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Which clippings match 'Dirk Paesmans' keyword pg.1 of 1
22 NOVEMBER 2015

Questioning how we relate to the world in functional ways

"JODI's disruption of mapping and video games reminded me of Situationist artist Guy Debord's calls for a 'renovated cartography.' For Debord, when we blindly follow the same directions over and over, using the easiest paths, we get stuck relating to the world in 'functional' ways and imagination withers. Debord wanted people to use the wrong map in the wrong place — to get lost in order that we might see our surroundings anew. Similarly, JODI strips away the usual instrumental goals of our engagements with digital media — to win a game, to communicate information, to navigate quickly. What we are left with is a bare awareness of the random components of our digital lives and a glimpse at the other possibilities for technology."

(Leila Nadir, 30 April 2012, Museum of the Moving Image)

TAGS

2012agency of access and engagementcartographycontrolled environments • designing for playful engagement • Dirk Paesmansdisruptive interrogation • diversity of engagement • exploratory experimentation • exploring other possibilities for technology • functional purpose • getting lost • Guy Debordinstructions for useinstrumental conception of technologyInternet artJoan HeemskerkJODI (art collective)Museum of the Moving Imageour digital livesperformativity • questioning our uses of technology • relating to the world in functional ways • renovated cartography • rethinking boundaries • scriptible spaces • seeing our surroundings anew • Situationist Internationalsymbolic controlunfolding possibilitiesvideo games

CONTRIBUTOR

Simon Perkins
06 FEBRUARY 2013

jodi.org

"JODI has over the years built quite a reputation, especially with their notorious CD–rom OSS/**** (Mediamatic, Amsterdam 1998) which, immediately after installation, executes a takeover of the computer. In 1999 their work was part of exhibitions like Netconditions at the ZKM at Karlsruhe, The Allure of the Digitalat the Tate Gallery in London and the SONAR festival in Barcelona. They were awarded a number of international prizes, amongst which the Webby Awards in San Francisco. JODI disposed of this prize immediately, calling the DotCom–audience 'ugly %commercial sons–of–bitches'. In the year 2000 JODI was present at several international group–exhibitions and festivals, such as the Transmediale in Berlin and Deathmatch at Hangar in Barcelona Even an apparently obsolete medium like teletext did not escape JODI's interference. In 2000 they released their unusual way of thinking on 'Page 379' on the occasion of the 25th anniversary of this medium."

(v2.nl)

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TAGS

artart installationartist collectivecodecomputercreative practice • Deathmatch • digital detritusDirk Paesmans • DotCom-audience • hypertext • interference • InternetJoan HeemskerkJODI (art collective)Mediamaticnet artnet.art • Netconditions (exhibition) • obsolete medium • Page 379 • SONAR festival • takeover • Tate Modern • teletext • The Allure of the Digitalat • Transmediale festivalV2_ • Webby Awards • ZKM

CONTRIBUTOR

Simon Perkins
10 APRIL 2011

The Internet as Art: In the digital age, the medium is the new message

"Just as video and computer technology attracted pioneering artists in the 1960s and 1970s, the Internet today is inspiring artists to tinker with the possibilities and boundaries of the World Wide Web. What started as a playful and often tongue–in–cheek experimental venture by a few code–savvy artists in the early 1990s has grown into a global art movement that is attracting attention from museums and private collectors. Karlsruhe–based media museum Zentrum fuer Kunst und Medientechnologie, or ZKM, has been running a series of net.art exhibitions. Berlin's Digital Art Museum recently showed the video performance 'Hammering the Void,' by Gazira Babeli, the pseudonym for an artist who exists only in Second Life, an online virtual reality game.

Among the artists who first saw the potential for creative uses of the information superhighway were Belgrade–born Vuk Cosic and Amsterdam–based artist duo Joan Heemskerk and Dirk Paesmans, who perform under the pseudonym jodi on the Web. Their early digital works, much like the art being made today by Italian duo Eva and Franco Mattes – who call themselves 0100101110101101.ORG – often imitated or at least paid ironic homage to the clandestine machinations of computer hackers."

(Goran Mijuk, 29 July 2009, Wall Street Journal)

Fig.1 'T–Visionarium' (2003–08), by Neil Brown, Dennis Del Favero, Jeffrey Shaw and Peter Weibel

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TAGS

01012003artcodecreative practice • Dennis Del Favero • digital age • Digital Art Museum • digital cultureDirk Paesmans • error message • experimentationinteractive installationInternetJeffrey ShawJoan HeemskerkJODI (art collective)Karlsruhemedia artmediummedium is the messagemuseum • Neil Brown • net artnew mediaPeter WeibelpioneeringplayfulSecond Life (SL) • T-Visionarium • tinkertongue-in-cheekvideo artvideo performancevirtual realityZentrum fur Kunst und MedientechnologieZKM

CONTRIBUTOR

Simon Perkins
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