre– facilitates critical perspectives on contemporary cross–disciplinary issues, practices and events in networked media by inviting guests –key new media artists, curators, theorists, producers and others to participate in thematic discussions.

–empyre– is an Australian based global community which preserves its autonomy as a non–hierarchical collaborative entity by engaging with new content on a monthly basis. The list was instigated by Melinda Rackham (AU) in 2002. The community grew exponentially and within the first year Adrian Miles (AU) and Rebecca Cannon (AU) joined briefly as facilitators. Long–term facilitators Christina McPhee (USA) and Michael Arnold Mages (USA) were invited to the –empyre– curatorium soon after, and during the next years they were joined by Jim Andrews (CA)and Felix Sattler (AU/GER). In 2005 Tracey Meziane (AU) and Marcus Bastos (BR) joined the team, and in 2006 and 2007 it was extended with Sérgio Basbaum (BR), Nicholas Ruiz III (USA), Renate Ferro (USA) and Tim Murray (USA). To find out more go to who is –empyre–"

(Melinda Rackham)

TAGS

2002 • Adrian Miles • Australian • Christina McPhee • contemporary practicescritical perspectivescross-disciplinary • cross-disciplinary issues • cross-disciplinary knowledge communitycross-disciplinary research • curatorium • dOCUMENTA (festival) • empyre • Felix Sattler • fibrecultureglobal community • Jim Andrews • Marcus Bastos • Melinda Rackham • Michael Arnold Mages • network society • networked media • new content • new media • new media artists • new media curators • new media producers • new media theorists • Nicholas Ruiz • non-hierarchical collaborative entity • Rebecca Cannon • Renate Ferro • Sergio Basbaum • thematic discussions • Tim Murray • Tracey Meziane

CONTRIBUTOR

Simon Perkins
21 JULY 2012

The Parsons' Masters in Design Studies Programme

"Design studies (like design) is a multifarious enterprise. A branch of the humanities, it comprises a wide range of critical perspectives on the meanings and values embodied in objects and places. It examines the forces that design exerts in, and on, the world – forces design sets in motion but does not control. Parsons' Masters in Design Studies program places particular emphasis on four points: the role of the designer and the design studio in redefining the scope of practice in the 21st century; design as an iteration of aesthetic and intellectual histories that continue to inform the present; the social, political and environmental behaviors and consequences of designing objects, places, situations, and systems today; design as the projection of different futures.

Above all, the MA Design Studies program focuses on the development of articulate, critical voices that can speak to these issues. Students will be prepared to write for the academic context, the design community, and the larger public realm. Working in close proximity to MFA studio programs at Parsons, they also have the opportunity to integrate film, video, and other media into their work."

(Susan Yelavich)

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21st centuryaestheticsart and design school • branch of humanities • critical perspectivescritical theory • critical voices • critiquecurriculumdesign community • design consequences • design coursedesign futuresdesign responsibilitydesign studiesdesign studiodesigning objectsdifferent futures • environmental behaviours • history of ideas • intellectual histories • MA • MA Design Studies • masters degree • Masters in Design Studies • multifarious enterprise • objects and places • Parsons The New School for Designplacespolitical behaviourrole of the designerscope of practicesocial behavioursocial changestudio programme • Susan Yelavich • visual culture

CONTRIBUTOR

Simon Perkins
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