"Over the past 8 years, YouTube has given birth to an increasingly sophisticated entertainment culture that operates outside of the traditional television and film ecosystem. With humble roots in charismatic and creative people simply sharing their lives, thoughts, and humor to their webcams, YouTube entertainment has diversified and grown into tens of thousands of unique channels with millions of loyal fans and subscribers. With a new generation of viewers increasingly turning to YouTube instead of broadcast TV, a new industry is being built around personalities who have dissolved the barriers between on–screen talent and the audience, and who employ visual aesthetics that make the viewer feel as if they are a part of the creator's life. Truly, we are in a new era of entertainment, one being led by millions of young people who are equally happy to watch video on their laptop as they are on their TV."
"Photoshop has completely revolutionized our visual culture. Artists now use Photoshop to create complex imagery that would have been impossible 20 years ago. It has also profoundly changed the art of photo retouching, turning a labor intensive process into an artful and often controversial digital workflow. But possibly the most current and expressive influence can be seen in meme culture online. With the ability to alter any image in the media landscape, everyday people now have the means to critically comment on culture and spread their ideas virally, leveling the playing field between traditional media creators and consumers. Photoshop has changed the way we communicate, the way we express ourselves, and the way we view the world and each other."
"On the day after Martin Luther King was killed, I––one of my students came into the room and said they shot a king last night, Mrs. Elliott, why'd they shoot that king? I knew the night before that it was time to deal with this in a concrete way, not just talking about it, because we had talked about racism since the first day of school. But the shooting of Martin Luther King, who had been one of our heroes of the month in February, could not just be talked about and explained away. There was no way to explain this to little third graders in Riceville, Iowa. ...
I decided at that point that it was time to try the eye color thing, which I had thought about many, many times but had never used. So the next day I introduced an eye color exercise in my classroom and split the class according to eye color. And immediately created a microcosm of society in a third–grade classroom."
(Jane Elliott, 1985, PBS)
Frontline "A Class Divided": Season 3, Episode 9, A Class Divided (26 Mar. 1985), Director: William Peters, Writers: Charlie Cobb, William Peters.
"Austin Kleon's talk 'Steal Like An Artist' is a creative manifesto based on 10 things he wish he'd heard when he was starting out. Austin is a writer and artist. He's the author of Newspaper Blackout, a best–selling book of poetry made by redacting newspaper articles with a permanent marker. Austin's talk was delivered as part of the TEDxKC presentation of TEDxChange. Austin's work (including his new book) 'Steal Like An Artist' has been featured on NPR's Morning Edition, PBS Newshour, and in The Wall Street Journal. He speaks about creativity, visual thinking, and being an artist online for organizations such as SXSW and The Economist."
(TEDx Talk, 2012, Kansas City)
"Unlike most documentaries of its day, An American Family had no host, no interviews, and almost no voice–over narration. Producer Craig Gilbert presented the family's daily life – as captured by filmmakers Alan Raymond behind the camera, and Susan Raymond covering sound – in the style of cinéma vérité. It was the most controversial and talked–about television program of its era.
PBS was then a fledgling 'fourth network' joining CBS, NBC and ABC, and despite its non–commercial profile was looking for blockbuster hits, according to Bill Kobin, Vice President for programming at NET at the time. In the course of its 12 week run, An American Family riveted the country and drew in a record 10 million viewers a week. In the years since it was first broadcast, the series has become the subject of lengthy articles and reviews, including panel discussions with anthropologist Margaret Mead, who speculated that An American Family could be the beginning of a new way to explore the complexities of contemporary reality, 'maybe as important for our time as were the invention of drama and the novel for earlier generations.'
Now, 40 years since filming, the original filmmakers have edited a new 2–hour feature–length special capturing the most memorable and compelling moments of the landmark series. See for yourself why An American Family is one of the 50 Greatest TV Shows of All Time (TV Guide, 2002)."
Public Broadcasting Service (PBS)