"Since its formation in November 2010, KSEVT institute establishes itself on a global map of institutes operating at the intersection of artistic, scientific, cultural and space-related topics. Its key events are the opening of KSEVT building in Vitanje, a set of exhibitions shedding light on the tradition and continuity of Slovenian art and science pioneers and, moreover, the establishing of a Cultural Space Programme."
"The brief was to create a visual reaction inspired by a chosen sub-culture, in this case, Parkour. Parkour is an urban ‘free-running’ discipline, originated from France. Its aim is for its traceur to overcome obstacles within the path, by adapting physical movement to traverse the urban environment, using physical abilities like jumping and climbing. The intention of this animation is to capture the movement and physical beauty of the traceur while traversing through the environment. This viral is aimed to create an awareness for parkour as an artform, rather than a sport. Credits to Noel Lee for filming and editing, and lecturer Kevin Barrios for the inspiration"
(Serene Teh, 2010)
"The term 'emoticons'—short for 'emotion icons'—refers to graphic signs, such as the smiley face, that often accompany computer-mediated textual communication. They are most often characterized as iconic indicators of emotion, conveyed through a communication channel that is parallel to the linguistic one. In this article, it is argued that this conception of emoticons fails to account for some of their important uses. We present a brief outline of speech act theory and use it to provide a complementary account of emoticons, according to which they also function as indicators of illocutionary force. More broadly, we identify and illustrate three ways in which emoticons function: 1) as emotion indicators, mapped directly onto facial expression; 2) as indicators of non-emotional meanings, mapped conventionally onto facial expressions, and 3) as illocutionary force indicators that do not map conventionally onto a facial expression. In concluding, we draw parallels between emoticons and utterance-final punctuation marks, and show how our discussion of emoticons bears upon the broader question of the bounds between linguistic and non-linguistic communication."
(Eli Dresner and Susan C. Herring, 2010)
Dresner, E., & Herring, S. C. (2010). "Functions of the non-verbal in CMC: Emoticons and illocutionary force". Communication Theory, vol. 20, no. 3, pp. 249-268.
"The young Dutch designer starts each of his creations on the basis of a material experiment. This enables him to discover production techniques and aesthetic developments. The result lies within unusual and attractive patterns, colours and structures. ... His love for materials has given birth to a passion for textiles that have a strong impact on his creations and pushed him to imagine a series of bizarre masks, in 2010; masks that are to Matisse, 'a characteristic sign of our essence'."
(The Red List)