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Which clippings match 'GDR' keyword pg.1 of 1
08 FEBRUARY 2015

Achterbahn: the story behind Berlin's abandoned Spreepark

"Norbert Witte hatte einen Traum: er wollte aus dem Berliner Spreepark–einem Freizeitpark, der zu DDR–Zeiten unter dem Namen »Plänterwald« berühmt geworden ist–den größten Rummelplatz des gerade wiedervereinigten Deutschlands machen. Stattdessen ging der König der Karusselle pleite und setzte sich mit seiner Familie und dem größten Teil seiner Gerätschaften im Jahre 2002 nach Peru ab. Er hinterließ der Stadt Berlin einen Riesenberg Schulden und ein großes Chaos. In Peru verwickelt er sich und seinen 20jährigen Sohn in Drogengeschäfte. Beide landen im Knast: Norbert Witte in Deutschland, sein Sohn in einem der härtesten Knäste der Welt…"

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TAGS

19692003 • abandoned amusement park • abandoned places in Eastern Europeabandoned ruins • abandoned theme park • Achterbahn (2009) • amusement parkBerlin • boarded up • cocaine • dark undersidedeserted placesdinosaurdocumentary film • drug smuggling • drug trafficking • East Berlin • East Germany • entertainment park • filming location • fun park • fun-rides • GDRGermany • Hanna (2011) • Kulturpark Planterwald • Lima • Marcel Witte • neglected buildings • Norbert Witte • Peru • Peter Dorfler • Pia Witte • Planterwald • prison • rollercoaster • ruins • Sabrina Witte • Sarita Colonia prison • Spree river • Spreepark • Spreepark Berlin • Spreepark GmbH • Treptow-Kopenick • Treptower Park • urban decay

CONTRIBUTOR

Simon Perkins
24 JUNE 2012

A History of Eastern European Matchbox Design

"Matchbox labels from the former Eastern bloc often display a remarkable degree of sophistication, elegance and artistic quality. They were, at a time, the most convenient,efficient and powerful medium for visual communications. Although they were produced under strict state–controlled production processes; that were aimed at exploiting them as a means of publicizing political initiatives, promoting public health and safety, and selling the communist ideal both at home and abroad, the artists used them as a vehicle to experiment with various imaginative ideas and artistic techniques, achieving truly stunning results."

(Guity Novin – گیتی نوین (ناوران) – ا)

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Albania • Alexander Dubcek • artistic techniques • Bulgaria • Central Europe • communism • communist design • communist reformers • communist systemCzechoslovakiaEast GermanyEastern bloc • Eastern Europe • EstoniaGDR • German Democratic Republic • graphic designgraphic design history • Guity Navran • Guity Novin • history • history of graphic design • Hungarian Uprising • Hungary • Imre Nagy • Jane McDevitt • Joseph Stalin • label design • LatviaLithuania • matchbox • matchbox labels • national identity • NATO Alliance • Nikita KhrushchevPoland • political initiatives • post-war erapostwar • powerful medium • Prague Springpublic healthpublic information • public safety • publicising • RomaniaRussiaSocialist Federal Republic of Yugoslaviasocialist realismSoviet Union • state-controlled • the communist ideal • USSRvisual communication • Warsaw Pact • Western democracies • Yugoslavia

CONTRIBUTOR

Simon Perkins
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