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Which clippings match 'Charles Sanders Peirce' keyword pg.1 of 1
20 AUGUST 2014

Musical sense-making and the concept of affordance: an ecosemiotic and experiential approach

"Is music something 'out there', a kind of structure or artefact, that can be dealt with in a static way? Or does it rely on processes which call forth interactions with the sounds? Should we conceive of music users besides the music, and think about music as something which is perceived, conceptualised and enacted upon in order to be meaningful? Is music an ontological category, or a sounding phenomenon that calls forth epistemic interactions with the sounds? And can music be considered as a sonic environment and the music user as an organism that generates music knowledge as a tool for adaptation to the sonic world?

These questions revolve around the ecological concept of coping with the (sonic) world (Reybrouck, 2001a, 2005a, b). Musical sense–making, in this view, can be addressed in terms of interactions with the sounds, both at the level of perception, action and mental processing. It is a position that broadens the scope of music research, encompassing all kinds of music and sounds, and going beyond any kind of cultural and historical constraints. Music, in this broadened view, is to be defined as a collection of sound/time phenomena which have the potential of being structured, with the process of structuring being as important as the structure of the music. As such, it is possible to transcend a merely structural description of the music in favour of a process–like description of the ongoing process of maintaining epistemic contact with the music as a sounding environment. A central focus, in this approach, is on the role of musical experience and the way how listeners make sense of music as it sounds (see Blacking, 1955; Määttänen, 1993; Reybrouck, 2004; Westerlund, 2002)."

(Mark Reybrouck, 2012)

Reybrouck, M. (2012). "Musical sense–making and the concept of affordance: an ecosemiotic and experiential approach". Biosemiotics, 5 (3), 391–409.

TAGS

2012 • adaptive control • affordancesbiology • biosemiotic claims • Charles Sanders Peircecircularityconceptual framework • consummation • coping with the environment • cybernetics • ecological approach to perception • ecological psychology • ecosemiotic claims • empirical evidence • enactive cognition • epistemic interactions • epistemic interactions with sound • experiential cognition • formation of formfunctional significance • functional tone • interaction with the environmentinterdisciplinary focus • interpretant • Jakob von Uexkull • James GibsonJohn Deweylistening • Mark Reybrouck • music • musical behaviour • musical sense-making • neurobiological research • ontological category • operational description • perceptual phenomenonpragmatismsensemaking • sounding music • sounding phenomen • systemic cognition • William James

CONTRIBUTOR

Simon Perkins
29 MARCH 2013

Abductive Reasoning as a Way of Worldmaking

"What is the function of abductive inference? For [Charles Sanders] Peirce it is 'the process of forming an explanatory hypothesis. It is the only logical operation which introduces any new idea; for induction does nothing but determine a value, and deduction merely evolves the necessary consequences of a pure hypothesis. Deduction proves that something must be; induction shows that something actually is operative; abduction merely suggests that something may be' (CP 5.171, cf 1991a, p.333). Abduction may thus be conceived of as a principle that allows us to reconstruct how conceptual order is achieved through the imposition of a hypothesis (in the form of a minimal theory, an idea, a rule or a law–like hypothesis) – which inaugurates constructivist thinking. Here I can only hint at the great variability of this schema; it enables us to bridge the traditional gap between the arts and the sciences because it can be used as a model both of explanation and of understanding."

(Hans Rudi Fischer, pp. 368, 2001)

Peirce, Charles Sanders (CP). (1931–35, 1958) "Collected Papers of Charles Sanders Peirce". Bd. I–VI (1931–34) ed by Ch. Hartshorne and P. Weiss. Vol. VII–VIII (1958) ed. By A.W. Burks. Cambridge, Massachusetts/London.

Peirce, Charles Sanders (1991a), Naturordnung und Zeichenprozeß. Schriften über Semiotik und Naturphilosophie. Hrsg. und eingeleitet von Helmut Pape. Frankfurt/Main, Suhrkamp.

Foundations of Science, special issue on "The Impact of Radical Constructivism on Science", edited by A. Riegler, 2001, vol. 6, no.4: 361–383. "Abductive Reasoning as a Way of Worldmaking", Hans Rudi Fischer, Heidelberger Institut für systemische Forschung und Therapie, Kussmaulstr. 10, D–69120 Heidelberg, Germany.

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TAGS

2001 • abduction • abductive inference • abductive reasoningarts and sciencesCharles Sanders Peirceconstructivismdeductive reasoning • explanatory hypothesis • Foundations of Science (academic journal) • Hans Fischer • hermeneutical procedures • hermeneuticshypothesisinductive reasoninginferenceinterpretation of experience • knowing as inferring • knowledge of the world • language gameslogical rationalitylogical rules of inferencelogical-analytical paradigm • logically false • Ludwig Wittgenstein • manufacturing of knowledge • material environment • paralogical reasoning • paralogism • paralogy • philosophical construction • praxis of living • rationalityreasoning • retroduction • rule system • rule-following • rules of thought • synthetic thinking • traditional logic • worldmaking

CONTRIBUTOR

Simon Perkins
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